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Interweaving history and theory, this book unpacks the complexity of comics, covering formal, critical and institutional dimensions.
Ernest Hemingway, himself one of the giants of American literature, believed this book to be the novel that ‘all modern American literature comes from.’ This is a massive claim when considering the contribution Americans have made in this form throughout the 20th century. Fitzgerald, Steinbeck, Faulkner, Pearl Buck, Joseph Heller, Philip Roth, Saul Bellow – and the list of significant contributors to 20th century literature could go on and on. So what made this book so important and powerful in the development of the modern US novel? Firstly it tackled difficult and relevant issues of its time, in fact of any time. Racism, slavery, abuse, the plight of children are all woven into the fabric of the story. The story raises issues of morality and individual conscience in a natural and not preachy context and presents the dilemmas in situations that most would appreciate and relate to – whether they agreed with the implied conclusions or not. It made the reader think and not just follow the plot. And the voices of the novel and especially the narrator, Huck himself, are authentic, ordinary characters; not literary creations spouting intricate prose but real people speaking a language that readers understood (however offensive some of it might appear today). Add to this Twain’s inimitable style and mordant sense of humour and invention and the sum of the parts becomes a very significant and meaningful whole. The book has sparked controversy ever since publication for being both racist and crude on one hand but also too pro-black and anti-Southern on the other. It has been banned from libraries and school curricula – and subsequently restored; then often banned again depending on the prevailing political and social climate. It continues to cause controversy for both its language and views; but it is a novel that was deliberately written to question the conventional, the establishment view and to pose questions like whether institutionalised practices should just be accepted or sometimes be opposed, even at personal risk or cost? These questions are still relevant today; perhaps more relevant, some might say. The conclusions of the novel might be Mark Twain’s own views but if they can help to stimulate thinking and debate on crucial issues of the day then this is a piece of work that is still worth reading and reflecting on.
A comprehensive guide to New York City’s historical geography of social and political movements. Occupy Wall Street did not come from nowhere. It was part of a long history of uprising that has shaped New York City. From the earliest European colonization to the present, New Yorkers have been revolting. Hard hitting, revealing, and insightful, Revolting New York tells the story of New York’s evolution through revolution, a story of near-continuous popular (and sometimes not-so-popular) uprising. Richly illustrated with more than ninety historical and contemporary images, historical maps, and maps drawn especially for the book, Revolting New York provides the first comprehensive account of the historical geography of revolt in New York, from the earliest uprisings of the Munsee against the Dutch occupation of Manhattan in the seventeenth century to the Black Lives Matter movement and the unrest of the Trump era. Through this rich narrative, editors Neil Smith and Don Mitchell reveal a continuous, if varied and punctuated, history of rebellion in New York that is as vital as the more standard histories of formal politics, planning, economic growth, and restructuring that largely define our consciousness of New York’s story. Contributors: Marnie Brady, Kathleen Dunn, Zultán Gluck, Rachel Goffe, Harmony Goldberg, Amanda Huron, Malav Kanuga, Esteban Kelly, Manissa McCleave Maharawal, Don Mitchell, Justin Sean Myers, Brendan P. O’Malley, Raymond Pettit, Miguelina Rodriguez, Jenjoy Roybal, McNair Scott, Erin Siodmak, Neil Smith, Peter Waldman, and Nicole Watson. “The writing is first-rate, with ample illustrations and many contemporary and historical images. Fast paced and fascinating, like the city it profiles.”—Library Journal
"From its origins in 1874 as an intimate actors' dining club, The Lambs by 1925 had become the most famous theatrical club in the world-the stuff of fable. Drawn extensively from The Lambs' official archives, this work traces The Lambs' roots in London and its initial development in America, dominated by English and later Irish actors"--Provided by publisher.