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Explores the dimensions of the coming-of-age novel in the Spanish-speaking Caribbean and Brazil, focusing on works by eight major Afro-Latin American writers
Finalist for the PEN/Robert Bingham Fellowship for Writers It is the mid-1800s. Fela, taken from Africa, is working at her second sugar plantation in colonial Puerto Rico, where her mistress is only too happy to benefit from her impressive embroidery skills. But Fela has a secret. Before she and her husband were separated and sold into slavery, they performed a tribal ceremony in which they poured the essence of their unborn child into a very special stone. Fela keeps the stone with her, waiting for the chance to finish what she started. When the plantation owner approaches her, Fela sees a better opportunity for her child, and allows the man to act out his desire. Such is the beginning of a line of daughters connected by their intense love for one another, and the stories of a lost land. Mati, a powerful healer and noted craftswoman, is grounded in a life that is disappearing in a quickly changing world. Concha, unsure of her place, doesn't realize the price she will pay for rejecting her past. Elena, modern and educated, tries to navigate between two cultures, moving to the United States, where she will struggle to keep her family together. Carisa turns to the past for wisdom and strength when her life in New York falls apart. The stone becomes meaningful to each of the women, pulling them through times of crisis and ultimately connecting them to one another. Dahlma Llanos-Figueroa shows great skill and warmth in the telling of this heartbreaking, inspirational story about mothers and daughters, and the ways in which they hurt and save one another.
After generations of being rendered virtually invisible by the US academy in critical anthologies and literary histories, writing by Latin Americans of African ancestry has become represented by a booming corpus of intellectual and critical investigation. This volume aims to provide an introduction to the literary worlds and perceptions of national culture and identity of authors from Spanish-America, Brazil, and uniquely, Equatorial Guinea, thus contextually connecting Africa to the history of Spanish colonization. The importance of Latin America literature to the discipline of African Diaspora studies is immeasurable, and this edited collection provides a ripe cultural context for critical comparative analysis among the vast geographies that encompass African and African Diaspora studies. Scholars in the area of African Diaspora Studies, Black Studies, Latin American Studies, and American literature will be able to utilize the eleven essays in this edition to enhance classroom instruction and further academic research.
This book "explores pressing social and political issues such as racial identity, environmental devastation, human trafficking, and political violence through the lens of novels of African migration. [It] details how authors such as Chika Unigwe, Chris Abani, Dinaw Mengestu, In Koli Jean Bofane, Boubacar Boris Diop, and others develop 'the migratory imagination': the creative means mobilized within their novels to expose the reader to contemporary social issues. Drawing on and synthesizing a multitude of theoretical frameworks including ecocriticism, postcolonial theory, genre studies, Black studies, paratextual reading, and political economy, the book argues for the flexibility of the migration novel as a genre"--
Affect, Performativity, and Chinese Diasporas in the Caribbean: Hopeful Futures analyzes the emergence of Chinese diasporic literature and art in the Caribbean and its diasporas in the twenty-first century. This book considers the historical and critical discourse about the Chinese diasporas in the Caribbean and proposes a textual and visual archive selecting contemporary texts that signal a changing paradigm in postcolonial literature at the turn of the twenty-first century. Whereas, historically, Chinese minorities had been erased or presented as ultimate Others, contemporary texts mobilize Chinese characters and their stories strategically to propose alternative configurations of community and belonging grounded in affective structures and contest the coloniality of national imaginaries.
A comprehensive historical, geographic, and thematic analysis of the multidimensional and dynamic migration experience of Ethiopians within and beyond Africa. Ethiopia is one of the largest African sources of transnational migrants, with an estimated two to three million Ethiopians living outside of the home country. This edited collection provides a critical examination of the temporal, spatial, and thematic dimensions of Ethiopian migration, mapping out its scale, scope, and destinations. The thirteen essays here (plus an introduction and conclusion by the volume's editors) offer a discussion of the state of knowledge and current debates on the diaspora and suggest alternative frameworks for interrogating and understanding the Ethiopian migration and diasporic experiences. Key time periods and literatures are identified to study Ethiopian transnational migration, moving from a survey of patterns in pre-twentieth century Ethiopia and on to changing trajectories in the imperial period and under succeeding postrevolutionary regimes. Geographically, the contour of the Ethiopian diaspora is outlined, identifying key destinations and patterns of return. In particular, the volume seeks to correct the traditional tendency to conflate the Ethiopian diaspora with North America and Europe by including areas that have long been marginalized, such as inter-Africa, Asia, and the Middle East. The objective is not to construct a simple cartography of migration but a critical analysis of national and global issues, policies, trends, and processes that shape the roots and routes of the migration dynamic. Thematically, this book aims to challenge the existing boundaries of Ethiopian migration and diaspora studies and raise important concerns about representation, ghettoization, and perpetuation of inequalities. Edited by Shimelis Bonsa Gulema, Hewan Girma, and Mulugeta F. Dinbabo. Contributors: Alpha Abebe; Amsale Alemu; Tekalign Ayalew; Kassaye Berhanu-MacDonald; Elizabeth Chacko; Marina de Re> Mulugeta F. Dinbabo; Peter H. Gebre; Hewan Girma; Mary Goitom; Shimelis Bonsa Gulema; Tesfaye Semela; Nassise Solomon; and Fitsum R. Tedla.
