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In 1974, legendary Marvel Comics publisher Stan Lee approached underground pioneer Denis Kitchen and offered a way for them to collaborate. Their resulting series was called Comix Book and featured work by many of the top underground cartoonists including Joel Beck, Kim Deitch, Justin Green, Harvey Pekar, Trina Robbins, Art Spiegelman (first national appearance of Maus), Skip Williamson, and S. Clay Wilson. The Best of Comix Book showcases 150-pages of classic underground comix (printed on newsprint, as they originally appeared), many never before reprinted.
"Underground Classics" provides the first serious survey of underground comix as art, turning the spotlight on influential and largely under-appreciated artists, including Gilbert Shelton, Kim Deitch, and Trina Robbins. Illustrations throughout.
For the legions of Grateful Dead fans everywhere, a new, brilliantly imaginative approach to the band's music. Some of the best comic artists in the field have produced startling and wonderful interpretations of their legendary songs, including "Casey Jones", "Tennessee Jed", and others. Fully endorsed by the band. Full color throughout.
In the late ’60s, underground comix changed the way comics readers saw the medium ― but there was an important pronoun missing from the revolution. In 1972, ten women cartoonists got together in San Francisco to rectify the situation and produce the first and longest-lasting all-woman comics anthology,Wimmen’s Comix. Within two years the Wimmen’s Comix Collective had introduced cartoonists like Roberta Gregory and Melinda Gebbie to the comics-reading public, and would go on to publish some of the most talented women cartoonists in America ― Carol Tyler, Mary Fleener, Dori Seda, Phoebe Gloeckner, and many others. In its twenty year run, the women of Wimmen’s tackled subjects the guys wouldn’t touch with a ten-foot pole: abortion, menstruation, masturbation, castration, lesbians, witches, murderesses, and feminists. Most issues of Wimmen’s Comix have been long out of print, so it’s about time these pioneering cartoonists’ work received their due.
In 1974, Marvel publisher Stan Lee and underground pioneer Denis Kitchen collaborated on a series: Comix Book. Featuring underground comix by Joel Beck, Kim Deitch, Justin Green, Trina Robbins, Art Spiegelman (first national appearance of Maus), Skip Williamson, and S. Clay Wilson, this best-of collects them all! Introduction by Stan Lee. * Hardcover collection reprinting the best of the 1970s series Comix Book! * Introduction by the legendary Stan Lee and foreword by underground pioneer Denis Kitchen!
The history of the comic from 19th-century to today's graphic novels.
“Smith writes with a scalding aortal brilliance that leaves the reader drunk on dream.”—New York Times Book Review Taking as his starting point such wide-ranging subjects as comic books, politics, romantic love, geology, newspapers, totalitarianism, the natural world, the classics, Paris, Miami Beach, and war, Charlie Smith has written freshly realized poems in which compassion and tough-mindedness gesture toward wisdom.
Comix – A History of Comic Books in America (1988) : Covers the whole history of comic books in America to 1970–the major creations, the major creators, the major comic book lines, the major comic book enemies. Co-authors Les Daniels and The Mad Peck tell the story of how comic books captured the imagination of millions and became an American institution, and whether or not they deserved to. Adjoining the text, providing an illustrated history of their own, is a large selection of complete comic book stories. No selected snippets. Full stories. “It seems safe to say,” the authors write, “that no book to date has contained such a wide range of comic book tales Where else can one find in the same volume such divergent personalities as the Old Witch and Donald Duck, or Captain America and Those Fabulous Furry Freak Brothers?
In the early days of the pandemic, the team behind ICE CREAM MAN launched an online-only series of mini-comics set in the ICM universe. The project was called, predictably, QUARANTINE COMIX. These strange little ditties were meant to tide folks over while the industry was on pauseÑand also raise money for struggling comic shops, with 50 percent of all proceeds donated to Comicbook United Fund/BINC. Now, collected in everyone's preferred format (a floppy comic book!) are all six issues of QUARANTINE COMIX, featuring brand-new cover art and bonus stories by guest creators. And, as before, 50 percent of creator profits will go to Comicbook United to help stores get back on their feetÑbecause comic shops are sweet.