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These 24 preludes and 17 etudes-tableaux include what are possibly Rachmaninoff's finest compositions for solo piano. Reproduced from authoritative Russian editions, they include the popular C-sharp minor prelude, Op. 3, No. 2; the G-minor prelude, Op. 23, No. 5; and the B-minor prelude, Op. 32, No. 10.
Forty-one of the Russian master's greatest works for solo piano, including the immensely popular C-sharp minor, G-minor, and B-minor Preludes, in authoritative editions.
Titles include the famous '18th Variation on a Theme of Paganini,' along with selected transcriptions ('The Bumble-Bee,' 'Minuet' from L'Arlesienne Suite, and 'Liebeslied'). Etude-Tableau, Moment Musicals, Preludes, other individual pieces, and the complete 'Variations on a Theme of Chopin' round out this unique collection that is not available from any other publisher. This publication contains 29 pieces.
(Piano Collection). For advanced players, this is Rachmaninoff Complete Preludes, Op. 3, 23 and 32.
Includes 26 Preludes: Op. 28, Nos. 1-24; Prelude in C-Sharp Minor, Op. 45; Prelude in A-flat Major. 27 Etudes: Op. 10, Nos. 1-12; Op. 25, Nos. 1-12; Trois Nouvelles Etudes.
This affordable edition contain all of Schubert's music for pianoforte solo except for the dances and a few unfinished pieces: the ever-popular "Wanderer" fantasy, Opus 15; the 8 impromptus (Opp. 90 and 142; the Moments Musicals, Opus 94; the Adagio and Rondo, Opus 145; and numerous variations, scherzi, and other short pieces.
The six "Musical Moments" Opus 16 are a set of separate solo works for piano composed by Rachmaninoff in 1896. They present forms characteristic of previous musical eras, such as nocturne, song without words, barcarolle, etude, and theme and variations. Titles: No. 1 in B-Flat Minor * No. 2 in E-Flat Minor * No. 3 in B Minor * No. 4 in E Minor * No. 5 in D-Flat Major * No. 6 in C Major.
Classical/Opera Piano Solos
Soft bound music score for piano.
Schubert is known to everyone as the composer of many of the world's finest songs, but he also excelled as a composer of abundant instrumental music during his short life. The Symphony in C major, D944, is his last and, in the opinion of many, his greatest work for orchestra. This short book surveys the symphony's historical background in the context of Schubert's orchestral works from his earliest years as a composer as well as its performance history, and offers a detailed formal and tonal analysis of each of its four movements. Music students, professional scholars, and ordinary listeners alike will find this book a valuable guide to one of the most beloved symphonies of all time. Mark DeVoto, professor emeritus of Music at Tufts University, has published extensively on the music of Alban Berg and Claude Debussy (Debussy and the Veil of Tonality: Essays On His Music, Pendragon Press, 2004), and edited the revised 4th and 5th editions of Walter Piston's Harmony, an essential textbook. He lives in Medford, Massachusetts.