Examines Dakar's transformation from a small colonial capital to a dynamic city, highlighting how its resourceful residents challenged French control by forging adaptive economic relationships. During a transformative era in the first half of the twentieth century, Dakar--former capital of French West Africa and present-day capital of Senegal--evolved from a small colonial capital meant to serve the French administration to a dynamic city shaped not solely by colonial planners but by its resourceful inhabitants. In this important book, author Rachel Petrocelli introduces the concept of transactional culture, a set of norms and practices forged by Dakar's residents to navigate life under colonial rule. A central element of this culture was transience, a defining feature permeating various facets of life in Dakar, from commerce and employment to housing and interactions with the state. The book uncovers a central dynamic: economic relationships in Dakar were continually molded by the ebb and flow of diverse individuals, each pursuing their own objectives, despite relentless efforts of the French state to exert control. Both Europeans and Africans embraced adaptability in Dakar over fixed residence, while immigrant communities implanted themselves and became integral to the city's transactional culture. In a compelling narrative based on court records and other primary sources, author Rachel Petrocelli shows that as the French colonial state sought to shape and control Dakar, it enacted policies to intentionally limit city dwellers' financial resources. Practices like pawning possessions and taking out credit emerged as financial strategies as a result, integrating Dakarois of every background. These practices persisted long after French rule ended, underscoring the enduring impact of Dakar's colonial history.
Examines African debates on captivity, legal and illegal enslavement, and religious and ethnic identity in the era of West African jihads. In this pioneering study--the first to cover ransoming, or the release of a prisoner prior to enslavement for cash or kind, in African regions south of the Sahara--Jennifer Lofkrantz focuses on a broad temporal and geographical area raning from the fifteenth to the nineteenth centuries and including present-day Mali, Niger, Nigeria, and Morocco. The work concentrates particularly on the nineteenth-century jihad era and on the Sokoto Caliphate and the Umarian States. The overall period was a time of intense intellectual debate over the questions of who was and who was not a Muslim, how Islamic law could and should be implemented, what rights and protections recognized freeborn Muslims should have, and what role governments should play in ensuring those rights especially during a time when slavery was legal. Ransoming discourses and procedures expose Muslim West African answers to these questions as well as providing a lens on broader issues and ideas on slavery, freedom, and religious and ethnic identity. Based on research conducted mostly in Mali, Niger, Nigeria, and France and on Arabic-, French-, and English-language archival sources, treatises, personal correspondence, oral sources and testimony, biographical data, travel reports, and early colonial documents, this study approaches the question of ransoming of captives through an examination, first, of intellectual debates among pre-nineteenth-century West African scholars on issues of ransoming; second, of nineteenth-century policies based on understandings of those intellectual debates in the context of the jihads; and, finally, of West African practices of ransoming in the nineteenth century.
The Latin American novel burst onto the international literary scene with the Boom era--led by Julio Cortázar, Gabriel García Márquez, Carlos Fuentes, and Mario Vargas Llosa--and has influenced writers throughout the world ever since. García Márquez and Vargas Llosa each received the Nobel Prize in literature, and many of the best-known contemporary novelists are inspired by the region's fiction. Indeed, magical realism, the style associated with García Márquez, has left a profound imprint on African American, African, Asian, Anglophone Caribbean, and Latinx writers. Furthermore, post-Boom literature continues to garner interest, from the novels of Roberto Bolaño to the works of César Aira and Chico Buarque, to those of younger novelists such as Juan Gabriel Vásquez, Alejandro Zambra, and Valeria Luiselli. Yet, for many readers, the Latin American novel is often read in a piecemeal manner delinked from the traditions, authors, and social contexts that help explain its evolution. The Oxford Handbook of the Latin American Novel draws literary, historical, and social connections so that readers will come away understanding this literature as a rich and compelling canon. In forty-five chapters by leading and innovative scholars, the Handbook provides a comprehensive introduction, helping readers to see the region's intrinsic heterogeneity--for only with a broader view can one fully appreciate García Márquez or Bolaño. This volume charts the literary tradition of the Latin American novel from its beginnings during colonial times, its development during the nineteenth and the first half of the twentieth century, and its flourishing from the 1960s onward. Furthermore, the Handbook explores the regions, representations of identity, narrative trends, and authors that make this literature so diverse and fascinating, reflecting on the Latin American novel's position in world literature.
Hers is one of eleven essays and four poems included in this volume in which Latina women of African descent share their stories. The authors included are from all over Latin America-Brazil, the Dominican Republic, Haiti, Panama, Puerto Rico, Venezuela-and the United States. They write about the African diaspora and issues such as colonialism, oppression and disenfranchisement. Diva Moreira, a Brazilian, writes that she experienced racism and humiliation at a very young age. The worst experience, she remembers, was her mother's bosses' conviction that Diva didn't need to go to school after the fourth grade, "because blacks don't need to study more than that."