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**Nominated for the 2021 Eisner Award for Best Academic/Scholarly Work** The first critical guide to cover the history, form and key critical issues of the medium, Webcomics helps readers explore the diverse and increasingly popular worlds of online comics. In an accessible and easy-to-navigate format, the book covers such topics as: ·The history of webcomics and how developments in technology from the 1980s onwards presented new opportunities for comics creators and audiences ·Cultural contexts – from the new financial and business models allowed by digital media to social justice causes in contemporary webcomics ·Key texts – from early examples of the form such as Girl Genius and Penny Arcade to popular current titles such as Questionable Content and Dumbing of Age ·Important theoretical and critical approaches to studying webcomics Webcomics includes a glossary of crucial critical terms, annotated guides to further reading, and online resources and discussion questions to help students and readers develop their understanding of the genre and pursue independent study.
A treasury of outstanding graphics and rare and beautiful comic art, this book is also a history of the art form itself, as seen through the work of 16 of the finest cartoonists of the last century, including Al Capp, Charles M. Schulz, Walt Kelly and Chester Gould. Marschall's fascinating text portrays the life and times of these artists, demonstrating their influence on American art and society. 250 illustrations, many in full-color.
Comic Books and Blank Comic Strips are perfect for sketching out your comic book ideas and keeping everything in one place. Use this book to make your own comic books with this simple to use comic book drawing paper. For budding creatives ready to create your own stories, you will have hours of fun with this. Simply script out your comics on the lined pages provided and use the blank pages for sketching out your draft character drawings. This really helps you to get your creative juices flowing. When you have drawn your comic characters in the comic panels provided you can add speech bubbles like the examples shown in the book. Each section has four pages with multiple and different panels to a page. There's room for you to create up to 13 different six page comics or over fifty different one page to a scene stories. This book would make the perfect gift for anyone who likes to make up their own stories. It measures 6" x 9" and is conveniently sized so it can be carried around with you all the time. So what are you waiting for? Scroll up and click to buy this blank comic strips book and get creative with your comic writing skills!
Reprints the syndicated newspaper comic strip Dark shadows, based on the television series of the same name, which ran from March 14, 1971 to March 11, 1972.
Sixty years before the comics entered the American newspaper press, Rodolphe Töpffer of Geneva (1799–1846), schoolmaster, university professor, polemical journalist, art critic, landscape draftsman, and writer of fiction, travel tales, and social criticism, invented a new art form: the comic strip, or “picture story,” that is now the graphic novel. At first he resisted publishing what he called his “little follies.” When he did, they became instantly popular, plagiarized, and imitated throughout Europe and the United States. Töpffer developed a graphic style suited to his poor eyesight: the doodle, which he systematized and also theorized. The drawings, with their “modernist” spontaneous, flickering, broken lines, forming figures in mad hyperactivity, run above deft, ironic captions and propel narratives of surreal absurdity. The artist's maniacal protagonists mix social satire with myth. By the mid-nineteenth century, Messrs. Jabot, Festus, Cryptogame, and other members of the crazy family, comprising eight picture stories in all, were instant folk heroes. In a biographical framework, Kunzle situates the comic strips in the Genevan and European culture of the time as well as in relation to Töpffer's other work, notably his hilarious travel tales, and recounts their curious genesis (with an initial imprimatur from Goethe, no less) and their controversial success. Kunzle's study, the first in English on the writer-artist, accompanies Rodolphe Töpffer: The Complete Comic Strips, a facsimile edition of the strips themselves, with the first-ever translation of these into English.
Isolation commiserations from the creator of the iconic “Cathy” comic strip, Cathy Guisewite! We’re all in this together…but it helps to see someone else with her face planted in the bowl of mashed potatoes. In the same way that Cathy was a relatable friend during the comic strip years, she’s returned to offer some happy relief, support, and a much-needed AACK from isolation. This little book is a compassionate companion for right now and, long after the pandemic is over, will be a treasured scrapbook of what we survived—the fear of droplets, the work-from-refrigerator wear, the revenge retail therapy of online shopping, the frustration of trying to teach Grandma to Zoom from 3,000 miles away, the little shreds of hope mixed in with the sourdough bread dough. From the introduction: I’ve worn the same pair of sweatpants for fourteen months. I’ve binge watched, binge eaten, binge shopped, binge prayed. I’ve Zoomed. Streamed. Screamed. Googled how to get hot fudge out of a duvet cover. Googled how to chop my insulting blue jeans into face masks. Googled how to permanently delete my Google search history. I’ve meditated, looked within and asked the big questions: “If no one’s allowed in my house for months, what’s the point of vacuuming?”
A guide to creating visual stories, from a single panel to a graphic novel, from a veteran in the field! Barbara Slate guides aspiring graphic storytellers through the same process she learned in her early days working for Marvel and DC Comics-a process she has simplified for the classes she teaches in schools, libraries, and colleges. Suitable for all ages from elementary school to senior citizens, it is presented in the form of a graphic novel itself. The book covers all the components and shows readers how to: Find their own drawing style regardless of ability; create memorable characters, compelling plots and subplots, and engaging dialog; lay out pages that grab the reader's eyes, and traverse the business.
Rebirth of the English Comic Strip: A Kaleidoscope, 1847–1870 enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a “rebirth” because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780–c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe’s first female professional cartoonist.
This essay collection examines the theory and history of graphic narrative as one of the most interesting and versatile forms of storytelling in contemporary media culture. Its contributions test the applicability of narratological concepts to graphic narrative, examine aspects of graphic narrative beyond the ‘single work’, consider the development of particular narrative strategies within individual genres, and trace the forms and functions of graphic narrative across cultures. Analyzing a wide range of texts, genres, and narrative strategies from both theoretical and historical perspectives, the international group of scholars gathered here offers state-of-the-art research on graphic narrative in the context of an increasingly postclassical and transmedial narratology. This is the revised second edition of From Comic Strips to Graphic Novels, which was originally published in the Narratologia series.