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All history is, perforce, a merciless abridgment, and yet too much can never be written concerning any nation, any people— since each contribution must have a definite value. In the offering of this compendium of history and biography, the publishers lay claim not to any amplification of data in the annals of Detroit and Wayne county, but rather to the condensed, narrative presentation of the history of a section whose records bear the graceful tales of romance and the sterner burdens of definite accomplishment.
Unlike most books about the Civil War, which address individual battles or the war at the national level, States at War: A Reference Guide for Michigan in the Civil War chronicles the actions of an individual state government and its citizenry coping with the War and its ramifications, from transformed race relations and gender roles, to the suspension of habeas corpus, to the deaths of over 10,000 Michigan fathers, husbands, sons, and brothers who had been in action. The book compiles primary source material—including official reports, legislative journals, executive speeches, special orders, and regional newspapers—to provide an exhaustive record of the important roles Michigan and Michiganders had in the War. Though not burdened by marching armies or military occupation like some states to the southeast, Michigan nevertheless had a fascinating Civil War experience that was filled with acute economic anxieties, intense political divisions, and vital contributions on the battlefield. This comprehensive volume will be the essential starting point for all future research into Michigan’s Civil War-era history.
The reformer James Redpath (1833–1891) was a focal figure in many of the key developments in nineteenth-century American political and cultural life. He befriended John Brown, Samuel Clemens, and Henry George and, toward the end of his life, was a ghostwriter for Jefferson Davis. He advocated for abolition, civil rights, Irish nationalism, women's suffrage, and labor unions. In Forgotten Firebrand, the first full-length biography of this fascinating American, John R. McKivigan portrays the many facets of Redpath's life, including his stint as a reporter for the New York Tribune, his involvement with the Haitian emigration movement, and his time as a Civil War correspondent. Examining Redpath's varied career enables McKivigan to cast light on the history of journalism, public speaking, and mass entertainment in the United States. Redpath's newspaper writing is credited with popularizing the stenographic interview in the American press, and he can be studied as a prototype for later generations of newspaper writers who blended reportage with participation in reform movements. His influential biography of John Brown justified the use of violent actions in the service of abolitionism. Redpath was an important figure in the emerging professional entertainment industry in this country. Along with his friend P. T. Barnum, Redpath popularized the figure of the "impresario" in American culture. Redpath's unique combination of interests and talents—for politics, for journalism, for public relations—brought an entrepreneurial spirit to reform that blurred traditional lines between business and social activism and helped forge modern concepts of celebrity.