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People communicate by speaking words in over seven thousand languages around the world. They also sing, dance, paint, preach, dramatize, and design communication that enlivens heart, soul, mind, and strength. God gave every community unique gifts of artistic expression to enable its members to proclaim the Truth and to bring healing, hope, and joy to others in the fallen world in which we live. Community Arts for God's Purposes highlights the CLAT (Creating Local Arts Together) method, a seven-step process that inspires artistic creativity and collaboration with local musicians, dancers, storytellers, actors, and visual artists. In this manual, the arts are treated as special kinds of communication systems, connected to specific times, places, and social contexts. As local communities use the creative gifts developed in their particular culture to worship God and extend his kingdom, a beautiful example of the Lord’s complex artistry emerges. This book helps communities draw on examples and insights from over two thousand years of church history to understand and improve the present. It motivates people by painting a vivid picture of a better future: the kingdom of Heaven. Contributors also apply expertise from multiple academic disciplines, such as ethnomusicology, performance studies, anthropology, biblical studies, and missiology. Experiment with this manual. Adapt it to your setting. Let it be an aid in creating astounding bits of artistry on earth that you’ll recognize in Heaven.
This book integrates history, theology, and art and analyzes the Jesuits’ cross-cultural mission in late imperial China. Readers will find a rich collection of resources from historical sites, museums, manuscripts, and archival materials, including previous unpublished works of art. The production and circulation of art from different historical periods and categories show the artistic, theological, and missional values of Christian art. It highlights European Jesuits, Asian Christians, transnationalism, and gives voice to Chinese Christian women and their patronage of art in the seventeenth century. It offers a rare systematic study of the relation between art and mission history.
In search of holistic Christian witness, we must cultivate new approaches for integrating the arts into mission praxis. Written by missiologists, art critics, ethnodoxologists, and theologians from around the world, these essays present historical and contemporary case studies while calling Christians to understand the power of art for expressing cultural and religious identity, opening spaces for transformative encounters, and resisting injustice.
This volume explores the prehistoric beginnings of Chinese art and its development during the Xia, Shang, and Zhou Dynasties. It analyses the conditions of the emergence of Chinese art and its transformation of form, content and function throughout the Three Dynasties, a historical period marked by important changes in the social and cultural Chinese landscape. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
This sweeping survey is the first complete account of nearly 150 years of Protestant missions in Shanxi Province, China. Beginning with the arrival of the Protestant missionaries during the 1878 North China Famine and the fiery test of the 1900 Boxer Uprising and subsequent martyrdom of hundreds of Shanxi Christians, this important book brings together the historical accounts of the spread of Christianity in the province all the way up to the present. From the personal papers and contemporary records of the missionaries, Kaiser draws a vivid picture of the women and men who devoted their lives to advancing the cause of the gospel in Shanxi. He weaves the stories of bold local Christians like Pastor Hsi and such notable missionaries as Gladys Aylward, Timothy Richard, Hudson Taylor, and the Cambridge Seven into the broader tapestry of China missions, tracing the birth and development of a thriving and dynamic Shanxi church. Drawing on mission archives, academic studies, and firsthand knowledge, this fusion of scholarly inquiry with missionary biography aims to both inspire and inform, making the lessons of the missionary past available to a new generation of readers.
From the Pulitzer Prize winning journalist: a revelatory portrait of religion in China today, its history, the spiritual traditions of its Eastern and Western faiths, and the ways in which it is influencing China's future. Following a century of violent antireligious campaigns, China is now awash with new temples, churches, and mosques as well as cults, sects, and politicians trying to harness religion for their own ends. Driving this explosion of faith is uncertainty over what it means to be Chinese, and how to live an ethical life in a country that discarded traditional morality a century ago and is still searching for new guideposts. Ian Johnson lived for extended periods with underground church members, rural Daoists, and Buddhist pilgrims. He has distilled these experiences into a cycle of festivals, births, deaths, detentions, and struggle a great awakening of faith that is shaping the soul of the world s newest superpower. (With black-and-white illustrations throughout).
Branded as "the new Falun Gong" by local authorities, The Church of Almighty God is today the most persecuted religious movement in China. Renowned scholar of religion Massimo Introvigne interviewed several hundred members of this once secretive movement, as well as the Chinese police officers who hunt them. The Church's belief that God has returned to earth in the shape of a Chinese woman makes its theology unique. The story of its continuing persecution in China, and of the accusations of crimes it vehemently denies having committed, reads as one of the most dramatic tales of our time.
Peter Lampe's work has covered a wide range of fields, the common denominator being his interest in contextualizing belief systems. Mirroring his multifaced work, the authors pursue his interest from different interdisciplinary angles, addressing the interdependence between religious expressions and their situations or contexts. The application of theoretical models to texts examples flanks the inspiring theoretical – epistemological and methodological – reflections. Studies in socio-economic and political history adjoin archaeological, epigraphic, papyrological and iconographic investigations. (Social-)psychological interpretations of texts complement rhetorical analyses. The hermeneutical reception of biblical materials in, for example, the Koran and Christian Chinese or Orthodox contexts, as well as in religious education and homiletics, rounds off the volumes.