Download Free Complete Lyrics Book in PDF and EPUB Free Download. You can read online Complete Lyrics and write the review.

From "Begin the Beguine" to "It's Delovely" to "My Heart Belongs to Daddy" and "I Get a Kick Out of You", here are the complete lyrics to the much-loved songs of Cole Porter--800 songs meant to be hummed, sung, danced to, and remembered. "A record of (Porter's) artistic development and of the time in which he flourished".--Rhoda Koenig, New York Magazine.
(Book). An extremely gifted singer/songwriter, John Denver possessed the unique ability to marry melodic music with gentle, thought-provoking words that endeared him to his countless fans. Now, for the first time ever, John Denver's lyrics have been printed in their entirety: no other book like this exists! It contains lyrics to more than 200 songs, and includes an annotated discography (one that shows the songs), and an index of first lines. This collection also features a foreword by Tom Paxton, who was greatly influenced by Denver, and an introduction from Milt Okun, John Denver's first record producer, and the founder of Cherry Lane Music.
Alan Jay Lerner wrote the lyrics for some of the most beloved musicals in Broadway and Hollywood history. Most notably, with composer Frederick Loewe he created enduring hits such as My Fair Lady, Gigi, Camelot, and Brigadoon. In The Complete Lyrics of Alan Jay Lerner, editors and annotators Dominic McHugh and Amy Asch bring all of Lerner's lyrics together for the first time, including numerous draft or alternate versions and songs cut from the shows. Compiled from dozens of archival collections, this invaluable resource and authoritative reference includes both Lerner's classic works and numerous discoveries, including his unproduced MGM movie Huckleberry Finn, selections from his college musicals, and lyrics from three different versions of Paint Your Wagon. This collection also includes extensive material from Lerner's two most ambitious musicals: Love Life, to music by Kurt Weill, and 1600 Pennsylvania Avenue, which Lerner wrote with Leonard Bernstein.
Provides the lyrics for Dark Side of the Moon, Wish You Were Here, Animals, and The Wall, the four most recent albums by the popular British group
Additional edition statement from dust jacket.
(Book). In 2011, the world celebrated the 40th anniversary of Queen one of the most innovative, glamorous, and influential bands in history. Over the course of the band's career, they have grossed 170 million album sales worldwide, have written 18 number one hits, and performed 700 concerts. While some acts enjoy a forte of incredible showmanship, a virtuoso instrumentalist, a strong, charismatic leader, or a prolific sole songwriter, Queen beholds all of these strengths. Although Freddie Mercury and Brian May are recognized as the prime songwriters, each of the members have penned number one hits, including classics such as "Bohemian Rhapsody" (Freddie Mercury), "Another One Bites the Dust" (John Deacon), "A Kind of Magic" (Roger Taylor), and "We Will Rock You" (Brian May). The fates brought the four creative and cerebral youths together in London in 1971 (Mercury was by then an established fine and graphic artist, May was enveloped in the study of astrophysics, Roger Taylor enrolled in dental school, and John studying electronics). Since then, they have made history with their sophisticated fusion of operatic expression, theatrical performance, symphonic melody, and raw rock-and-roll. Beginning with their debut Queen in 1973 (EMI/Electra Records), the band took the UK by storm, then conquered the United States along with rest of the world, serving as pioneers of stadium rock and enjoying commercial success and momentum well into the 1980s (marked by the famous Live Aid appearance in 1985) through the early 1990s. The whirlwind took a startling pause when singer Freddie Mercury passed away from AIDS on November 24, 1991. The living members have forged ahead and remain great music makers. The Complete Illustrated Lyrics is the first book of its kind. Never before has there been a complete Queen lyric book. The hundreds of images that accompany the songs range from handwritten lyrics to rare photographs from the stage to the studio. Also included is a complete discography, pairing each song to the album on which it was originally released. Designed by the band's longtime creative director, Richard Gray, the book is as true to the band as can be, carrying with it the flamboyance, expression, and depth that Queen embodies as writers and performers. If there is one book for a fan of the band to possess, this is the one.
A collection of lyrics that spans the author's entire career, from his writing for "The Birthday Party" through the highly acclaimed "Murder Ballads" and "The Boatman's Call" to new albums "No More Shall We Part", "Nocturama", "Abattoir Blues" and "The Proposition".
