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A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field. Music in video games is often a sophisticated, complex composition that serves to engage the player, set the pace of play, and aid interactivity. Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips—herself an award-winning composer of video game music—provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field. Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business. A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium.
(Misc). The Composer's Handbook 2 expands the do-it-yourself approach to composing by combining "tricks of the trade" with step-by-step guides to the composition of melody, harmony, form and textures. The book covers styles and techniques from serialism, minimalism, world music, rock, dance, music technology to music for film and the stage.
The Glissando Headjoint is is a sliding, telescoping tube that extends the overall length of the flute to create a glissando to and from every note. The Glissando Flute is a C flute played with a Glissando Headjoint.This headjoint offers access to an entirely new sonic vocabulary of glissandi, bends, multiphonics, timbres, microtones, and scales, which dramatically increases the expressive potential available to flutists and composers.THE GLISSANDO FLUTE is a handbook for composers who wish to explore new possibilities, performers who have a Glissando Headjoint and are ready to get started, and anyone curious about new music.In this book includes:- an introduction by Robert Dick, creator of the Glissando Headjoint- a history of pitch bending and the Glissando Headjoint- complete fingering diagrams- repertoire lists- techniques- exercises- transcriptions- Melissa Keeling's solo for glissando flute, Tilt
In compiling this landmark sourcebook, Finnish guitarists Hannu Annala and Heiki Matlik consulted more than 70 music texts as well as dozens of composer resumes acquired from the musical information centers of several countries. During the writing process, which lasted for more than three years, they received additional information from many modern composers, including Leo Brouwer and Reginald Smith Brindle among others. In addition, several internationally renowned performing guitarists provided valuable information; these include Magnus Andersson (Sweden), Remi Boucher (Canada), Margarita Escarpa (Spain), Aleksander Frauchi (Russia) and David Tanenbaum (USA) among others.The authors' aim was to write a well-structured book with separate chapters for each instrument, such as the Renaissance and Baroque guitar, the Renaissance and Baroque lute, the vihuela, etc. This unique structure enables the reader to easily discover which composers wrote for a certain instrument during any given period.In addition to the composers one would expect to find in such a comprehensive listing, the book documents several historical and modern composers for whom little previous information has been available. the book's list of more than 400 guitar and lute concertos dating from the Baroque era to the present day is a totally unprecedented.Short introductions regarding guitar and lute-like instruments as well as their basic histories are provided at the beginning of the book. the authors hope that the Handbook of Guitar and Lute Composers will serve as a practical guide for both amateurs and professionals, encouraging further study of the history of these instruments and expanding the repertoire heard on today's concert stage.
Written in a straightforward manner, with complicated matters clearly explained, Stage Writers Handbook is truly a work no writer for the stage can afford to be without. Here, for the first time, Dana Singer gathers the information and ideas stage writers need to conduct their careers in a businesslike manner, with all the protections the law provides.
A dictionary of composers of organ music with over 10,000 entries. The repertoire encompasses a period of more than 500 years and extends across the borders of dozens of countries. Each entry includes a succinct biography, birth and death dates, a comprehensive list of the composer's organ works with dates of publication, and occasionally bibliographical references to books and articles for further study.
Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.
The Composer's Guide to the Electric Guitar is an essential book for composers, arrangers, and electric guitarists. It is the only book on the market that provides in-depth coverage on how to compose for all aspects of the electric guitar. the book provides notation for all standard plectrum performance practices, harmonics, and extended techniques. It compares the key components that distinguish common types of electric guitars. There is also significant information about sound processors and how they affect the guitar's tone and timbre. the book comes with a compact disc that provides audio corresponding to the music examples. This is a valuable book for composers of any musical genre. It also makes a great reference book for electric guitarists who wish to have the complete profile of their instrument.
A complete music appreciation course in one, 120-page, reproducible book/CD package. For each of the 22 featured composers there is a bio (focusing on his or her personal life), a portrait, a listing of the types of music he or she composed, composer factoids, and a timeline. The CD contains a listening example for each composer. The reproducible listening guide includes information about each listening example and a second by second what to listen for in the music." Also included are reviews (assessments) for each composer, plus more than two dozen pages of supplementary material. And it's all reproducible! Composers: Bach, Beethoven, Brahms, Copland, Debussy, Dvorák, Elgar, Handel, Haydn, Hensel, Hildegard, Ives, Joplin, Felix and Fanny Mendelssohn, Mozart, Schubert, Sousa, Stravinsky, Tchaikovsky, Verdi, Vivaldi, and Wagner. Reproducible PDFs included on the Enhanced CD, or purchase the Digital Download option to get a full PDF immediately. Great activities for remote teaching or distance learning!"