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It's Christmas Eve. Have you been good? Santa's packed up all the presents and is headed your way! With the help of a certain red-nosed reindeer, Santa flies over many landmarks in your town! "Ho, ho, ho!" laughs Santa. "Merry Christmas!"
Books, and the printed word more generally, are aspects of modern life that are all too often taken for granted. Yet the emergence of the book was a process of immense historical importance and heralded the dawning of the epoch of modernity. In this much praised history of that process, Lucien Febvre and Henri-Jean Martin mesh together economic and technological history, sociology and anthropology, as well as the study of modes of consciousness, to root the development of the printed word in the changing social relations and ideological struggles of Western Europe.
Paris Smith, international investment star until his wife's death affects his money game, gambles high-stakes to save his career. Closing a $100-million bond deal halfway around the globe, when treachery from unexpected quarters suddenly threatens to collapse his financial arrangements like a house of cards.
"Coming of Age focuses on five years in Mead's young life when she began to question the traditional attitudes toward sex, courtship and marriage that dominated the early 20th century. The story begins in 1921, when Mead is a young woman of twenty and a student at Barnard College in New York City. Conventional enough to accept the role society has handed to her, and defiant enough to rise up against it, she struggles to find her own path. Life begins to change as she experiences new friendships and many firsts, including marriage and an affair. In 1925, following her interest in anthropology, Mead takes a step that shocks both family and colleagues. She decides to go alone to Samoa to study how girls in this very different culture mature into women. There on a tiny island in the South Pacific, with an ocean between her and the people she loves, she begins to understand how the invisible chains of society can imprison one's body and mind. Mead's voyage of self-discovery is both painful, exciting and enlightening. She returns from her fieldwork ready to do something no woman before her has dared to do: write with frankness and clarity about the sexual awakening of young girls. And America, it turns out, is ready to hear what she has to say. Drawing on letters, diaries and memoirs, Blum reconstructs the colorful and dramatic life of one of the most provocative thinkers of the 20th century"--
An urban neighborhood remakes itself every day—and unmakes itself, too. Houses and stores and streets define it in one way. But it’s also people—the people who make it their home, some eagerly, others grudgingly. A neighborhood can thrive or it can decline, and neighbors move in and move out. Sometimes they stay but withdraw behind fences and burglar alarms. If a neighborhood becomes no longer a place of sociability and street life, but of privacy indoors and fearful distrust outdoors, is it still a neighborhood? In the late 1960s and 1970s Carlo Rotella grew up in Chicago’s South Shore neighborhood—a place of neat bungalow blocks and desolate commercial strips, and sharp, sometimes painful social contrasts. In the decades since, the hollowing out of the middle class has left residents confronting—or avoiding—each other across an expanding gap that makes it ever harder for them to recognize each other as neighbors. Rotella tells the stories that reveal how that happened—stories of deindustrialization and street life; stories of gorgeous apartments with vistas onto Lake Michigan and of Section 8 housing vouchers held by the poor. At every turn, South Shore is a study in contrasts, shaped and reshaped over the past half-century by individual stories and larger waves of change that make it an exemplar of many American urban neighborhoods. Talking with current and former residents and looking carefully at the interactions of race and class, persistence and change, Rotella explores the tension between residents’ deep investment of feeling and resources in the physical landscape of South Shore and their hesitation to make a similar commitment to the community of neighbors living there. Blending journalism, memoir, and archival research, The World Is Always Coming to an End uses the story of one American neighborhood to challenge our assumptions about what neighborhoods are, and to think anew about what they might be if we can bridge gaps and commit anew to the people who share them with us. Tomorrow is another ending.
The contents of this book are all based on the true story of an experience that happened to two ordinary people, a story that truly seems unbelievable. It is a story of two people who met in midlife, fell in love, and got married. Now all this seems to be pretty ordinary, but in this case, their coming together was anything but ordinary. The beginning of this marriage triggered a most unusual eventan event that changed their beliefs and lives forever. This is a story of a person whose door to the next dimension was involuntarily opened just as she was about to be married. This event not only caused her to come into contact with a great spiritual entity but also transformed her into a great medium who could contact spiritual entities who had passed from this earth into another existence. These spiritual entities could contact her with a clarity that defies explanation. The opening of this psychic door was not done by accident but had a very deliberate purpose. This purpose came with a warning and at the same time came with a call for help.
