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After the death of his only son on his wedding day, Manfred, the Prince of Otranto, determines to marry the bride-to-be, setting himself on a course of destruction.
The eighteenth century man of letters Horace Walpole is accredited with writing the first Gothic novel, ‘The Castle of Otranto’, as well as producing an accomplished range of literary texts in various genres. This comprehensive eBook presents Walpole’s complete works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Walpole’s life and works * Concise introductions to the novels and other texts * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Many rare non-fiction works, appearing in digital print for the first time, including Walpole’s art criticism and memoirs of George II and III * Includes Walpole’s rare poetry collection – available in no other collection * Includes Walpole’s letters - spend hours exploring the author’s personal correspondence * Features two biographies - discover Walpole’s literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novel THE CASTLE OF OTRANTO The Shorter Fiction HIEROGLYPHIC TALES The Plays THE MYSTERIOUS MOTHER THE COUNT OF NARBONNE The Poetry FUGITIVE PIECES IN VERSE AND PROSE The Non-Fiction SOME ANECDOTES OF PAINTING IN ENGLAND AN ACCOUNT OF THE GIANTS LATELY DISCOVERED HISTORIC DOUBTS ON THE LIFE AND REIGN OF RICHARD III ON MODERN GARDENING A DESCRIPTION OF THE VILLA OF MR. HORACE WALPOLE CATALOGUE OF ENGRAVERS MEMOIRS OF THE REIGN OF KING GEORGE THE SECOND MEMOIRS OF THE REIGN OF KING GEORGE THE THIRD The Letters THE LETTERS OF HORACE WALPOLE The Biographies SKETCH OF THE LIFE OF HORACE WALPOLE, EARL OF ORFORD by Lord Dover HORATIO WALPOLE by Adolphus William Ward Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
A room-by-room tour of one of the wonders of the eighteenth-century architectural world
"Hieroglyphic Tales" is a collection of enchanting stories written by the renowned author Horace Walpole. This book explores various cultures and eras with its six intriguing tales, including Arabian Nights, Chinese fairy tales, and Milesian tales. Each story is unique and captivating, full of imagination and fantasy. The book contains the following stories: A New Arabian Night's Entertainment - The King and his Three Daughters - The Dice-Box. A Fairy Tale - The Peach in Brandy. A Milesian Tale - Mi Li. A Chinese Fairy Tale - A True Love Story.
The Castle of Otranto is a book by Horace Walpole first published in 1764 and generally regarded as the first gothic novel. In the second edition, Walpole applied the word 'Gothic' to the novel in the subtitle - "A Gothic Story". The novel merged medievalism and terror in a style that has endured ever since. The aesthetics of the book shaped modern-day gothic books, films, art, music and the goth subculture
Gothic Architecture and Sexuality in the Circle of Horace Walpole shows that the Gothic style in architecture and the decorative arts and the tradition of medievalist research associated with Horace Walpole (1717–1797) and his circle cannot be understood independently of their own homoerotic culture. Centered around Walpole’s Gothic villa at Strawberry Hill in Twickenham, Walpole and his “Strawberry Committee” of male friends, designers, and dilettantes invigorated an extraordinary new mode of Gothic design and disseminated it in their own commissions at Old Windsor and Donnington Grove in Berkshire, Lee Priory in Kent, the Vyne in Hampshire, and other sites. Matthew M. Reeve argues that the new “third sex” of homoerotically inclined men and the new “modern styles” that they promoted—including the Gothic style and chinoiserie—were interrelated movements that shaped English modernity. The Gothic style offered the possibility of an alternate aesthetic and gendered order, a queer reversal of the dominant Palladian style of the period. Many of the houses built by Walpole and his circle were understood by commentators to be manifestations of a new queer aesthetic, and in describing them they offered the earliest critiques of what would be called a “queer architecture.” Exposing the role of sexual coteries in the shaping of eighteenth-century English architecture, this book offers a profound and eloquent revision to our understanding of the origins of the Gothic Revival and to medievalism itself. It will be welcomed by architectural historians as well as scholars of medievalism and specialists in queer studies.
The tragic death of Walpole's cat and the Thomas Gray poem written in her honor: the true story of what happened, and a look at the lively social and cultural scene in the eighteenth century. This delightful compendium focuses on one of the best-loved poems in the English language, but in the process it takes the reader on an engaging romp through the literary, intellectual, and cultural world of the eighteenth century. It brings alive a host of engaging characters: Horace Walpole himself (one of the great letter writers of all time, wit, raconteur; the curmudgeonly Dr. Johnson (who nevertheless had “a very fine cat indeed”) and his sometimes recalcitrant biographer James Boswell; and a cast of “handsome cats,” including Selima and Zama. In February 1747, Selima the tabby fell into a Chinese blue and white porcelain tub in Walpole’s house in London’s Mayfair and never returned to dry land. The poem by Thomas Gray, “Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold-fishes,” was written as her mock epitaph. Here is the true history of the event, and a look at the sparkling social and cultural life of the period. It is beautifully illustrated with Richard Bentley’s original series of designs for the poem, William Blake’s wonderful watercolors of some fifty years later, and the unpublished color illustrations produced in the 1940s by the noted children’s book illustrator Kathleen Hale, of Orlando the Marmalade Cat fame.