Download Free Compassionate Love And Ebony Grace Book in PDF and EPUB Free Download. You can read online Compassionate Love And Ebony Grace and write the review.

Why is the Golden Rule so central in almost every culture and religion? What is it that drives human beings to do good to others? Are altruism, compassion, and forgiveness natural forms of human behavior, or do they have to be learned and practiced in the neural context of our primal instincts for survival and self-defense? These are some of the questions that lie behind the study of Compassionate Love amongst people of color. Davis explores the patterns and contours of "other-love," which he defines as a selfless regard for the well-being of others. He also examines the basis for distinctive modes of compassionate behavior enriched by "ebony grace"--a theological attribution for people of African descent. This text focuses especially on the historical, cultural, and religious heritage that inspires and empowers such attitudes, in spite of constant encounters with systemic negation, social alienation, and unrelenting racism. How is it that Black families in the home, school, and church still support, sustain, and succeed in the practice of unyielding love-in-compassion? That is the magic and mystery within contemporary Black cultural norms and moral values. This text is a powerful attempt to contribute to the debate on Christian altruism.
"The 2012 killing of Trayvon Martin, an African-American teenager in Florida, and the subsequent acquittal of his killer, brought public attention to controversial "Stand Your Ground" laws. The verdict, as much as the killing, sent shock waves through the African-American community, recalling a history of similar deaths, and the long struggle for justice. On the Sunday morning following the verdict, black preachers around the country addressed the question, "Where is the justice of God? What are we to hope for?" This book is an attempt to take seriously social and theological questions raised by this and similar stories, and to answer black church people's questions of justice and faith in response to the call of God. But Kelly Brown Douglas also brings another significant interpretative lens to this text: that of a mother. "There has been no story in the news that has troubled me more than that of Trayvon Martin's slaying. President Obama said that if he had a son his son would look like Trayvon. I do have a son and he does look like Trayvon." Her book will also affirm the "truth" of a black mother's faith in these times of stand your ground."--
NEW YORK TIMES BESTSELLER Nominated for the NAACP Image Award for Outstanding Literary Work Named a Best Book of the Year by The Root Chosen by Emma Straub as a Best New Celebrity Memoir “A book of essays as raw and honest as anyone has ever produced.” — Lena Dunham, Lenny Letter In the spirit of Amy Poehler’s Yes Please, Lena Dunham’s Not That Kind of Girl, and Roxane Gay's Bad Feminist, a powerful collection of essays about gender, sexuality, race, beauty, Hollywood, and what it means to be a modern woman. One month before the release of the highly anticipated film The Birth of a Nation, actress Gabrielle Union shook the world with a vulnerable and impassioned editorial in which she urged our society to have compassion for victims of sexual violence. In the wake of rape allegations made against director and actor Nate Parker, Union—a forty-four-year-old actress who launched her career with roles in iconic ’90s movies—instantly became the insightful, outspoken actress that Hollywood has been desperately awaiting. With honesty and heartbreaking wisdom, she revealed her own trauma as a victim of sexual assault: "It is for you that I am speaking. This is real. We are real." In this moving collection of thought provoking essays infused with her unique wisdom and deep humor, Union uses that same fearlessness to tell astonishingly personal and true stories about power, color, gender, feminism, and fame. Union tackles a range of experiences, including bullying, beauty standards, and competition between women in Hollywood, growing up in white California suburbia and then spending summers with her black relatives in Nebraska, coping with crushes, puberty, and the divorce of her parents. Genuine and perceptive, Union bravely lays herself bare, uncovering a complex and courageous life of self-doubt and self-discovery with incredible poise and brutal honesty. Throughout, she compels us to be ethical and empathetic, and reminds us of the importance of confidence, self-awareness, and the power of sharing truth, laughter, and support.
What does it mean to be Black, Anglican and West Indian all at the same time? Does it require any cultural or emotional adjustments to become a full-fledged member of the worldwide Anglican communion? This book seeks to answer these questions in a number of ways from experiences and presentations throughout the Caribbean and North America. Caribbean Anglicanism is presented as a vibrant tapestry of enriching engagement. Kortright Davis has given his readers a comprehensive collection of stories and insights that portray some multicultural, inter-cultural, and pluralistic challenges encountered by people of color, whether at home or on foreign soils.
The Caribbean, awash with sun and water, is a meeting place of many races, religions, and cultures. There North and South, Latin and Anglo, native Carib, African black, French and English white races and cultures meet. In a religious melting pot, Protestant and Catholic Christian, Afro-Caribbean, Hindu, and secularist faiths, intertwine, cross-pollinate, and go their ways, separate yet together, in the divine milieu. Such a place has a rich and revealing story to tell: of history, nature, and humanity; of the understanding of freedom; of the meaning and scope of theology itself. The key in Caribbean society, with its experiences of slavery, colonialism, neocolonialism, and structural dependence, is emancipation: the pursuit, proclamation, and practice of human freedom. Emancipation is the key to Caribbean theology as well. This is the focal point of Kortright Davis's work. He introduces the complex tapestry of this unique society: its social and cultural pluralism, its particular strengths and weaknesses: poverty, dependence, alienation, and divisiveness. Davis explores many aspects of Caribbean religion and spirituality, especially the complexities of carnival and its uniquely African soul. He notes too a theological dependency, and posits again a unique, Caribbean emancipatory theology to establish a theological self-reliance. In emancipatory theology, as in Latin American liberation theology, the source for praxis and reflection is faith linked to historical experience. And the Caribbean experience, of continual struggle for identity, distinguishes and yet unites Caribbean Christians with Christians everywhere.
This heartfelt coming of age story follows Michie, a high school junior who begins to grapple with big questions of love, purpose, and family while working on something that could change her life. High school junior Michie is struggling to define who she is for her scholarship essays, her big shot at making it into Brown as a first-generation college student. The prompts would be hard for anyone, but Michie's been estranged from her mother since she was seven and her concept of family has long felt murky. Enter new kid and basketball superstar Derek de la Rosa. He is very cute, very talented, and very much has his eye on Michie, no matter how invisible she believes herself to be. When Michie's mother unexpectedly reaches out to make amends, and with her scholarship deadlines looming, Michie must choose whether to reopen old wounds or close the door on her past. And as she spends more time with Derek, she'll have to decide how much of her heart she is willing to share. Because while Michie may not know who she is, she's starting to realize who she wants to become, if only she can take a chance on Derek, on herself, and on her future.
'Hey, you! Beautiful!' The voice was compelling—an order. So I turned around. 'Yeah, you,' he said. 'What are you doing in here? You look normal.' 'I am,' I said. Bettye Kronstad met Lou Reed in 1968 as a nineteen-year-old Columbia University student; they were married, briefly, in 1973. Their relationship spanned some of the most pivotal years of his life and career, from the demise of The Velvet Underground to the writing and recording of his seminal solo masterpieces Transformer, for which Lou wrote ‘Perfect Day’ about an afternoon they spent together in the park, and Berlin, which draws on tales from Bettye’s childhood. In Perfect Day, Bettye looks back on their initially idyllic life together on the Upper East Side; Lou’s struggle to launch a solo career after leaving perhaps the most influential rock band of all time; his work and friendships with fellow stars David Bowie and Iggy Pop; and his descent into drink and drug abuse following the success of Transformer, which sent him spinning out from gentle soul to rock’n’roll animal and brought a swift and calamitous end to their relationship. The result is a powerful and poignant meditation on love, loss, writing, and music.