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A history of comic books from the 1930s to 9/11.
A history of Mexican comic books, their readers, their producers, their critics, and their complex relations with the government and the Church that discusses cultural nationalism, popular taste, and social change.
Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.
Winner of the 2017 Ursa Major Award for Best Non-Fiction Work! Furry fandom is a recent phenomenon, but anthropomorphism is an instinct hard-wired into the human mind: the desire to see animals on a more equal footing with people. It’s existed since the beginning of time in prehistoric cave paintings, ancient gods and tribal rituals. It lives on today—not just in the sports mascots and cartoon characters we see everywhere, but in stage plays, art galleries, serious literature, performance art—and among furry fans who bring their make-believe characters to life digitally, on paper, or in the carefully crafted fursuits they wear to become the animals of their imagination. In Furry Nation, author Joe Strike shares the very human story of the people who created furry fandom, the many forms it takes—from the joyfully public to the deeply personal— and how Furry transformed his own life.
In the less than eight decades since Superman's debut in 1938, comic book superheroes have become an indispensable part of American society and the nation's dominant mythology. They represent America's hopes, dreams, fears, and needs. As a form of popular literature, superhero narratives have closely mirrored trends and events in the nation. This study views American history from 1938 to 2010 through the lens of superhero comics, revealing the spandex-clad guardians to be not only fictional characters but barometers of the place and time in which they reside. Instructors considering this book for use in a course may request an examination copy here.
Hot off her breakout success at Marvel, two-time Eisner award winner ERICA HENDERSON (The Unbeatable Squirrel Girl, Jughead) teams up with KYLE STARKS (SEXCASTLE, Rick and Morty) for a hilarious twist on the hitman trope. The former World's Greatest Hitman hires the 20 best assassins in the world to be his bodyguards. These mean-as-hell hired guns and murderers must work together to keep the new crime boss safe while attempting to solve the mystery of whoÕs trying to off him. With the same laugh-until-you-cry spirit of action-comedies like Hot Fuzz, Tropic Thunder, and Deadpool, ASSASSIN NATION is the bombastic, side-splitting murder-fest youÕve been waiting for. Collects ASSASSIN NATION #1-5
Fans of Brandon Mull and James Riley will love this middle grade fantasy trilogy about a regular kid who discovers that the truth about his past could be the answer to saving the future. All Jack Blank knows is his bleak, dreary life at St. Barnaby’s Home for the Hopeless, Abandoned, Forgotten, and Lost, an orphanage that sinks more and more into the swampland of New Jersey with each passing year. His aptitude tests project him as spending a long, unhappy career as a toilet brush cleaner. His only chance at escape comes through the comic books donated years ago to the orphanage that he secretly reads in the dark corners of the library. Everything changes one icy gray morning when Jack receives two visitors that alter his life forever. The first is a deadly robot straight out of one of his comic books that tries its best to blow him up. The second is an emissary from a secret country called the Imagine Nation, an astonishing place where all the fantastic and unbelievable things in our world originate—including Jack. Jack soon discovers that he has an amazing ability—one that could make him the savior of the Imagine Nation and the world beyond, or the biggest threat they’ve ever faced.
In issue #6 of Z Nation: Sea of Death, Specialist Israel Johnson and Private Edie Cutler have to flee the zombie filled, capsized cruise ship Empress of the Seas, leading the few surviving passengers to the dubious safety of an offshore oil rig. They’re pursued by the ship’s maniacal Captain and Crew, who are intent on killing the would-be heroes. And the zombie whale that capsized the ship is still waiting in the water to devour whoever wins the final fight to the death. Sea of Death is a prequel set in the world of Syfy's hit zombie series Z Nation, produced by The Asylum. Featuring Z Nation's signature blend of horror, humor and heart, Sea of Death is a six-issue miniseries from acclaimed writer Fred Van Lente (add appropriate credits) and Craig Engler, based on the long running series Z Nation created by Karl Schaefer and Craig Engler.
A close inspection of comic book lovers and their ever-expanding culture
A wordless wonder of a picture book, reminiscent of David Wiesner and Chris Van Allsburg. An unforgettable subway ride in an alien world filled with truths of our own.