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A Stanford University Press classic.
As a law student and young lawyer in the 1760s, Thomas Jefferson began writing abstracts of English common law reports. Even after abandoning his law practice, he continued to rely on his legal commonplace book to document the legal, historical, and philosophical reading that helped shape his new role as a statesman. Indeed, he made entries in the notebook in preparation for his mission to France, as president of the United States, and near the end of his life. This authoritative volume is the first to contain the complete text of Jefferson’s notebook. With more than 900 entries on such thinkers as Beccaria, Montesquieu, and Lord Kames, Jefferson’s Legal Commonplace Book is a fascinating chronicle of the evolution of Jefferson’s searching mind. Jefferson’s abstracts of common law reports, most published here for the first time, indicate his deepening commitment to whig principles and his incisive understanding of the political underpinnings of the law. As his intellectual interests and political aspirations evolved, so too did the content and composition of his notetaking. Unlike the only previous edition of Jefferson’s notebook, published in 1926, this edition features a verified text of Jefferson’s entries and full annotation, including essential information on the authors and books he documents. In addition, the volume includes a substantial introduction that places Jefferson’s text in legal, historical, and biographical context.
"Building a second brain is getting things done for the digital age. It's a ... productivity method for consuming, synthesizing, and remembering the vast amount of information we take in, allowing us to become more effective and creative and harness the unprecedented amount of technology we have at our disposal"--
Some of us are compelled to share our creative visions through the written word. If we want to stay true to our dreams of being writers, then we should embrace the writing life. Embracing the writing life means giving into the joys and the challenges of our chosen art form. Embracing the writing life means living fully, being present in the moment, and finding meaning in the smallest things. This is how we fill our creative well, after all--with life. Whether you are new to writing or have many years under your belt, embracing the writing life may be the best thing you can do for yourself as a creative person, and a human being.
Fifty years after professor Challenger's discovery of the Lost World, America's last dinosaur circus has gone bankrupt, leaving a dozen avisaurs, centrosaurs, ankylosaurs, and one large raptor abandoned. Now a daring expedition plans to do the impossible: return the Jurassic giants to the wild. Two filmmakers, a circus trainer, a journalist, and a young Peter Belzoni must find a way to take the dinosaurs across oceans, continents, rivers, jungles, up a mountain that has been isolated for 70,000 years... Then if they make it, all they'll do is face all the prehistoric wonders, dangers, and terrors of the Lost World.
In 1991, the publication of Koji Suzuki's Ring, the first novel of a bestselling trilogy, inaugurated a tremendous outpouring of cultural production in Japan, Korea, and the United States. Just as the subject of the book is the deadly viral reproduction of a VHS tape, so, too, is the vast proliferation of text and cinematic productions suggestive of an airborne contagion with a life of its own. Analyzing the extraordinary trans-cultural popularity of the Ring phenomenon, The Scary Screen locates much of its power in the ways in which the books and films astutely graft contemporary cultural preoccupations onto the generic elements of the ghost story”in particular, the Japanese ghost story. At the same time, the contributors demonstrate, these cultural concerns are themselves underwritten by a range of anxieties triggered by the advent of new communications and media technologies, perhaps most significantly, the shift from analog to digital. Mimicking the phenomenon it seeks to understand, the collection's power comes from its commitment to the full range of Ring-related output and its embrace of a wide variety of interpretive approaches, as the contributors chart the mutations of the Ring narrative from author to author, from medium to medium, and from Japan to Korea to the United States.
Christina McPhee's 'commonplace book' draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art - all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video installation and poetics engage with her 'open-work' practice. Christina McPhee's images move from within a matrix of abstraction, shadowing figures and contingent effects. The tactics of living are in subterfuge, like the dazzle ships of camouflage in war. This 'commonplace book' develops a view of recent work in collaged paintings, drawings, photomontage and video installation, around themes of environmental transformation and 'post-natural' community. The book includes conversations, essays, interviews and notes by Ina Blom, Phil King, James MacDevitt, Donata Marletta, Melissa Potter, Judith Rodenbeck, Esztar Timár, and Frazer Ward. "McPhee's drawing, extended to and infiltrated with digital video, seems to outline a different and stranger project: that of creating as yet unknown material composites by aligning the rapid time-processing of our nervous systems with the emergent natures at actual sites of energy production or extraction." Ina Blom Christina McPhee's work is in museum collections, including the Whitney Museum of American Art, New York, the International Center for Photography, New York, the Kemper Museum of Contemporary Art, Kansas City, Thresholds New Media Collection, Scotland, and elsewhere. Her work has shown in solo exhibitions at American Unversity Museum, Washington, DC; Bildmuseet, Umea, Sweden, and in group exhibitions including documenta 12 and Bucharest Biennial 3. She lives and works in California, and you can see more of her work at: http: //www.christinamcphee.net/.
Taking “Gangnam Style” seriously: what Internet memes can tell us about digital culture. In December 2012, the exuberant video “Gangnam Style” became the first YouTube clip to be viewed more than one billion times. Thousands of its viewers responded by creating and posting their own variations of the video—“Mitt Romney Style,” “NASA Johnson Style,” “Egyptian Style,” and many others. “Gangnam Style” (and its attendant parodies, imitations, and derivations) is one of the most famous examples of an Internet meme: a piece of digital content that spreads quickly around the web in various iterations and becomes a shared cultural experience. In this book, Limor Shifman investigates Internet memes and what they tell us about digital culture. Shifman discusses a series of well-known Internet memes—including “Leave Britney Alone,” the pepper-spraying cop, LOLCats, Scumbag Steve, and Occupy Wall Street's “We Are the 99 Percent.” She offers a novel definition of Internet memes: digital content units with common characteristics, created with awareness of each other, and circulated, imitated, and transformed via the Internet by many users. She differentiates memes from virals; analyzes what makes memes and virals successful; describes popular meme genres; discusses memes as new modes of political participation in democratic and nondemocratic regimes; and examines memes as agents of globalization. Memes, Shifman argues, encapsulate some of the most fundamental aspects of the Internet in general and of the participatory Web 2.0 culture in particular. Internet memes may be entertaining, but in this book Limor Shifman makes a compelling argument for taking them seriously.
Experience the powerful prose and poetry of Joyce Rupp with the beautiful full-color art of Mary Southard.
'Jacques's voice sings out loud and clear – wistful, drily humorous, stiletto-sharp.' – The Observer Variations is the debut short story collection from one of Britain's most compelling voices, Juliet Jacques. Using fiction inspired by found material and real-life events, Variations explores the history of transgender Britain with lyrical, acerbic wit. Variations travels from Oscar Wilde's London to austerity-era Belfast via inter-war Cardiff, a drag bar in Liverpool just after the decriminalisation of homosexuality, Manchester's protests against Clause 28, and Brighton in the 2000s. Through diary entries of an illicit love affair, an oral history of a contemporary political collective; a 1920s academic paper to a 1990s film script; a 1950s memoir to a series of 2014 blog posts, Jacques rewrites and reinvigorates a history so often relegated to stale police records and sensationalist news headlines. Innovative and fresh, Variations is a bold and beautiful book of stories unheard; until now. 'Everything about this book—from the conception, to the language, to the execution—makes me wish I'd been the one to write it. Except I couldn't have. Juliet Jacques is a complete original and this book is the proof.' – Torrey Peters