Download Free Coming Through Slaughter Book in PDF and EPUB Free Download. You can read online Coming Through Slaughter and write the review.

Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place. In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.
Many readers still claim this haunting, atmospheric novel of Michael Ondaatje's as their first love—a novel as sensual and erotic today as ever it was. At the turn of the century, the Storyville district of New Orleans had some 2000 prostitutes, 70 professional gamblers, and 30 piano players. But it had only one man who played the cornet like Buddy Bolden—he who cut hair by day at N. Joseph's Shaving Parlor, and at night played jazz, unleashing an unforgettable wildness and passion in crowded rooms. Self-destructively in love with two women, he embodied all the dire claims that music places on its acolytes. At the age of 31, Buddy Bolden went mad. From these sparse facts, Michael Ondaatje has created a story as beautiful and chilling as a New Orleans funeral procession, where even the mourners dance.
Discover Michael Ondaatje's debut novel, 'a beautifully detailed story, perhaps the finest jazz novel ever written' Sunday Times Based on the life of cornet player Buddy Bolden, one of the legendary jazz pioneers of turn-of-the-twentieth-century New Orleans, Coming Through Slaughter is an extraordinary recreation of a remarkable musical life and a tragic conclusion. Through a collage of memoirs, interviews, imaginary conversations and monologues, Ondaatje builds a picture of a man who would work by day at a barber shop and by night unleash his talent to wild audiences who had never experienced such playing. But Buddy was also playing the field with two women, and inside his head was a ticking time-bomb which he was unable to stop.
In the early 1950s, an eleven-year-old boy in Colombo boards a ship bound for England. At mealtimes he is seated at the “cat’s table”—as far from the Captain’s Table as can be—with a ragtag group of “insignificant” adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: one man talks with them about jazz and women, another opens the door to the world of literature. The narrator’s elusive, beautiful cousin Emily becomes his confidante, allowing him to see himself “with a distant eye” for the first time, and to feel the first stirring of desire. Another Cat’s Table denizen, the shadowy Miss Lasqueti, is perhaps more than what she seems. And very late every night, the boys spy on a shackled prisoner, his crime and his fate a galvanizing mystery that will haunt them forever. As the narrative moves between the decks and holds of the ship and the boy’s adult years, it tells a spellbinding story—by turns poignant and electrifying—about the magical, often forbidden, discoveries of childhood and a lifelong journey that begins unexpectedly with a spectacular sea voyage.
Not a story about me through their eyes then. Find the beginning, the slight silver key to unlock it, to dig it out. Here then is a maze to begin, be in. (p. 20) Funny yet horrifying, improvisational yet highly distilled, unflinchingly violent yet tender and elegiac, Michael Ondaatje’s ground-breaking book The Collected Works of Billy the Kid is a highly polished and self-aware lens focused on the era of one of the most mythologized anti-heroes of the American West. This revolutionary collage of poetry and prose, layered with photos, illustrations and “clippings,” astounded Canada and the world when it was first published in 1969. It earned then-little-known Ondaatje his first of several Governor General’s Awards and brazenly challenged the world’s notions of history and literature. Ondaatje’s Billy the Kid (aka William H. Bonney / Henry McCarty / Henry Antrim) is not the clichéd dimestore comicbook gunslinger later parodied within the pages of this book. Instead, he is a beautiful and dangerous chimera with a voice: driven and kinetic, he also yearns for blankness and rest. A poet and lover, possessing intelligence and sensory discernment far beyond his life’s 21 year allotment, he is also a resolute killer. His friend and nemesis is Sheriff Pat Garrett, who will go on to his own fame (or infamy) for Billy’s execution. Himself a web of contradictions, Ondaatje’s Garrett is “a sane assassin sane assassin sane assassin sane assassin sane assassin sane” (p. 29) who has taught himself a language he’ll never use and has trained himself to be immune to intoxication. As the hero and anti-hero engage in the counterpoint that will lead to Billy’s predetermined death, they are joined by figures both real and imagined, including the homesteaders John and Sallie Chisum, Billy’s lover Angela D, and a passel of outlaws and lawmakers. The voices and images meld, joined by Ondaatje’s own, in a magnificent polyphonic dream of what it means to feel and think and freely act, knowing this breath is your last and you are about to be trapped by history. I am here with the range for everything corpuscle muscle hair hands that need the rub of metal those senses that that want to crash things with an axe that listen to deep buried veins in our palms those who move in dreams over your women night near you, every paw, the invisible hooves the mind’s invisible blackout the intricate never the body’s waiting rut. (p. 72)
