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Comic books are high art. They–and their graphic novel counterparts–harken back to classic literature and artworks. Through a series of essays, the authors will illustrate that modern pop culture characters are direct descendants of classic works of literature and their visual depiction is inspired by the works of master artists. Join us as we peel back layers to discover gothic influences, representations of badass females, uses of the mask, and the new look of Rappaccini’s Daughter as well as discuss teaching comics in college, Black identity and power, mythological and religious tie-ins, and many more correlations hidden within the pages of action-packed heroes and villains. The essayists in this collection are, first and foremost, comic book fans with extensive backgrounds in art, film, education, literature, and writing. Comics Lit Vol. 1 contains essays by Alyson Shelton, Eric Lee, Kelly Gaines, Seth Singleton, AA McCartney, Heath Fodor, A.R. Farina, Tonya Todd, and Anthony D. Holt Jr. Foreword by Bryan Edward Hill.
This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market versus the American one. Few resources currently exist showing the cross-disciplinary aspects of comics. Some of the chapters examine the use of Wonder Woman during World War II, the development and culture of French comics, and theories of Locke and Hobbs in regards to the state of nature and the bonds of community. More so, the continual use of comics for the retelling of classic tales and current events demonstrates that the genre has long passed the phase of for children’s eyes only. Additionally, this anthology also weaves graphic novels into the dialogue with comics.
Despite the growing importance of heroines across literary culture—and sales figures that demonstrate both young adult and adult females are reading about heroines in droves, particularly in graphic novels, comic books, and YA literature—few scholarly collections have examined the complex relationships between the representations of heroines and the changing societal roles for both women and men. In Heroines of Comic Books and Literature: Portrayals in Popular Culture, editors Maja Bajac-Carter, Norma Jones, and Bob Batchelor have selected essays by award-winning contributors that offer a variety of perspectives on the representations of heroines in today’s society. Focused on printed media, this collection looks at heroic women depicted in literature, graphic novels, manga, and comic books. Addressing heroines from such sources as the Marvel and DC comic universes, manga, and the Twilight novels, contributors go beyond the account of women as mothers, wives, warriors, goddesses, and damsels in distress. These engaging and important essays situate heroines within culture, revealing them as tough and self-sufficient females who often break the bounds of gender expectations in places readers may not expect. Analyzing how women are and have been represented in print, this companion volume to Heroines of Film and Television will appeal to scholars of literature, rhetoric, and media as well as to broader audiences that are interested in portrayals of women in popular culture.
"The Skrulls have invaded, and no one on Earth is safe. Shape-shifting aliens bent on world conquest, they have infiltrated governments, businesses, even super-hero teams. But nothing they've ever faced has prepared them for Deadpool! Gifted with a healing factor that makes him nearly unkillable, Wade Wilson is the craziest mercenary to ever karate-kick his way through the Marvel Universe. A wise-cracking, gun-toting, one-man army, he manages to save a baseball stadium full of innocent civilians from a Skrull attack all by himself. And then, to everyone's surprise, he surrenders to the Skrulls. Instantly recognizing Deadpool's assets, the Skrulls welcome him into their fold. They quickly isolate his healing factor and replicate it in the newest generation of Super-Skrulls, a brigade Deadpool himself will lead against the Earth's defense forces. Or so the Skrulls think. Sure, he's a mercenary-- and sure, if you pay, he plays-- But what the Skrulls don't realize is that someone else is footing the bill" -- p. [4] of cover.
NATIONAL JEWISH BOOK AWARD WINNER • Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals. In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize–winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. He probes the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process. Compelling and intimate, MetaMaus is poised to become a classic in its own right.
A highly original collection of essays, demonstrating how comic books can be used as primary sources in the teaching and understanding of American history.
The popular American comic book is considered in this volume of Critical Insights. From their creation in the 1930s to the widespread popularity of comic book heroes today, this literary form continues to delight and entertain readers. This volume offers a collection of original essays that will establish for students and their teachers an exemplary representation of American comics as a field of study within American literature.
Lauded novelist Margaret Atwood and acclaimed artist Johnnie Christmas collaborate on one of the most highly anticipated comic book and literary events of the year.On a dark night, young genetic engineer Strig Feleedus is accidentally mutated by his own experiment and merges with the DNA of a cat and an owl. What follows is a humorous, action-driven, pulp-inspired superhero adventure - with a lot of cat puns.
Collects Ironheart #1-6. Riri Williams steps boldly out of Tony Stark’s shadow to forge her own future! When one of Spider-Man’s old foes holds a group of world leaders hostage, Ironheart must step up her game. But she’s thrown for a loop when an old acquaintance from Chicago re-enters her life! Caught between her need for independence and her obligations at M.I.T., Ironheart needs to make some tough decisions! Luckily, Riri has a will of steel, a heart of iron and a new A.I. on her side! Unluckily, the search for a kidnapped friend will send her stumbling into an ancient power — and it’s deadly! Plus: When Miles Morales goes missing, who better to search for him than his fellow Champion, Riri — who he’s never actually gotten along with that well!
The Guardian cartoonist relates the daily deadpan adventures of the last policeman living on the moon "Living on the moon...Whatever were we thinking? ...It seems so silly now.” The lunar colony is slowly winding down, like a small town circumvented by a new super highway. As our hero, the Mooncop, makes his daily rounds, his beat grows ever smaller, the population dwindles. A young girl runs away, a dog breaks off his leash, an automaton wanders off from the Museum of the Moon. Each day that the Mooncop goes to work, life gets a little quieter and a little lonelier. As in Goliath, Tom Gauld’s retelling of the Bible story, the focus in Gauld's science fiction is personal—no big explosions or grand reveals, just the incremental dissolution of an abandoned project and a person’s slow awakening to his own uselessness. Depicted in the distinctive, matter-of-fact style of his beloved Guardian strips, Mooncop is equal parts funny and melancholy. Gauld captures essential truths about humanity, making this a story of the past, present, and future, all in one.