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Film Memes is back to bring you Marvel vs DC, including Batman, Superman, The Avengers, The JLA and a couple of familiar bad guys as well as some hot hero/villain girls. You're going to laugh your head off, really carefully selected images that made us laugh, or go huh! This is a very long book that will bring you endless hours of comic book joy.
Heroes and Villains is the first collection of essays by David Hajdu' award - winning author of The Ten - Cent Plague' Positively 4th Street' and Lush Life. Eclectic and controversial' Hajdu's essays take on topics as varied as pop music' jazz' th...
The original, classic Guardians of the Galaxy return! Vance Astro, Yondu, Martinex, Starhawk and Charlie-27 fight to save the 31st century from the Badoon. But they soon discover an even worse threat! Time is collapsing, the very future is in danger, and the only possibility of salvation relies on the Guardians’ shoulders. But as the team finds themselves caught in a deathtrap, and Vance encounters a Guardian that has been wiped from all memory, they must find a doorway into the past to save the future — and that means striking a deal with the most dangerous being in the galaxy! Even with allies like Star-Lord and the last Nova, can the Guardians meet their greatest challenge: not just guarding the galaxy, but saving the universe? Collecting Guardians 3000 (2014) #1-5 and material from Guardians of the Galaxy (2013) #14.
In Theology and the Marvel Universe, fourteen contributors examine theological themes and ideas in the comic books, television shows, and films that make up the grand narrative of the Marvel Universe. Engaging in dialogue with theological thinkers such as Willie James Jennings, Franz Rosenzweig, Søren Kierkegaard, René Girard, Kelly Brown Douglas, and many others, the chapters explore a wide variety of topics, including violence, sacrifice, colonialism, Israeli-Palestinian relations, virtue ethics, character formation, identity formation, and mythic reinvention. This book demonstrates that the stories of Thor, Daredevil, Sabra, Spider-Man, Jessica Jones, Thanos, Luke Cage, and others engage not just our imagination, but our theological imagination as well.
The Thunderbolts, a band of reformed villains trying to do good, have always sought justice from America. Their earnest attempts to regain the faith of the people have only made them slow progress toward that goal, and r has always been an elusive prize. But now, in the aftermath of CIVIL WAR, the tables have turned: It's time for the Thunderbolts to inflict a little justice on America. At a time when the country has lost faith in its heroes, it is ready to put its faith in monsters. Now is the time for the Thunderbolts! Warren Ellis and Mike Deodato's modern masterpiece challenges readers with a thought-provoking story that offers a steady stream of explosive action! Collecting THUNDERBOLTS #110-121 and material from CIVIL WAR: THE INITIATIVE
Superheroes such as Superman and Spider-Man have spread all over the world. As this edited volume shows, many national cultures have created or reimagined the idea of the superhero, while the realm of superheroes now contains many icons whose histories borrow from local folklore and legends. Consequently, the superhero needs reconsideration, to be regarded as part of both local and global culture as well as examined for the rich meanings that such broad origins and re-workings create. This collection stands out as the first concentrated attempt to think through the meanings and significance of the superhero, not only as a product of culture in the United States, but as a series of local, transnational, and global exchanges in popular media. Through analysis of mainly film, television, and computer screens, contributors offer three challenges to the idea of the "American" superhero: transnational reimagining of superhero culture, emerging local superheroes, and the use of local superheroes to undermine dominant political ideologies. The essays explore the shifting transnational meanings of Doctor Who, Thor, and the Phantom, as these characters are reimagined in world culture. Other chapters chart the rise of local superheroes from India, the Middle East, Thailand, and South Korea. These explorations demonstrate how far superheroes have traveled to inspire audiences worldwide.
To explain the millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of The Shack), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H.P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic--the late medieval period from which Horace Walpole and his successors drew their inspiration. Fictions such as the Twilight and Left Behind series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in The Da Vinci Code and the child Ofelia becomes a goddess in Pan's Labyrinth, Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.