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James Corcoran tells the story of Gordon Kahl and the Posse Comitatus, using captivating narrative with vivid imagery. Sunday, February 13, 1983, was a sunny day in Medina, North Dakota--a seemingly peaceful church-going winter day. But hate politics was broiling in secret locations and the Heartland provided cover for those who wanted to take the law into their own hands. "Something terrible, and terribly important, was taking place," writes Corcoran. Ever a page-turner, reflect again on this story of violence and how a group of people can construct an alternative version of the law and the truth. New foreword by Mike Jacobs.
In examining the image of the "comitatus", or war-band, as it is portrayed in literary and historical sources from Britain's early-medieval period, this work attempts to determine the extent to which this image reflects an historical reality.
Reproduces documentation gathered while tracking the activities of a hate group known as the Posse Comitatus. Consists of hate literature, details of a bombing, and notes from several income tax evasion trials, covering the period 1973-1977 and 1980-1996.
The late Andre Reville had projected a work on this movement & had got together a vast collection of records of trials, inquests, petitions, & escheators' rolls for this purpose. Professor Oman has enjoyed the use of all of these documents, & also includes some new & unpublished material regarding the poll-tax. He thinks he has discovered why that impost met with such universal detestation, how the poorer class in England conspired to defeat its operation, & how the counterstroke made by this government provoked the rebellion."--THE NATION. Illus. with maps.
Throne of Blood (1957), Akira Kurosawa's reworking of Macbeth, is widely considered the greatest film adaptation of Shakespeare ever made. In a detailed account of the film, Robert N. Watson explores how Kurosawa draws key philosophical and psychological arguments from Shakespeare, translates them into striking visual metaphors, and inflects them through the history of post-World War II Japan. Watson places particular emphasis on the contexts that underlie the film's central tension between individual aspiration and the stability of broader social and ecological collectives - and therefore between free will and determinism. In his foreword to this new edition, Robert Watson considers the central characters' Washizu and his wife Asaji's blunder in viewing life as a ruthless competition in which only the most brutal can thrive in the context of an era of neoliberal economics, resurgent 'strongman' political leaders, and myopic views of the environmenal crisis, with nothing valued that cannot be monetized.
Some vols. include Report of the Society.