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A man seeks to rediscover his broken Midwestern community in a novel that “brims with grace and quirky charm” by the author of Peace Like a River (Bookpage). Movie house owner Virgil Wander is “cruising along at medium altitude” when his car flies off the road into icy Lake Superior. Though Virgil survives, his language and memory are altered. Awakening in this new life, Virgil begins to piece together the past. He is helped by a cast of curious locals—from a stranger investigating the mystery of his disappeared son, to the vanished man’s enchanting wife, to a local journalist who is Virgil’s oldest friend. Into this community returns a shimmering prodigal son who may hold the key to reviving their town. Leif Enger conjures a remarkable portrait of a region and its residents, who, for reasons of choice or circumstance, never made it out of their defunct industrial district. Carried aloft by quotidian pleasures including movies, fishing, necking in parked cars, playing baseball and falling in love, Virgil Wander is a journey into the heart of America’s Upper Midwest.
They called themselves Dakota, but the explorers and fur traders who first encountered these people in the sixteenth century referred to them as Sioux, a corruption of the name their enemies called them. That linguistic dissonance foreshadowed a series of bloodier conflicts between Sioux warriors and the American military in the mid-nineteenth century. Doreen Chaky’s narrative history of this contentious time offers the first complete picture of the conflicts on the Upper Missouri in the 1850s and 1860s, the period bookended by the Sioux’s first major military conflicts with the U.S. Army and the creation of the Great Sioux Reservation. Terrible Justice explores not only relations between the Sioux and their opponents but also the discord among Sioux bands themselves. Moving beyond earlier historians’ focus on the Brulé and Oglala bands, Chaky examines how the northern, southern, and Minnesota Sioux bands all became involved in and were affected by the U.S. invasion. In this way Terrible Justice ties Upper Missouri and Minnesota Sioux history to better-known Oglala and Brulé Sioux history.
“When we were children we made our own fun” is a frequent comment from those who were children in pre-television times. But what games, activities and amusements did children enjoy prior to the mid-1950s? Recollections of older Canadians, selections from writings by Canadian authors and letters written to the children’s pages of agricultural publications indicate that for most children play was then, as now, an essential part of childhood. Through play, youngsters developed the physical, mental and emotional skills that helped them cope with life and taught them to get along with other children. In both rural and urban settings, children were generally free to explore their environment. They were sent outdoors to play by both parents and teachers. Their games were generally self-organized and physically active, with domestic animals acting as important companions and playmates. Children frequently made their own toys and equipment, and, since playing rather than winning was important, most children were included in games. Special days, holidays and organizations for children and youth provided welcome breaks from daily routines. Their lives were busy, but there was always time for play, always time for fun. Norah Lewis has provided an entertaining view of the toys, games and activities in Canada and pre-confederate Newfoundland from approximately 1900 through 1955. Her book will be of interest to historians, educators and sociologists, as well as anyone who lived through, or wants to know more about,those early years in Canada, and the games children used to play.
Though Willie Mays' World Series catch of Vic Wertz's long drive in 1954 immediately comes to mind, there are many catches that have been called "the greatest." This work documents baseball's best catches by outfielders from 1887 through 1964 (the year of Duke Snider's retirement, the demolition of the Polo Grounds, and, arguably, Willie Mays' last great grab). After introductory chapters on factors that influenced the catches and their legacies--from ballpark quirks, changes to the baseball and the evolution of baseball gloves, to sportswriters and photography--the book describes famous catches by decade from such players as Mays, Willie Keeler, Joe DiMaggio, Duke Snider, Roberto Clement, Curt Flood and many others. Extensive research yields a wealth of information for each catch, including commentary by period sportswriters, players, and, often, the man who snagged the ball.