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Offers undergraduate students with an understanding of the comics medium and its communication potential. This book deals with comic books and graphic novels. It focuses on comic books because in their longer form they have the potential for complexity of expression.
Doctor Leviathan volume one is a superhero graphic novel that takes place in the far future. In this future, mankind has been overrun by a million super-powered murderers, madmen and assassins. Their only goal is to terrorize and try to enslave mankind. In this future there is only one man that is powerful enough to stand against these criminals and survive. Some call him a saint while others say he is a monster. This man's name is Doctor Leviathan. This graphic novel consist of three fantastic stories of how Doctor Leviathan battles against these monsters for mankind's freedom. The first story is about a group of powerful criminals, that have kidnapped the daughter of a judge. They intend to televise her torture and execution to her father. The second story is about a priest, who use to be a powerful super-villain, but is now trying to atone for his past crimes. He quickly finds out that he can't easily escape his past. His demise brings a city to the brink of destruction with Doctor Leviathan trying to prevent the loss of thousands of innocent lives. The third and final story is about the mysterious deaths of fifty-seven super-powered criminals in the city of Detroit. Doctor Leviathan is hot on the trail of their mysterious killer as he follows each grisly murder. He is trying to catch the mysterious killer, before it turns its murderous intentions from the super-villains and towards the innocent people of Detroit city. The first story of this graphic novel was first published as a comic book in 2005.
As with all other forms of popular culture, comics in East Germany were tightly controlled by the state. Comics were employed as extensions of the regime’s educational system, delivering official ideology so as to develop the “socialist personality” of young people and generate enthusiasm for state socialism. The East German children who avidly read these comics, however, found their own meanings in and projected their own desires upon them. Four-Color Communism gives a lively account of East German comics from both perspectives, showing how the perceived freedoms they embodied created expectations that ultimately limited the regime’s efforts to bring readers into the fold.
Inspired by the global #MeToo Movement, Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival is a collection of original, nonfiction comics drawn by more than 60 female cartoonists from around the world. Featuring such noted creators as Emil Ferris, Aline Kominsky-Crumb, MariNaomi, Liana Finck, and Ebony Flowers the anthology’s contributors comprise a diverse group of many ages, sexual orientations, and races—and their personal stories convey the wide spectrum of sexual harassment and abuse that is still all too commonplace. With a percentage of profits going to RAINN, Drawing Power is an anthology that stokes the fires of progressive social upheaval, in the fight for a better, safer world. Full list of contributors: Rachel Ang, Zoe Belsinger, Jennifer Camper, Caitlin Cass, Tyler Cohen, Marguerite Dabaie, Soumya Dhulekar, Wallis Eates, Trinidad Escobar, Kat Fajardo, Joyce Farmer, Emil Ferris, Liana Finck, Sarah Firth, Mary Fleener, Ebony Flowers, Claire Folkman, Noel Franklin Katie Fricas, Siobhán Gallagher, Joamette Gil, J. Gonzalez-Blitz, Georgiana Goodwin, Roberta Gregory, Marian Henley, Soizick Jaffre Avy Jetter, Sabba Khan, Kendra Josie Kirkpatrick, Aline Kominsky-Crumb, Nina Laden, Miss Lasko-Gross, Carol Lay, Miriam Libicki Sarah Lightman, LubaDalu, Ajuan Mance, MariNaomi, Lee Marrs, Liz Mayorga, Lena Merhej, Bridget Meyne, Carta Monir, Hila Noam Diane Noomin, Breena Nuñez, Meg O’Shea, Corinne Pearlman, Cathrin Peterslund, Minnie Phan, Kelly Phillips, Powerpaola, Sarah Allen Reed, Kaylee Rowena, Ariel Schrag, M. Louise Stanley, Maria Stoian, Nicola Streeten, Marcela Trujillo, Carol Tyler, Una, Lenora Yerkes, Ilana Zeffren
The witch is a symbol of power for women across the world. She represents defiance, transcendence, healing, feminine monstrosity, and connection with the natural and supernatural worlds. From her wands and flora, to her bonds of kinship, POWER & MAGIC VOLUME 2 explores what gives each witch her power and how she'll choose to use it.
