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After civil war, can the winners commemorate their victory, hailing their conquering heroes with the blood of their former comrades still fresh on their boots? Or should they cover themselves in shame and hope that the nation soon forgets? In this book, Anne Dolan explores the tensions between memory and forgetting in twentieth-century Ireland. By examining the memory of winning the Irish Civil War, she discusses the extent to which it has been used to serve party political ends, where private grief finds consolation when the dead have fallen from political favour, and how the dead are remembered when no one wanted to fight the war. The book addresses the Irish Civil War at its most public point: at the statues and crosses, and in the ritual and rhetoric of commemoration. It will be of central interest to all students and scholars of European history and politics.
On the eve of the American Civil War, 1.6 million Irish-born people were living in the United States. The majority had emigrated to the major industrialised cities of the North; New York alone was home to more than 200,000 Irish, one in four of the total population. As a result, thousands of Irish emigrants fought for the Union between 1861 and 1865. The research for this book has its origins in the widows and dependent pension records of that conflict, which often included not only letters and private correspondence between family members, but unparalleled accounts of their lives in both Ireland and America. The treasure trove of material made available comes, however, at a cost. In every instance, the file only exists due to the death of a soldier or sailor. From that as its starting point, coloured by sadness, the author has crafted the stories of thirty-five Irish families whose lives were emblematic of the nature of the Irish nineteenth-century emigrant experience.
The Irish Civil War and Society sheds new light on the social currents shaping the Irish Civil War, from the 'politics of respectability' behind animosities and discourses; to the intersection of social conflicts with political violence; to the social dimensions of the war's messy aftermath.
This book provides a detailed account of the origins, course, and aftermath of the Irish civil war, 1922-3. Based on much recently released material, including the papers of Eamon de Valera, each chapter is devoted to a particular aspect of war, and political aspects of the civil war are systematically discussed.
Along with his close comrades Michael Collins and Eamon de Valera, Harry Boland (1887-1922) was probably the most influential Irish revolutionary between 1917 and 1922. His sway extended to almost every aspect of republican activity. Already prominent as a hurler before 1916, he was convicted and imprisoned after an energetic Easter Week. He subsequently became Honorary Secretary of Sinn Fein, T.D. for South Roscommon in the First Dail, President of the Irish Republican Brotherhood's Supreme Council, and a republican envoy in the United States between May 1919 and December 1921. He broke with Collins over the Treaty, but became the chief intermediary between the factions. Early in the Civil War, however, he was killed by National army officers in the Grand Hotel, Skerries. Boland's influence was the product of charm, gregariousness, wit, and ruthlessness. After his rebel father's early death, Boland's mother raised him in a spirit of intransigent hostility to Britain. Yet he was also stylish, cosmopolitan, and humane. His celebrated contest with Collins for the love of Kitty Kiernan is perhaps the most intriguing of all Irish political romances. Attractive yet elusive, his personality helped shape the Irish revolution. David Fitzpatrick's biography draws upon documents in Irish, British, and American archives, including his American diaries and thousands of letters to, from, and about Boland. Extensive use has been made of family papers and de Valera's vast archive on the Irish campaign in America. These and other recently released documents illuminate the inner workings of Irish republicanism, and the critical importance of brotherhood in the revolution. As an old-fashioned republican and advocate of 'physical force', Boland is still venerated as a martyr by revolutionary republicans. Yet, in his conduct, he practised the ambiguities associated with Sinn Fein in today's Northern Ireland. Doctrine was subordinated to the twin quests for republican unity and political supremacy, entailing reiterated compromise, systematic duplicity, and mastery of propagandist techniques. If his outlook seems archaic, his practice was astonishingly modern. Harry Boland was a forerunner for Adams and McGuinness. -- Publisher description.
This text is an in-depth look at the Irish Civil War in the Donegal part of the country. It tells how Donegal became the scene of the last stand up fight between the IRA and British military with the latter using heavy artillery for the first time in Ireland since 1916.
