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William Barclay fue pastor de la Iglesia de Escocia y profesor de N.T. en la Universidad de Glasgow. Es conocido y apreciado internacionalmente como maestro en el arte de la exposición bíblica. Entre sus más de sesenta obras la que ha alcanzado mayor difusión y reconocimiento en muchos países y lenguas es, sin duda, el Comentario al Nuevo Testamento, que presentamos en esta nueva edición española actualizada. Los 17 volúmenes que componen este comentario han sido libro de texto obligado para los estudiantes de la mayoría de seminarios en numerosos países durante años.
The Last Week It is a book containing nineteen messages with the focus on the seven words of Jesus spoken from the cross on Mount Calvary. They are messages that are preached by Rev. Eleazar Barajas from the pulpit of the Church where he is currently Pastor. In addition to pastoring, Rev. Barajas is a Family Counselor and professor at Golden Gate Seminary.
William Barclay fue pastor de la Iglesia de Escocia y profesor de N.T. en la Universidad de Glasgow. Es conocido y apreciado internacionalmente como maestro en el arte de la exposición bíblica. Entre sus más de sesenta obras la que ha alcanzado mayor difusión y reconocimiento en muchos países y lenguas es, sin duda, el Comentario al Nuevo Testamento, que presentamos en esta nueva edición española actualizada. Los 17 volúmenes que componen este comentario han sido libro de texto obligado para los estudiantes de la mayoría de seminarios en numerosos países durante años.
In this commentary Gene Green reads Paul's two letters to the Thessalonians in light of the canon of Scripture and of new knowledge about the first-century world of Thessalonica. This fruitful approach helps illuminate the impact of the gospel on its original readers and, in turn, shows how potent a force it can be for the church and society today. The book begins with an in-depth study of the Thessalonians themselves -- their history, land, socioeconomic conditions, and religious environment. This fascinating discussion gives the necessary context for fully appreciating the circumstances surrounding the founding of the city's first church and the subsequent struggles of the Thessalonian believers to live out their Christian faith. The main body of the book provides informed verse-by-verse commentary on 1 & 2 Thessalonians that extracts the fullest possible meaning from these important New Testament texts. As Green's exposition shows, the Thessalonian scriptures are especially valuable as letters of friendship and for showing Paul's pastoral concern for the many areas in which the Thessalonians needed guidance. Some of Paul's purposes are to thank the new believers for their steadfastness amid suffering, to encourage them in their trials, to urge them not to neglect their daily work, and, no less important, to teach them about the future of believers who die before Christ returns. Indeed, the matter of the last things and the second coming of Christ so permeates these texts that they are often called Paul's eschatological letters. Filled with new information about ancient society, this commentary will fast become a standard reference work for Bible study. By carefully bridging the biblical and modern worlds, Green shows with clarity and warmth the continuing relevance of 1 & 2 Thessalonians for contemporary readers.
William Barclay fue pastor de la Iglesia de Escocia y profesor de N.T. en la Universidad de Glasgow. Es conocido y apreciado internacionalmente como maestro en el arte de la exposición bíblica. Entre sus más de sesenta obras la que ha alcanzado mayor difusión y reconocimiento en muchos países y lenguas es, sin duda, el Comentario al Nuevo Testamento, que presentamos en esta nueva edición española actualizada. Los 17 volúmenes que componen este comentario han sido libro de texto obligado para los estudiantes de la mayoría de seminarios en numerosos países durante años.
Américo Paredes (1915–99) is one of the seminal figures in Mexican American studies. With this first book-length biography of Paredes, author José R. López Morín offers fresh insight into the life and work of this influential scholar, as well as the close relationship between his experience and his thought. Morín shows how Mexican literary traditions—particularly the performance contexts of oral “literature”—shaped Paredes’s understanding of his people and his critique of Anglo scholars’ portrayal of Mexican American history, character, and cultural expressions. Although he surveys all of Paredes’s work, Morín focuses most heavily on his masterpiece, With a Pistol in His Hand. It is in this book that Morín sees Paredes’s innovative interdisciplinary approach most effectively expressed. Dealing as he did with a people at the intersection of cultures, Paredes considered the intersection of disciplines a necessary locus for clear understanding. Morín traces the evolution of Paredes’s thought and his battles to create a legitimate home for his approach at the University of Texas. A voice for Chicano consciousness in the late 1960s and thereafter, Paredes championed Mexican American studies and encouraged a generation of scholars to consider this culture a legitimate topic for research. Urging the application of context to the understanding of oral texts, he challenged then-current methods of folklore and anthropological study in general. Paredes’s name will continue to resonate in Mexican American studies, American folklore, and Anthropology, and his work will continue to be studied. Américo Paredes: Folklorist of the Border makes a strong case for the lasting importance of Paredes’s work, especially for a new generation of scholars.
Intended for classroom use, work contains 47 pages from Las Casas' life of Columbus plus 24 other selections--Handbook of Latin American Studies, v. 58.