Contributions by Bart Beaty, Jenny Blenk, Ben Bolling, Peter E. Carlson, Johnathan Flowers, Antero Garcia, Dale Jacobs, Ebony Flowers Kalir, James Kelley, Susan E. Kirtley, Frederik Byrn Køhlert, John A. Lent, Leah Misemer, Johnny Parker II, Nick Sousanis, Aimee Valentine, and Benjamin J. Villarreal More and more educators are using comics in the classroom. As such, this edited volume sets out the stakes, definitions, and exemplars of recent comics pedagogy, from K-12 contexts to higher education instruction to ongoing communities of scholars working outside of the academy. Building upon interdisciplinary approaches to teaching comics and teaching with comics, this book brings together diverse voices to share key theories and research on comics pedagogy. By gathering scholars, creators, and educators across various fields and in K-12 as well as university settings, editors Susan E. Kirtley, Antero Garcia, and Peter E. Carlson significantly expand scholarship. This valuable resource offers both critical pieces and engaging interviews with key comics professionals who reflect on their own teaching experience and on considerations of the benefits of creating comics in education. Included are interviews with acclaimed comics writers Lynda Barry, Brian Michael Bendis, Kelly Sue DeConnick, and David Walker, as well as essays spanning from studying the use of superhero comics in the classroom to the ways comics can enrich and empower young readers. The inclusion of creators, scholars, and teachers leads to perspectives that make this volume unlike any other currently available. These voices echo the diverse needs of the many stakeholders invested in using comics in education today.
Sequential art combines the visual and the narrative in a way that readers have to interpret the images with the writing. Comics make a good fit with education because students are using a format that provides active engagement. This collection of essays is a wide-ranging look at current practices using comics and graphic novels in educational settings, from elementary schools through college. The contributors cover history, gender, the use of specific graphic novels, practical application and educational theory. Instructors considering this book for use in a course may request an examination copy here.
"This psychedelic, collectible portfolio features 12 reproductions of the celebrated Marvel Comics and Third Eye, Inc. black-light posters, first printed in 1971. Featuring iconic Marvel characters including Captain America, Spider-Man, the Incredible Hulk, Thor, and Doctor Strange, and illustrated by legendary artists Jack Kirby, Gene Colan, and others, the posters are printed in florescent inks on high-quality paper. Also included is a brief history of Third Eye and their Marvel Comics black-light publishing by historian Roy Thomas, along woth images of the original comic-book art featured on the posters."--Back of box
Collecting What If? Ghost Rider, What If? Magik, What If? Spider-Man, What If? The Punisher, What If? Thor And What If? X-Men. Uncanny tales from the infinite possibilities of the Multiverse! Ask yourself what if...Marvel went metal with Ghost Rider? Or Doctor Strange was training Illyana “Magik” Rasputin to become the next Sorcerer Supreme? Imagine that the responsible Peter Parker wasn’t the one bitten by the radioactive spider — but instead it was an egotistical bully like Flash Thompson! Or that Peter’s Uncle Ben and Aunt May were both slain, setting him on a violent path to becoming — the Punisher?! On other worlds, Odin is slain, Jotunheim becomes home to a Thor raised by the king of the Frost Giants! And the digital wonderland of the EXE/scape hosts X-Men more extraordinary than you’ve ever imagined!
Many introductions to comics scholarship books begin with an anecdote recounting the author’s childhood experiences reading comics, thereby testifying to the power of comics to engage and impact youth, but comics and power are intertwined in a numbers of ways that go beyond concern for children’s reading habits. Comics and Power presents very different methods of studying the complex and diverse relationship between comics and power. Divided into three sections, its 14 chapters discuss how comics interact with, reproduce, and/or challenge existing power structures – from the comics medium and its institutions to discourses about art, subjectivity, identity, and communities. The contributors and their work, as such, represent a new generation of comics research that combines the study of comics as a unique art form with a focus on the ways in which comics – like any other medium – participate in shaping the societies of which they are part.