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How close would you hold those you love, when the end comes? In a society where self-preservation is as much an art as a science, Norah and Arthur are learning how to co-exist in their new little world. Though they hardly know each other, everything seems to be going perfectly – from the home they’re building together to the ring on Norah’s finger. But survival in this world is a tricky thing, the air is thicker every day and illness creeps fast through the body. And the earth is becoming increasingly hostile to live in. Fortunately, Easton Grove is here for that in the form of a perfect little bundle to take home and harvest. You can live for as long as you keep it – or her – close. File Under: Science Fiction [ Teratoma for One | Nine Lives | Cell Patchwork | Till Death ]
A genius is abducted by an alien bounty-hunter for the location of a powerful inter-dimensional object. Trouble is, he can’t remember a thing. Ben isn’t exactly a genius, but he has an immense breadth of knowledge. Whether it’s natural science (specifically the intricacies of bug sex), or vintage timepieces, he can spout facts and information with the best of experts. He just can’t explain why he knows any of it. Another thing he knows is the location of the Chime. What it is or why it’s important, he can’t say. But this knowledge is about to get him in a whole heap of trouble, as a trash-talking, flesh construct bounty hunter is on his tail and looking to sell him to the highest bidder. And being able to describe the mating habits of Brazilian bark lice won't be enough to get him out of it. File Under: Science Fiction [ Bloom of God | Patton you on the back | Eels Aplenty | Some Aliens Just Suck ]
In this debut collection of poetry, readers will find tales of human evolution and natural laws, of technology, of the world's problems and the twisted inventions we create.
Nominated for the Phillip K. Dick Award, a science fiction fairy tale set in a collapsing future America about a girl and the android she falls in love with. When Cat Novak was a young girl, her father brought Finn, an experimental android, to their isolated home. A billion-dollar construct, Finn looks and acts human, but he has no desire to be one. He was programmed to assist his owners, and performs his duties to perfection. His primary task now is to tutor Cat. Finn stays with her, becoming her constant companion and friend as she grows into adulthood. But when the government grants rights to the ever-increasing robot population, Finn struggles to find his place in the world. As their relationship goes further than anyone intended, they have to face the threat of being separated forever.
Debut pamphlet of poetry, in which Caroline Hardaker creates a dozen unforgettable worlds entirely her own.
"A charming book, ringing with the joy of existence." --Richard Dawkins The perfect gift for a loved one or for yourself, For Small Creatures Such as We is part memoir, part guidebook, and part social history, a luminous celebration of Earth's marvels that require no faith in order to be believed. Sasha Sagan was raised by secular parents, the astronomer Carl Sagan and the writer and producer Ann Druyan. They taught her that the natural world and vast cosmos are full of profound beauty, and that science reveals truths more wondrous than any myth or fable. When Sagan herself became a mother, she began her own hunt for the natural phenomena behind our most treasured occasions--from births to deaths, holidays to weddings, anniversaries, and more--growing these roots into a new set of rituals for her young daughter that honor the joy and significance of each experience without relying on a religious framework. As Sagan shares these rituals, For Small Creatures Such as We becomes a moving tribute to a father, a newborn daughter, a marriage, and the natural world--a celebration of life itself, and the power of our families and beliefs to bring us together.
This stunning book looks at nature using a revolutionary method of extreme close-up photography.
Seven Brothers. Seven Brides. A revenge seven years in the making. I never wanted any part of my family’s revenge, but no one asked my opinion when my oldest brother handed out the Brides during Lammas. Now I’m saddled with Monroe, heir to the Amazon faction. She’s as deadly as she is wild, and the opposite of the woman I really want. Shiloh. My best friend. The night Monroe and I consummate our handfasting is like nothing I’ve experienced before. It’s dark and brutal and intoxicating in a way I’m not prepared for. Which means it can never happen again. But now, every time I turn around, I find Monroe and Shiloh together. She’s spitefully seducing my best friend, the woman I love, and there’s not a damn thing I can do about it. I can’t have one without the other, but letting Monroe close means I might lose myself completely. Content warning: history of child abuse (physical)
It has often been claimed that "monsters"--supernatural creatures with bodies composed from multiple species--play a significant part in the thought and imagery of all people from all times. The Origins of Monsters advances an alternative view. Composite figurations are intriguingly rare and isolated in the art of the prehistoric era. Instead it was with the rise of cities, elites, and cosmopolitan trade networks that "monsters" became widespread features of visual production in the ancient world. Showing how these fantastic images originated and how they were transmitted, David Wengrow identifies patterns in the records of human image-making and embarks on a search for connections between mind and culture. Wengrow asks: Can cognitive science explain the potency of such images? Does evolutionary psychology hold a key to understanding the transmission of symbols? How is our making and perception of images influenced by institutions and technologies? Wengrow considers the work of art in the first age of mechanical reproduction, which he locates in the Middle East, where urban life began. Comparing the development and spread of fantastic imagery across a range of prehistoric and ancient societies, including Mesopotamia, Egypt, Greece, and China, he explores how the visual imagination has been shaped by a complex mixture of historical and universal factors. Examining the reasons behind the dissemination of monstrous imagery in ancient states and empires, The Origins of Monsters sheds light on the relationship between culture and cognition.
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