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This is a delightful novella of love, matrimony, and sisterhood firmly in the tradition of Jane Austen, and displaying all the imaginative flair and linguistic prowess that distinguish Christina Rossetti's best-loved verse. When William Charlmont is lost at sea, his devoted wife lies dying in childbirth and charges Catherine, their eldest daughter, to await his return. Years later, and now in her thirties, Catherine remains faithful to her promise, resigning herself to a life of spinsterhood. Her two sisters, however, are under no such obligation, and while Lucy loves and loses from afar, the carefree Jane resolves to make a prosperous marriage and become a lady of fortune. Commonplace is a charmingly witty tale of the tortuous path a girl must take to secure a suitable match. One of the most important of the Victorian women poets, and a member of the Pre-Raphaelite movement, Christina Rossetti is best known as the author of Goblin Market and Other Poems.
From the PREFATORY NOTE: THE earliest of these tales dates back to 1852, the latest was finished in 1870: a lapse of years sufficient to account for modifications of tone and style. 'Pros and Cons,' and 'The Waves of this Troublesome World,' were written each with a special object; which special object will, I hope, be accepted as my apology if the latter tale is judged too childish. Not one of the stories is founded on fact. This might not seem worth stating, had I not reason to fear that one or two of my kindest friends have viewed 'The Lost Titian' somewhat in the light of an imposture. I therefore take this opportunity of putting on record that I am not conversant with any tradition which points to the existence of a lost picture by that great master with whose name I have made free. C. G. R. April 1870.
The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents the complete poetical and fictional works of Christina Rossetti, with beautiful illustrations and the usual Delphi bonus material. (4MB Version 1) * Beautifully illustrated with images relating to Rossetti's life and works * Concise introductions to the poetry and other works * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Features Dante Gabirel Rossettis accompanying illustrations to GOBLIN MARKET * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes Rossetti's complete short stories and her rare novella MAUDE, appearing for the first time in digital print * Features a bonus biography by the Pre-Raphaelite expert Theodore Watts-Dunton - discover Rossetti's literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse our range of exciting titles Contents: The Poetry Collections Verses, 1847 Goblin Market and Other Poems The Princes Progress and Other Poems Sing-Song: A Nursery Rhyme Book A Pageant and Other Poems Verses, 1893 Some Feasts and Fasts Gifts and Graces The World: Self-Destruction Divers worlds:time and Eternity New Jerusalem and Its Citizens Songs for Strangers and Pilgrims Privately Published Poems Unpublished Poems The Poems List of Poems In Chronological Order List of Poems In Alphabetical Order The Fiction Commonplace and Other Stories Maude: A Story for Girls The Biography Christina Georgina Rossetti by Theodore Watts-Dunton Please visit www.delphiclassics.com to browse our other titles
Those who have known Miss Rossetti's handiwork from the time when, under the pseudonym of "Ellen Alleyn," she produced her masterly paraphrase of "Ecclesiastes" and her exquisite sad lyric "Dreamland," up to these later years of poetic labour productive of such results as the dirge in the "Prince's Progress," would pronounce " Commonplace " a title most undescriptive of anything that lady could possibly produce in verse or prose; and while " Commonplace " is a very capital title for the chief story in this volume, the book is just as far from commonplace as the author's accustomed audience would anticipate. We shall not attempt to assign to this work among novellettes the same standing that Miss Rossetti's songs and sonnets take among sonnets and songs, because Miss Rossetti is simply the poet of female poets who has reached in England the highest point of executive merit: while we could name many women who have written novelettes superior to "Commonplace" as well in execution as in conception. Nevertheless we find the three sisters who are the chief actors in "Commonplace," as also the accessory ladies therein, drawn with an admirable precision and insight, indicative of a very acute inward and outward study of female character and motive; and it is a pity that the two male characters, who should, for perfect balance, have been at least as well defined, are indicated just too faintly to take their proper standing in the reader's mind. For realizing the entirety of a limited soul, and for exhibiting the eager interest of lives of the most limited scope, and for doing this without affectation or strain or exaggeration, we can only compare this chief story in the volume to those imperishable novels wherein Jane Austen portrayed the quiet country life of her quiet circle; but, before the living author can sit on the same bench as her great Literary Notices. 259 dead predecessor occupies in the temple of fame, she must develop that calm splendid faculty of laying out a book and bringing all its actors up to the same level of unmistakable vitality that we see displayed in the "Commonplaces" of Mansfield Park and Northanger Abbey. -The London Quarterly Review [1871]
Christina Rossetti (1830-94) is regarded as one of the greatest Christian poets to write in English. While Rossetti has firmly secured her place in the canon, her religious poetry was for a long time either overlooked or considered evidence of a melancholic disposition burdened by faith. Recent scholarship has redressed reductive readings of Christian theology as repressive by rethinking it as a form of compassionate politics. This shift has enabled new readings of Rossetti's work, not simply as a body of significant nineteenth-century devotional literature, but also as a marker of religion's relevance to modern concerns through its reflections on science and materialism, as well as spirituality and mysticism. Emma Mason offers a compelling study of Christina Rossetti, arguing that her poetry, diaries, letters, and devotional commentaries are engaged with both contemporary theological debate and an emergent ecological agenda. In chapters on the Catholic Revival, Pre-Raphaelite Brotherhood, contemporary debates on plant and animal being, and the relationship between grace and apocalypse, Mason reads Rossetti's theology as an argument for spiritual materialism and ecological transformation. She ultimately suggests that Rossetti's life and work captures the experience of faith as one of loving intimacy with the minutiae of creation, a divine body in which all things, material and immaterial, human and nonhuman, divine and embodied, are interconnected.