“Powerful and complex . . . [Karin] Slaughter gradually unspools her fascinating story, all the way up to its shocking conclusion.”—Chicago Sun-Times In a small Georgia town, Detective Lena Adams is accused of a vicious murder. A hundred miles away, Police Chief Jeffrey Tolliver learns that his young detective has been arrested. And Jeffrey’s wife, pediatrician and medical examiner Sara Linton, fighting a heartbreaking malpractice suit, is thrust into the center of a bizarre and murderous case. For Lena has fled to the place where she grew up, careening back through the shadows of her past. Now only Jeffrey and Sara can free Lena from the web of lies that has trapped her—as this powerful novel races toward its shattering climax and a final, unforgettable twist. Praise for Karin Slaughter and Beyond Reach “Will leave you breathless.”—USA Today “Slaughter writes with a razor.”—The Plain Dealer “Slaughter will have you on the edge of your seat.”—Seattle Post-Intelligencer
In his novels, poetry, and memoirs, Booker Prize winner Michael Ondaatje moves from the blasted landscape of Billy the Kid in 1880s New Mexico to the New Orleans jazz world of the legendary Buddy Bolden at the turn of the century, from his native Sri Lanka to the African desert of World War II. Compassionate, lyrical, spellbinding, the work he has created unfolds with mystery and eloquence and enlarges our literature. Included in Vintage Ondaatje are portions of the novels Anil’s Ghost, In the Skin of the Lion, Coming Through Slaughter, and The English Patient; the memoir Running in the Family; sections from The Collected Works of Billy the Kid; and a selection of the poetry. Vintage Readers are a perfect introduction to some of the great modern writers, presented in attractive, affordable paperback editions.
INSTANT NEW YORK TIMES BESTSELLER "There's deception, sabotage, violence, family secrets . . . all the stuff you could want from a fictional page-turner."— theSkimm Recommended by Washington Post • theSkimm • GMA.com • Popsugar • Bustle • Atlanta Journal-Constitution • Augusta Chronicle • Sun-Sentinel • Mystery and Suspense Magazine • and more! He saw what you did. He knows who you are… From the New York Times bestselling author of Pieces of Her and The Silent Wife, an electrifying standalone thriller. AN ORDINARY LIFE… Leigh Collier has worked hard to build what looks like a normal life. She’s an up-and-coming defense attorney at a prestigious law firm in Atlanta, would do anything for her sixteen-year-old daughter Maddy, and is managing to successfully coparent through a pandemic after an amicable separation from her husband Walter. HIDES A DEVASTATING PAST... But Leigh’s ordinary life masks a childhood no one should have to endure … a childhood tarnished by secrets, broken by betrayal, and ultimately destroyed by a brutal act of violence. BUT NOW THE PAST IS CATCHING UP… On a Sunday night at her daughter’s school play, she gets a call from one of the firm's partners who wants Leigh to come on board to defend a wealthy man accused of multiple counts of rape. Though wary of the case, it becomes apparent she doesn't have much choice if she wants to keep her job. They're scheduled to go to trial in one week. When she meets the accused face-to-face, she realizes that it’s no coincidence that he’s specifically asked for her to represent him. She knows him. And he knows her. More to the point, he may know what happened over twenty years ago, and why Leigh has spent two decades avoiding her past. AND TIME IS RUNNING OUT. Suddenly she has a lot more to lose than this case. The only person who can help is her younger, estranged sister Callie—the last person Leigh would ever want to drag into this after all they’ve been through. But with the life-shattering truth in danger of being revealed, she has no choice... “A high-stakes thriller . . . Her heroines are believable, flawed and courageous.” –OYINKAN BRAITHWAITE
Kurt Vonnegut’s masterpiece, Slaughterhouse-Five is “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). Selected by the Modern Library as one of the 100 best novels of all time Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.
Michael Ondaatje is the first comprehensive and fully up-to-date study of Ondaatje’s entire oeuvre. Starting from Ondaatje’s beginnings as a poet, this volume offers an intensive account of each of his major publications, including The Collected Works of Billy the Kid, Coming Through Slaughter, In The Skin of a Lion and The English Patient, drawing attention to the various contexts and intertexts that have informed his work. The book contains a broad overview of Ondaatje’s career for students and readers coming to his work for the first time. It also offers an original reading of his writing which significantly revises conventional accounts of Ondaatje as a postmodern or postcolonial writer. As the fullest account of Ondaatje’s work to date, Spinks’s approach draws on a range of postcolonial theory and, as well as being a landmark in Ondaatje scholarship, makes a distinctive contribution to debates about postcolonial literature and the poetics of postmodernism.