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“A dignified and impressive addition to your bookshelf that reveals James’s virtuoso performance in a genre he helped to define, refine and elevate.” — The Commercial Appeal This Library of America volume, the first of five of Henry James’s short fiction, brings together his first twenty-four published stories, thirteen never collected by James. Encompassing a wide range of subjects, settings, and formal techniques, they show the first explorations of some of James’s most significant themes: the force of social convention and the compromises it demands; the complex and often ambiguous encounter between Europe and America; the energies of passion measured against the rigors of artistic discipline. By his mid-twenties, James was a regular contributor to the most prestigious and popular magazines of his era. He is equally at ease writing historical tales, such as “Gabrielle de Bergerac,” a love story set in pre-Revolutionary France, as he is exploring contemporary events, as in the three stories that treat the effects of the American Civil War on civilians. James’s psychological acuity is already evident in “Master Eustace,” a study of the ruthlessness of a spoiled child, and in “Guest’s Confession,” where the comic portrayal of an arrogant businessman hints at his cruelty and self-absorption. In “The Romance of Certain Old Clothes,” and “The Last of the Valerii,” James begins to work with the supernatural and fantastic motifs that would continue to surface in his work. Early examples of James’s lifelong fascination with art and artists include “A Landscape Painter,” about a young painter’s attraction to a seemingly simple family living in a desolate coastal town, and “The Madonna of the Future,” where an aging artist avoids the unveiling of his masterpiece. Adumbrating later triumphs and compelling in their own right, these stories reveal and accomplished and cosmopolitan young talent mastering the art of the short story. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
​Recipient of the “Approved Edition” seal from the Modern Language Association’s Committee on Scholarly Editions This volume of The Complete Letters of Henry James: 1880–1883 includes 122 letters, 67 of which are published for the first time, written between June 6, 1880, and October 20, 1881. The letters record Henry James’s confirmation of his identity as a London resident, follow his struggles with the complexities of his professional life, and illustrate his closer attention to family and friends. His friends, such as Henry and Clover Adams, and family members, such as his brother, William, view him as their resident Londoner. When his sister, Alice, and her companion, Katharine Loring, travel to Britain, James both supervises Alice’s state of health and also reports on its status to their parents. The letters show Henry James’s professional life as he shifts away from writing pot-boiling reviews and short fiction toward the greater novels that continue to be associated with him, especially The Portrait of a Lady. We also see James negotiating with publishers and arranging whenever possible simultaneous publication in Britain and the United States in order to maximize his writing income. This volume concludes with James’s much-anticipated return to his native America, buoyed by his completion of The Portrait of a Lady. The journey marked a significant milestone in the author’s life.
From Daisy Miller to Isabel Archer to Maisie, female characters dominate the work of Henry James and, often, critical discussion of James's work. Donatella Izzo shifts that discussion to a different, more revealing, plane in this original interpretation of James's short fiction. By redirecting criticism from a biographical emphasis to a focus on James's engagement with the issues of representation, Izzo shows how these short stories actually question and investigate the cultural and ideological practices that produced women, both in literature and in society.øPortraying the Lady brings to light the experimental quality and inherent consistency of stories that have received little critical attention, all of which revolve around ideas at the core of the cultural representation of femininity at the time. Izzo shows how James, by testing and stretching these ideas in his imagery and plots, exposed and exploded the perverse logic and the ultimate implications of such culturally shared versions of femininity, thus revealing their oppressive quality for women and laying bare literature's complicity in reproducing and circulating them. Exposing James's texts as sensitive registers of women's roles during the Victorian-Edwardian era, this book demonstrates that his texts make readers aware of how those stereotypes operated.øBlending literary, art, and feminist criticism with narratological analysis and postmodern theory, this groundbreaking work restores a formal awareness to James studies within the wider theoretical concerns of feminist, gender, and cultural critiques.
Henry James stands as one of the preeminent writers of the late 19th/early 20th century period; however, the world he wrote about has since disappeared. This collection of essays provides pedagogical assistance for several of his short stories--including "The Jolly Corner", "The Europeans" and "Travelling Companions"--and his most anthologized longer works. It is aimed at instructors who do not consider themselves experts on James' work. Each essay approaches a single work, offering a critical analysis as well as providing pedagogical suggestions for how to introduce both the work and the relevant social issues to students of the 21st century.
As an American author who chose to live in Europe, Henry James frequentlywrote about cultural differences between the Old and New World. Theplight of bewildered Americans adrift on a sea of European sophisticationbecame a regular theme in his fiction.This collection of twenty-four papers from some of the world's leadingJames scholars offers a comprehensive picture of the author's crossculturalaesthetics. It provides detailed analyses of James's perception ofEurope - of its people and places, its history and culture, its artists andthinkers, its aesthetics and its ethics - which ultimately lead to a profoundreevaluation of his writing.With in-depth analysis of his works of fiction, his autobiographical andpersonal writings, and his critical works, the collection is a major contribution to current thinking about James, transtextuality and cultural appropriation.
V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature.