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"You don't have to grind 24/7 to be a successful screen music composer, but you do have to be intentional with your time. I'm proud that Steven Melin has fought for this balance at an early age, and he'll show you how you can too. I'm excited for how Family-First Composer will equip you to live the most fulfilling life possible."-Adam Gubman (Composer of Star Wars Galaxy's Edge, Producer of This Is Me from The Greatest Showman, & Songwriter at Disney Parks Worldwide)This book is written for you, hard-working parent who works at a corporate American job to pay the bills. You long to support your family composing music for film, TV, & video games.You get no joy or fulfillment from your work...this is a safe, "real" job. You complain to your spouse every night about how you long for the day when you can support your family composing music for film, TV, & video games...You look forward to the weekends when you can spend time with your family, but you're usually so exhausted from the work week that this time frustratingly must be used to rest and prepare for the upcoming work week. You have little time for friendships or dates with your spouse due to stress at work and general unhappiness. To escape, you love watching TV shows and playing video games, but you rarely find time to enjoy these. You want to help around the house more and attend your kids' events, but you never have time or energy to spare. You love to read, but have a hard time believing that his situation will ever really change...You hate the trajectory of your life. Aside from your family, it's empty. Hollow. You were created to do more with your life. You want the chance to show your family - and the world - that you can support them doing what you love. You just need a guide: someone who has been in your shoes and knows the steps to take to be where you want to be...This book is written for you, a screen music composer seeking to escape the 9-5 grind of corporate America and build a sustainable and growing music business that fully supports your family. If you read and apply the teachings found in this step-by-step guide, you will: Enjoy freedom from your day job Immediately earn income from your music Free your time to focus more on your family Experience fulfillment supporting your family Do what you love Work from home Remove the stress of inconsistent paychecks Feel secure in your finances Live peacefully Open your options for a better lifestyle Embrace autonomy in your life to do what you want, when you want, where you want, with whom you want, at the price you want, at the terms you want! Buy Family-First Composer today and Support Your Family Composing Music for Film, TV, & Video Games!
Interviews with 30 composers from Australia, Great Britain and the United States about what they compose and their views on 20th century music.
Music, we are often told, is a language. But if music is a language, then who is speaking? The Composer's Voice tries to answer this obvious but infrequently raised question. In so doing, it puts forward a dramatistic theory of musical expression, based on the view that every composition is a symbolic utterance involving a fundamental act of impersonation. The voice we hear is not that of the composer himself, but of a persona--a musical projection of his consciousness that experiences and communicates the events of the composition. Developing his argument by reference to numerous examples ina wide variety of styles, Mr. Cone moves from song and opera through program music to absolute instrumental music. In particular, he discusses the implications of his theory for performance. According to the dramatistic view, not only every singer but every instrumentalist as well becomes a kind of actor, assuming a role that functions both autonomously and as a component of the total musical persona. In his analysis of the problems inherent in this dual nature of the performer's job, Mr. Cone offers guidance that will prove of practical value to every performing musician. He has much to say to the listener as well. He recommends an imaginative participation in the component roles of musical work, leading to a sense of identification with the persona itself, as the path to complete musical understanding. And this approach is shown to be relevant to a number of specialized kids of listening as well--those applicable to analysis, historical scholarship, and criticism. The dance, too, is shown to depend on similar concepts. Although The Composer's Voice involves an investigation of how music functions as a form of communication, it is not primarily concerned with determine, or interpreting, the "content" of the message. A final chapter, however, puts forward a tentative explanation of musical "meaning" based on an interpretation of the art as a coalescence of symbolic utterance and symbolic gesture. While not essential to the main lines of the argument, it suggests interesting possibilities for further development of the dramatistic theory. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Mastering the technical skills needed for fruitful music composition is relatively straightforward compared to the development of crucial creative-thinking strategies. While most introductory texts emphasize techniques, this affordable guide goes far beyond the initial stage of methods instruction to engage readers at a profound level. The author believes composers, as a first priority, must know what they are doing creatively and why they are doing it before segueing to learning the basic tools for the task. Unique yet practical, concise yet comprehensive, Essentials for Composers guides novice composers through a set of basic steps, examples, and concepts to help them work through stages of the creative process in manageable and stimulating ways. Middleton explains how to approach each topic (harmony, melody, counterpoint, orchestration, variation) and explore the creative process through experimentation by completing related exercises. Such direction, which prompts efforts toward defining, developing, discovering, and shaping one’s own creative process, unseals the essence of music composition. Relevant for students with interests ranging from film scoring to preparing music for digital games, Essentials for Composers is suitable for those who compose with or without the aid of technology. Bibliographies, score summaries, interviews with two composers, and analytical interludes prompt further investigation of topics.
Samuel Barber (1910-1981) is one of the most admired and honored American composers of the twentieth century. An unabashed Romantic, largely independent of worldwide trends and the avant-garde, he infused his works with poetic lyricism and gave tonal language and forms new vitality. His rich legacy includes every genre, including the famous Adagio for Strings, Knoxville: Summer of 1915, three concertos, a plethora of songs, and two operas, the Pulitzer prize-winning Vanessa, and Antony and Cleopatra, the commissioned work that opened the new Metropolitan Opera House at Lincoln Center in 1966. Generously documented by letter, sketches, autograph manuscripts, and interviews with friends, colleagues, and performers with whom he worked, this ASCAP-Award winning book is still unquestionably the most authoritative biography on Barber, covering his entire career and interweaving the events of his life with his compositional process. This second edition benefits from many new discoveries, including a Violin Sonata recovered from an artist's estate, a diary Barber kept his seventeenth year, a trove of letters and manuscripts that were recovered from a suitcase found in a dumpster, documentation that dispels earlier myths about the composition of Barber's Violin Concerto, and research of scholars that was stimulated by Heyman's work. Barber's intimate relations are discussed when they bear on his creativity. A testament to the lasting significance of Romanticism, Samuel Barber stands as a model biography of an important musical figure.
Christopher Palmer discusses the life and work of eleven great Hollywood composers -- Steiner, Korngold, Newman, Waxman, Tiomkin, Webb, Rozsa, Herrmann, North, Bernstein, and Rosenman -- analyzing the scores of many well-known films. Each chapter is written in clear non-technical language for the general reader as well as film and music enthusiasts.
“The only love affair I have ever had was with music.” Maurice Ravel A compelling celebration of more than 90 of the world’s most influential composers from the medieval period to the present day, Composers reveals the fascinating stories of their lives, loves, and works. Biographical entries – introduced with a stunning portrait of each featured composer – trace the friendships, loves, and rivalries that inspired each musical genius. Profiles offer revealing insights into what drove each individual to create the musical masterpieces – symphonies, concertos, and operatic scores – that changed the direction of classical music and are still celebrated and treasured today. Lavishly illustrated with paintings or photographs of each composer, alongside original musical scores and personal correspondence, images of their homes and where they worked, and personal effects and other important artifacts, the book introduces the key influences, themes, and working methods of each individual, setting their works within a wider historical and cultural context. Charting the development of classical music and music movements across the centuries, Composers provides a compelling glimpse into the personal lives, loves, and influences of the giants of the classical music canon.