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For a long time, commentators viewed Sartre as one of Kant's significant twentieth-century critics. Recent research of their philosophies has discovered that Sartre's relation to Kant's work manifests an 'anxiety of influence', which masks more profound similarities. This volume of newly written comparative essays is the first edited collection on the philosophies of Kant and Sartre. The volume focuses on issues in metaphysics, metaethics and metaphilosophy, and explores the similarities and differences between the two authors, as well as the complementarity of some of their views, particularly on autonomy, happiness, self-consciousness, evil, temporality, imagination and the nature of philosophy.
For a long time, commentators viewed Sartre as one of Kant's significant twentieth-century critics. Recent research of their philosophies has discovered that Sartre's relation to Kant's work manifests an 'anxiety of influence', which masks more profound similarities. This volume of newly written comparative essays is the first edited collection on the philosophies of Kant and Sartre. The volume focuses on issues in metaphysics, metaethics and metaphilosophy, and explores the similarities and differences between the two authors, as well as the complementarity of some of their views, particularly on autonomy, happiness, self-consciousness, evil, temporality, imagination and the nature of philosophy.
This book challenges the view of the relationship between Kant's and Sartre's practical philosophies arguing that Kant was one of Sartre's most significant predecessors. The book identifies several fundamental theses of Sartre's practical philosophy, and shows Sartre to be closer to Kant in this respect than many contemporary Kantian theories are.
Presents an evaluation of the relation between the philosophies of Kant and Sartre, permitting an indication of various strengths and weaknesses in Being and Nothingness.
Jean-Paul Sartre was one of the most important philosophers of the twentieth century. His influence extends beyond academic philosophy to areas as diverse as anti-colonial movements, youth culture, literary criticism, and artistic developments around the world. Beginning with an introduction and biography of Jean-Paul Sartre by Matthew C. Eshleman, 42 chapters by a team of international contributors cover all the major aspects of Sartre’s thought in the following key areas: Sartre’s philosophical and historical context Sartre and phenomenology Sartre, existentialism, and ontology Sartre and ethics Sartre and political theory Aesthetics, literature, and biography Sartre’s engagements with other thinkers. The Sartrean Mind is the most comprehensive collection on Sartre published to date. It is essential reading for students and researchers in philosophy, as well as for those in related disciplines where Sartre’s work has continuing importance, such as literature, French studies, and politics.
This book challenges the view of the relationship between Kant's and Sartre's practical philosophies arguing that Kant was one of Sartre's most significant predecessors. The book identifies several fundamental theses of Sartre's practical philosophy, and shows Sartre to be closer to Kant in this respect than many contemporary Kantian theories are.
The Philosophical Contexts of Sartre’s The Wall and Other Stories: Stories of Bad Faith presents a philosophical analysis of all five stories in Sartre’s short-story collection. Kevin W. Sweeney argues that each of the five stories has its own philosophical idea or problem that serves as the context for the narrative. Sartre constructs each story as a reply to the philosophical issue in the context and as support for his position on that issue. In the opening story, “The Wall,” Sartre uses the Constant-Kant debate to support his view that the story’s protagonist is responsible for his ally’s death. “The Room” presents in narrative form Sartre’s criticism that the Freudian Censor is acting in bad faith. In “Erostratus,” Sartre opposes Descartes’s claim in his “hats and coats” example that we recognize the humanity of others by using our reason. In “Intimacy,” Sartre again opposes a Cartesian position, this time the view that our feelings reveal our emotions. Sartre counters that Cartesian view by showing that the two women in the story act in bad faith because they do not distinguish their feelings from their emotions. The last story, “The Childhood of a Leader,” shows how the protagonist acts in bad faith in trying to resolve the question of who he is by appealing to the view that one’s roots in nature can provide one with a substantial identity. The stories are unified by showing the characters in all five narratives engaged in different acts of bad faith. The Philosophical Contexts of Sartre’s The Wall and Other Stories is written for scholars interested in Jean-Paul Sartre’s early literary and philosophical work, as well as for students interested in Sartre and twentieth-century French literature.