War memory and commemoration have had increasingly high profiles in public and academic debates in recent years. This volume examines some of the social changes that have led to this development, among them the passing of the two world wars from survivor into cultural memory. Focusing on the politics of war memory and commemoration, the book illuminates the struggle to install particular memories at the center of a cultural world, and offers an extensive argument about how the politics of commemoration practices should be understood. Commemorating War analyzes a range of forms of remembrance, from public commemorations orchestrated by nation-states to personal testimonies of war survivors; and from cultural memories of war represented in films, plays and novels to investigations of wartime atrocities in courts of human rights. It presents a wide range of international case studies, encompassing lesser-known national histories and wars beyond the well-trodden terrain of Vietnam and the two world wars in Europe. Emerging from this book is an important critique of both "state-centered" approaches to war memory and those that regard commemoration primarily as a human response to loss and grief. Offering a wealth of empirical research material, this book will be important for cultural and oral historians, sociologists, researchers in international relations and human rights, and anybody with an interest in the cultural construction of memory in contemporary society. Timothy G. Ashplant is a member of the Research Center for Literature and Cultural History at Liverpool John Moores University. He has published on psychoanalysis and history, and the life-writings of working-class men and women in Britain. Graham Dawson teaches cultural and historical studies at the University of Brighton. His publications include Soldier Heroes: British Adventure, Empire and the Imagining of Masculinities, and Trauma and Life Stories (with Kim Lacy Rogers and Selma Leydesdorff). Michael Roper works as a social and cultural historian in the Department of Sociology at the University of Essex. His previous publications include Manful Assertions: Masculinities in Britain since 1800 (with John Tosh) and Masculinity and the British Organization Man since 1945.
Talking about contemporary Ireland, this work also looks at literary criticism, fiction, history, politics, and art."
National symbols have long been highly contentious in Ireland, and they remain so today. While there have been a number of studies which have examined the role of symbols in the contemporary conflict in Northern Ireland, as yet there has been no detailed study of debates about national symbols in twentieth-century Ireland. This book fills that gap, outlining the historical background to the continuing controversy about national symbols in Ireland and shedding new light on the deep political divisions which have marked Irish society throughout this century. Our Own Devices focuses on the crucial period from 1922 to 1939 which saw the creation and consolidation of new governments in the Irish Free State and Northern Ireland. It also examines in detail the selection of official symbols of state by governments in both parts of Ireland, and public responses to those symbols. Having discussed the conflicts over symbols which took place in the early decades of the two states, the book concludes by bringing the story up-to-date and relating earlier controversies about national symbols to current debates about the role of symbols in conflict and peacemaking in Northern Ireland. This study is a pioneering work in this relatively new area of Irish history, and is based on extensive original research, using many sources which have not previously been cited in published works.
Civil war inevitably causes shifts in state boundaries, demographics, systems of rule, and the bases of legitimate authority—many of the markers of national identity. Yet a shared sense of nationhood is as important to political reconciliation as the reconstruction of state institutions and economic security. After Civil War compares reconstruction projects in Bosnia, Cyprus, Finland, Greece, Kosovo, Northern Ireland, the Republic of Ireland, Spain, and Turkey in order to explore how former combatants and their supporters learn to coexist as one nation in the aftermath of ethnopolitical or ideological violence. After Civil War synthesizes research on civil wars, reconstruction, and nationalism to show how national identity is reconstructed over time in different cultural and socioeconomic contexts, in strong nation-states as well as those with a high level of international intervention. Chapters written by anthropologists, historians, political scientists, and sociologists examine the relationships between reconstruction and reconciliation, the development of new party systems after war, and how globalization affects the processes of peacebuilding. After Civil War thus provides a comprehensive, comparative perspective to a wide span of recent political history, showing postconflict articulations of national identity can emerge in the long run within conducive institutional contexts. Contributors: Risto Alapuro, Vesna Bojicic-Dzelilovic, Chares Demetriou, James Hughes, Joost Jongerden, Bill Kissane, Denisa Kostovicova, Michael Richards, Ruth Seifert, Riki van Boeschoten.