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Despite her parents' struggles with addiction, Lilly Dancyger always thought of her childhood as a happy one. But what happens when a journalist interrogates her own rosy memories to reveal the instability around the edges? Dancyger's father, Joe Schactman, was part of the iconic 1980s East Village art scene. He created provocative sculptures out of found materials like animal bones, human hair, and broken glass, and brought his young daughter into his gritty, iconoclastic world. She idolized him—despite the escalating heroin addiction that sometimes overshadowed his creative passion. When Schactman died suddenly, just as Dancyger was entering adolescence, she went into her own self-destructive spiral, raging against a world that had taken her father away. As an adult, Dancyger began to question the mythology she'd created about her father—the brilliant artist, struck down in his prime. Using his sculptures, paintings, and prints as a guide, Dancyger sought out the characters from his world who could help her decode the language of her father's work to find the truth of who he really was.
These exceptional sermons by J. Wayne McKamie are among the most thought-provoking and spiritually challenging that you will find concerning the human application of the parables of our Lord and Savior Jesus Christ. He captures both the divine nature and the human nature of Jesus' words and then points out life-changing lessons from these truths, which, if we truly apply them to our hearts and lives, will make us much better people in the service of our Lord. According to Wayne, his main attempt has been to make these grand sermons live anew in the hearts of the Lord's people. He has said, "They have lived for me; I want them to live for others." This series of sermons can be utilized as a great study tool in gaining a more thorough understanding of Jesus' parables. It is also just an enjoyable read for the spiritually minded!
Bob's journey spans over four decades, transitioning from a young actor in California to a successful business career. In 2019, he retires from the corporate world to pursue his original passions of acting, filmmaking, and living a nomadic life traveling throughout Europe. In January 2020, Bob's European adventure begins in Vienna, Austria, and everything goes smoothly until mid-March when a global pandemic changes the world. He narrowly escapes border closures and reaches Zagreb, Croatia, only to face a devastating earthquake, the worst in the country in 140 years. The US Travel Department advises him to return home, but lacking a real home to go back to, Bob decides to stay in Europe. Riding out the pandemic in Europe grants Bob a unique perspective on the world as he learns to face fears, develop resilience, and keep moving forward. Upon returning to the US after three years, Bob is met with a different world, where discussing sensitive subjects like the pandemic, health, politics, and just about any subject seems to pose challenges and creates occasional tension. The atmosphere feels delicate and uncertain, leading to shifts in relationships. However, reconnecting with loved ones after a long absence proves to be a transformative, healing, and enlightening experience for Bob. His journey represents a testament to embracing change, facing adversity, and finding personal growth through exploration and pursuing one's passions.
This is a story about patience, faith, strength and the desire to succeed; a story about a former WWII (World War II) veteran, and his great-grandson, who, without having the slightest idea, until a certified time, in the … future, ended up having, in fact, a brilliant mind, based on his life experiences, sad experiences, mental strength, and his abilities to memorise, make huge calculations, remember almost every day of his life (including how the weather was), and learn, about everything, thanks to a huge desire for knowledge (’’Every man’s ability may be strengthened or increased by culture’’ – John Abbot). This is a story about God’s will, in order to protect and help a simple man, but one with a huge heart, to bring him home, back from the places where others never returned from. This is a story about a continuing perseverence, based on the “Never give up” quote, trying to make a name for himself, and rise above, over so many critics, wrong opinions, and simple-thinking minds, from the ones around him, the ones who couldn’t see the world, and the people, beyond their powers. This is a story about a man of faith, a man who has always put religion above all, during his life, a former WWII vet, who has returned home, back from the bloodiest war ever. This is the story of my great-grandfather … and myself, the author. Everything what are you are about to read is 100 % true. I’m dedicating this (short) book to my great-grandfather, and his daughter (my grandmother, who died in November of 2018). Without her, and her storytelling, about their family, I would not have been able to finish it. May this be THE GREATEST TRIBUTE for them.
For two decades in Christchurch, New Zealand, a cast of extraordinary men and women remade the arts. Variously between 1933 and 1953, Christchurch was the home of Angus and Bensemann and McCahon, Curnow and Glover and Baxter, the Group, the Caxton Press and the Little Theatre, Landfall and Tomorrow, Ngaio Marsh and Douglas Lilburn. It was a city in which painters lived with writers, writers promoted musicians, in which the arts and artists from different forms were deeply intertwined. And it was a city where artists developed a powerful synthesis of European modernist influences and an assertive New Zealand nationalism that gave mid-century New Zealand cultural life its particular shape. In this book, Simpson tells the remarkable story of the rise and fall of this ‘Bloomsbury South' and the arts and artists that made it. Simpson brings to life the individual talents and their passions, but he also takes us inside the scenes that they created together: Bethell and her visiting coterie of younger poets; Glover and Bensemann's exacting typography at the Caxton Press; the yearly exhibitions and aesthetic clashes of the Group; McCahon and Baxter's developing friendship; the effects of Brasch's patronage; Marsh's Shakespearian re-creations at the Little Theatre. Simpson re-creates a Christchurch we have lost, where a group of artists collaborated to create a distinctively New Zealand art which spoke to the condition of their country as it emerged into the modern era.
How do cats know when it's time to go to the vet, even before the cat carrier comes out? How do dogs know when their owners are returning home at unexpected times? How can horses find their way back to the stable over completely unfamiliar terrain? With a scientist's mind and an animal lover's compassion, world-renowned biologist Rupert Sheldrake presents a groundbreaking exploration of animal behavior that will profoundly change the way we think about animals -- and ourselves. After five years of extensive research involving thousands of people who have pets and work with animals, Dr. Sheldrake proves conclusively what many pet owners already know: there is a strong connection between humans and animals that defies present-day scientific understanding. This remarkable book deserves a place next to the most beloved and valuable books on animals, including When Elephants Weep, Dogs Never Lie About Love, and The Hidden Life of Dogs.
Fabrizio Garrone is an impoverished but aristocratic translator who has been living a life of quiet desperation in Milan. He feels underappreciated and tormented by a persistent sense of having been cheated by life. But when he reads about a lost Viennese novel — The House on Moon Lake — in the journals of a late esteemed literary critic, he dreams that this project will put him on the cultural and literary map, and finally bring him the accolades that have eluded him. Fabrizio journeys to Vienna, tracks down the book, and translates it, and in so doing embarks on a nightmarish search for the truth behind the events depicted in it, as well as for clues about the tragic life of its forgotten author. When asked to write a short biography of the novelist, Fabrizio must invent details missing from the last three years of his subject’s life. The resulting biography is a publishing phenomenon. But the repercussions for Fabrizio are profound: he becomes the willing victim of a person he had thought to be fictional.