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Mordecai M. Kaplan (1881-1983), founder of Reconstructionism, is the preeminent American Jewish thinker and rabbi of our times. His life embodies the American Jewish experience of the first half of the twentieth century. With passionate intensity and uncommon candor, Kaplan compulsively recorded his experience in his journal (some 10,000 pages). This first volume of Communings of the Spirit covers Kaplan's early years as a rabbi, teacher of rabbis, and community leader. Kaplan, who trained rabbis for half a century, gives us an inside picture of life at the Jewish Theological Seminary, the center of Conservative Judaism in America. He records his masterful weekly sermons, which were attended regularly by his students. With unflinching candor, he reveals his successes and failures, uncertainties and self-doubts. Undeterred by attacks on his radical beliefs, he never wavered in the pursuit of a more dynamic Judaism.
With honesty and vivid detail, Kaplan explores his evolving beliefs on religious naturalism and his uncertainties and self-doubts as he grapples with a wide range of theological issues.
Scholars of Judaica and rabbinical studies will value this honest look at the preeminent American Jewish thinker and rabbi of our times.
Selections from the diary of Mordecai Kaplan, founder of Reconstructionism in America, detailing a provocative firsthand account of Jewish life in America and of the mind of a very challenging thinker
How Jews think about and work with objects is the subject of this fascinating study of the interplay between material culture and Jewish thought. Ken Koltun-Fromm draws from philosophy, cultural studies, literature, psychology, film, and photography to portray the vibrancy and richness of Jewish practice in America. His analyses of Mordecai Kaplan's obsession with journal writing, Joseph Soloveitchik's urban religion, Abraham Joshua Heschel's fascination with objects in The Sabbath, and material identity in the works of Anzia Yezierska, Cynthia Ozick, Bernard Malamud, and Philip Roth, as well as Jewish images on the covers of Lilith magazine and in the Jazz Singer films, offer a groundbreaking approach to an understanding of modern Jewish thought and its relation to American culture.