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Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place. In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.
All aboard this fun and colorful train book for kids ages 0 to 3 Take your train-loving toddler on a ride through the world of locomotives. From subways to steam engines to a cargo-carrying diesel train, this train book covers all the coolest trains from early days to modern times and shows you what makes them special. Go beyond other train books for toddlers with: A rhyming refrain—Memorable verses will introduce kids to a variety of trains, including helper, long-distance, switcher, high and low, and electric trains like subways. Fun train trivia—Read about what different trains look like, where they travel, how they work, and even learn about old-fashioned trains. Eye-catching images—Find images of every train and its moving parts, rendered accurately and in detail. You and your little one will discover hours of educational fun with this big book of trains.
Oral histories of formerly enlaved people and their families along the South Carolina coast Coming Through marks the first complete publication of these interviews with former slaves and their descendants living in the Waccamaw Neck region of South Carolina as collected by Genevieve W. Chandler as part of the WPA Federal Writers Project. Between 1936 and 1938 Chandler interviewed more than one hundred individuals in and around All Saints Parish, a portion of Horry and Georgetown counties located between the Waccamaw River and the Atlantic Ocean. Her subjects spoke freely with her on topics ranging from slave punishment to folk medicine, from conditions in the Jim Crow South to the exploits of Brer Rabbit. A teacher, artist, writer, and later museum curator, Chandler had no formal training as an oral historian or folklorist, yet the sophistication of her work as documented here anticipates developments in these fields of study a generation later. Her detailed descriptions add social context to folktales, and her careful and systematic renderings of the Gullah language have since been praised as foundational work by Creole linguists. Chandler's Gullah-speaking African American informants range in age from the 9-year-old George Kato Singleton to 104-year-old Welcome Bees. A biography of each subject accompanies the interviews. Collectively these interviews form an intimate portrait of a fascinating subculture of the Carolina coast and the Sea Islands as shared with a remarkable woman who has special access to converse with the people of this traditionally insular world. Moreover they provide an unparalleled firsthand account of the African American experience in South Carolina in the words of those who lived it. The volume is edited by Chandler's daughter, Genevieve C. Peterkin, and two scholars, Kincaid Mills and Aaron McCollough. The three have carefully established the texts of the interviews in a manner that highlights Chandler's skills as a field linguist and have supplemented the texts with revealing documentation. The collection is enhanced with a foreword by Charles W. Joyner, Burroughs Distinguished Professor of History at Coastal Carolina University; appendixes respecting the WPA project and the nuances of Gullah language and culture; and photographs of the subjects taken by renowned photographer Bayard Wootten—many published here for the first time.
Many readers still claim this haunting, atmospheric novel of Michael Ondaatje's as their first love—a novel as sensual and erotic today as ever it was. At the turn of the century, the Storyville district of New Orleans had some 2000 prostitutes, 70 professional gamblers, and 30 piano players. But it had only one man who played the cornet like Buddy Bolden—he who cut hair by day at N. Joseph's Shaving Parlor, and at night played jazz, unleashing an unforgettable wildness and passion in crowded rooms. Self-destructively in love with two women, he embodied all the dire claims that music places on its acolytes. At the age of 31, Buddy Bolden went mad. From these sparse facts, Michael Ondaatje has created a story as beautiful and chilling as a New Orleans funeral procession, where even the mourners dance.
Heddon explores such questions as whether one retains memory of a time before birth and if God makes his existence known to those who open themselves to Him.
Lincoln explores the nature of biracial relationships, the issue of transracial adoption, violence - particularly black-on-black violence - the "endangered" black male, racism as power, the relationship between blacks and Jews, our multicultural melting pot, and Minister Louis Farrakhan.
Finally here it is (the truth, the whole truth, and nothing but the truth) about the soon-to-become truly United Nations, which shall establish a one world order against all manner of human terrorization. Within this book, there are many answers from God Himself about the true purpose of human existence and what each individual is supposed to be doing right now to complete the reason for them being born. Yes, here is (the truth, the whole truth, and nothing but the truth!), including how God is the Big Bang, He's not just a theory!
“This book is a unique study of race and racism across two centuries in the hinterland of the upper South. Its implications are at once depressingly familiar and distinctly fresh.” —W. Fitzhugh Brundage, author of Lynching in the New South: Georgia and Virginia, 1880–1930 From the earliest days when slaves were brought to western Kentucky, the descendants of both slaves and slave owners in Hopkinsville, Kentucky, have continued to inhabit the same social and historic space. Part ethnography and part historical narrative, Been Coming through Some Hard Times offers a penetrating look at this southern town and the surrounding counties, delving particularly into the ways in which its inhabitants have remembered and publicly represented race relations in their community. Neither Deep South nor Appalachian, this western Kentucky borderland presented unique opportunities for African American communities and also deep, lasting tensions with powerful whites. Glazier conducted fieldwork in Hopkinsville for some ten months, examining historical evidence, oral histories, and the racialized hierarchy found in the final resting places of black and white citizens. His analysis shows how structural inequality continues to prevail in Hopkinsville. The book’s ethnographic vignettes of worship services, school policy disputes, segregated cemeteries, a “dressing like our ancestors” day at an elementary school, and black family reunions poignantly illustrate the ongoing debate over the public control of memory. Ultimately, the book critiques the lethargy of white Americans who still fail to recognize the persistence of white privilege and therefore stunt the development of a truly multicultural society. Glazier’s personal investment in this subject is clear. Been Coming through Some Hard Times began as an exploration of the life of James Bass, an African American who settled in Hopkinsville in 1890 and whose daughter, Idella Bass, cared for Glazier as a child. Her remarkable life profoundly influenced Glazier and led him to investigate her family’s roots in the town. This personal dimension makes Glazier’s ethnohistorical account especially nuanced and moving. Here is a uniquely revealing look at how the racial injustices of the past impinge quietly but insidiously upon the present in a distinctive, understudied region. JACK GLAZIER is a professor of anthropology at Oberlin College. He is the author of Dispersing the Ghetto: The Relocation of Jewish Immigrants across America and Land and the Uses of Tradition among the Mbeere of Kenya.