The information herein is based on the disciples coming to Jesus privately, saying, “Tell us, (1) when will these things be, and (2) what will be the sign of your coming, and (3) of the end of the age?” (Matthew 24:3) These questions refer to the end of an age, which was referred to in Matthew 24:1-2,1 Jesus came out from the temple and was going away when his disciples came up to point out the temple buildings to him. 2 And he said to them, “Do you not see all these things? [the temple buildings] Truly I say to you, not one stone here will be left upon another, which will not be torn down.” In Matthew 24:3-28, Jesus is referring to the end of the Jewish age, which was to culminate in 66-70 C.E., with the desolation and destruction of Jerusalem and its temple. The disciples’ questions were based on a presumption the end of the temple to them, equaled the end of the age, encompassing Christ’s return, the judgment of the wicked and the setting up of his kingdom. Verses 3-28 are Jesus answering their question. In his words, he does address what will lead up to the end of the Jewish age, but what about the end of wicked humankind and the ruler of the world, the age (era) of Satan, and his second coming, Jesus’ kingdom, and his thousand year reign. We have to understand the end of the Jewish age as well, because all prophecy has a meaning to those who hear it, which will help us understand if it could be applicable to us. In conservative, evangelical, grammatical-historical interpretation, an author has only one referent for his words, as two referents would result in two meanings. Our position is that there is only one meaning of what an author meant by his words. This may sound complex now, but it will be unfolded more in later chapters, in a very easy to understand way. In chapters 1 and 2, we must address why Jesus is saying there would be an end of the Jewish age. In chapter 3, we will take a deep look at the signs that establish the great tribulation is closing in, and when is it time to flee. In chapter 4, we will go over the signs of the end of the Jewish age. In chapter 5, we will walk through the events leading up to the end of the Jewish age from 66 – 70 C.E. In chapter 6, we will cover the second coming of Jesus where the reader will get the answers as to whether verses 3-28 apply to his second coming. We will close out with chapter 7, and how we should understand the signs, and how we do not want to be led astray, just as Jesus warned even some of the chosen ones would be misled. We will also address what comes after the end.
"Collection of scholarly essays and primary documents exploring the significance of the 1893 World's Fair and the history of American anthropology"--
Coming of age can mean murder...or monsters. 400 pages of a triple-feature of suspense and supernatural thrills, containing Purity, The Words, and The Attraction. Three short novels all packed into one cool book – NY Times bestselling and Bram Stoker Award-winning author Douglas Clegg's most frightening and fascinating chillers of suspense, horror and...coming of age. * * * In Purity, the darkest force is love. From award-winning author Douglas Clegg comes a twisting, dark psychological thriller of dangerous obsession. "Purity is a gripping, shocking story of love, turning 18 and murder." -Doubleshot Reviews "Douglas Clegg turns the screws dexterously in this sleek, multifaceted suspense story...in a vacation paradise saturated in alcohol, entitlement and hypocrisy..." - Publisher's Weekly. "Clegg writes gut-wrenchingly beautiful horror, painful adolescence, abuse, sociopathic alienation, and coming home - are all at play here, as are characters who play each other and themselves...for keeps."- Chizine. * * * In The Words, two boys discover a secret world of monsters...When teenager Mark befriends outsider Dash, he believes his new friend to be an outcast rebel. But a dark mystery unfolds as Dash leads Mark into dangerous games and rituals involving stories of the occult and a strange drug that allows Dash to see into another world—a world of absolute darkness and terror. "Douglas Clegg's The Words is a real stunner ...Using the novella form to its utmost..."—Somebody Dies Blog Reviews * * * "A terrifying quick punch of horror."* The Attraction is a drive-in movie-style horror chiller of roadside terror, 200 pages in print! The signs along the desert highway read Come See the Mystery! But some mysteries should remain buried forever -- like the terrifying creature at the back of the Brakedown Palace Gas & Sundries Emporium. "...A vivid story that will separate the timid from their sleep and the bold from their complacency whenever they next visit a sideshow or museum mummy display!"—Midwest Book Review. *"Clegg takes the idea of a cheapjack tourist hustle for a decrepit gas station in middle-of-nowhere Arizona and turns it into a terrifying quick punch of horror…"—Alternate Reality Web Zine Reviews. "I couldn't put this book down. It grabbed me on the first page and wouldn't let go. I ended up reading most of the night away...The story moves at an incredible rate and never lags."—Horror World Reviews.