The seventh volume in Knopf’s critically acclaimed Complete Lyrics series, published in Johnny Mercer’s centennial year, contains the texts to more than 1,200 of his lyrics, several hundred of them published here for the first time. Johnny Mercer’s early songs became staples of the big band era and were regularly featured in the musicals of early Hollywood. With his collaborators, who included Richard A. Whiting, Harry Warren, Hoagy Carmichael, Jerome Kern, and Harold Arlen, he wrote the lyrics to some of the most famous standards, among them, “Too Marvelous for Words,” “Jeepers Creepers,” “Skylark,” “I’m Old-Fashioned,” and “That Old Black Magic.” During a career of more than four decades, Mercer was nominated for the Academy Award for Best Song an astonishing eighteen times, and won four: for his lyrics to “On the Atchison, Topeka, and the Santa Fe” (music by Warren), “In the Cool, Cool, Cool of the Evening” (music by Carmichael), and “Moon River” and “Days of Wine and Roses” (music for both by Henry Mancini). You’ve probably fallen in love with more than a few of Mercer’s songs–his words have never gone out of fashion–and with this superb collection, it’s easy to see that his lyrics elevated popular song into art.
From every “beautiful mornin’” to “some enchanted evening,” the songs of Oscar Hammerstein II are part of our daily lives, his words part of our national fabric. Born into a theatrical dynasty headed by his grandfather and namesake, Oscar Hammerstein II breathed new life into the moribund art form of operetta by writing lyrics and libretti for such classics as Rose-Marie (music by Rudolf Friml), The Desert Song (Sigmund Romberg), The New Moon (Romberg) and Song of the Flame (George Gershwin). Hammerstein and Jerome Kern wrote eight musicals together, including Sweet Adeline, Music in the Air, and their masterpiece, Show Boat. The vibrant Carmen Jones was Hammerstein’s all-black adaptation of the tragic opera by Georges Bizet. In 1943, Hammerstein, pioneer in the field of operetta, joined forces with Richard Rodgers, who had for the previous twenty-five years taken great strides in the field of musical comedy with his longtime writing partner, Lorenz Hart. The first Rodgers and Hammerstein work, Oklahoma!, merged the two styles into a completely new genre—the musical play—and simultaneously launched the most successful partnership in American musical theater. Over the next seventeen years, Rodgers and Hammerstein wrote eight more Broadway musicals: Carousel, Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Flower Drum Song, and The Sound of Music. They also wrote a movie musical (State Fair) and one for television (Cinderella). Collectively their works have earned dozens of awards, including Pulitzers, Tonys, Oscars, Grammys, and Emmys. Throughout his career, Hammerstein created works of lyrical beauty and universal feeling, and he continually strove—sometimes against fashion—to seek out the good and beautiful in the world. “I know the world is filled with troubles and many injustices,” he once said. “But reality is as beautiful as it is ugly . . . I just couldn’t write anything without hope in it.” All of his lyrics are here—850, more than a quarter published for the first time—in this sixth book in the indispensable Complete Lyrics series that has also brought us the lyrics of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. From the young scribe’s earliest attempts to the old master’s final lyric—“Edelweiss”—we can see, read, and, yes, sing the words of a theatrical and lyrical genius.
(Applause Books). Gathered together in one volume for the first time, here are all of the incomparable song lyrics of Irving Berlin the lyrics of more than 1,200 songs, 400 of which have never before appeared in print along with anecdotal, historical, and musicological commentary and dozens of photographs. Berlin came from a poor immigrant family and began his career as a singing waiter, but by the time he was nineteen he was publishing his songs and quickly found fame with "Alexander's Ragtime Band" in 1911. In the extraordinary six decades that followed, Berlin wrote one popular hit after another: Blue Skies * Always * Cheek to Cheek * White Christmas * God Bless America * There's No Business Like Show Business * and many more. He also wrote a number of the classics of musical theater's Golden Age, climaxing with Annie Get Your Gun . He penned three Astaire and Rogers films Top Hat, Carefree , and Follow the Fleet as well as the scores of Holiday Inn, Easter Parade , and other films. The breadth of his accomplishment is staggering.