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The Comedy Wildlife Photography Awards are back and this time they're bigger, better and even more hilarious than before! When the Comedy Wildlife Photography Awards announced a contest for the funniest animal photo, they received thousands of entries from photographers the world over. From a harvest mouse on stilts, to a Japanese Macaque taking a dip in a hot spring, the Awards celebrate animals in their natural habitats and with the backing of global conservation charity Born Free, applaud the tireless effort made by some of the most talented wildlife photographers on the planet. Following the runaway success of 2017's Comedy Wildlife Photography Awards, Award founders Paul Joynson-Hicks and Tom Sullam return with the best - as well as some never-before-seen - photographs of wildlife ever printed. Penguins going to church; monkeys riding a motorcycle; a wide-eyed, outraged seal - this is a must-have book that is perfect for animal lovers of all stripes!
It's time to dust off your camera, pick up your binoculars and head back to the great outdoors as the much-loved Comedy Wildlife Photography Awards return once again with the best, as well as never-before-seen, photographs of wildlife; a waving polar bear; a squirrel photographer and even a pair of gracefully ice-skating penguins. This is a must-have book that is perfect for animal lovers and a wonderful celebration of natural habitats all over the world! The Comedy Wildlife Photography Awards is one of the most popular celebrations of animal welfare and receives thousands of entries every year. It celebrates animals in their natural habitats being themselves. Backed by the global conservation charity Born Free Foundation, the awards applaud the tireless efforts made by some of the most talented wildlife photographers on the planet.
"The funniest photographs of wildlife from around the world collected here in one ... book [intended] for animal lovers of all stripes"--
The Comedy Wildlife Photography Awards are back and this time they're bigger, better and even more hilarious than before! When the Comedy Wildlife Photography Awards announced a contest for the funniest animal photo, they received thousands of entries from photographers the world over. From a harvest mouse on stilts, to a Japanese Macaque taking a dip in a hot spring, the Awards celebrate animals in their natural habitats and with the backing of global conservation charity Born Free, applaud the tireless effort made by some of the most talented wildlife photographers on the planet.
In "Wildlife Wars," Terry Grosz serves up fascinating stories-alternately hair-raising, hilarious, and heart-wrenching-from his 30-year struggle to protect wildlife in America. A natural storyteller, Grosz writes about the remarkable characters he met-on both sides of the law-as he matched wits with elk poachers, salmon snaggers, commercial-market duck hunters, and a host of other law-breakers. Best of all, though, these stories are so remarkably entertaining you won't want to put them down. Wildlife Wars is the winner of the 2000 National Outdoor Book Award, Nature and the Environment Category.
This fully realized colour catalogue includes elegant contemporary illustrations of every animal, plant or mineral cited in Syme's edition of “Werner's nomenclature of colours”
According to one of Julia Margaret Cameron’s great-nieces, “we never knew what Aunt Julia was going to do next, nor did anyone else.” This is an accurate summation of the life of the British photographer (1815–1879), who took up the camera at age forty-eight and made more than twelve hundred images during a fourteen-year career. Living at the height of the Victorian era, Cameron was anything but conventional, experimenting with the relatively new medium of photography, promoting her own art though exhibition and sale, and pursuing the eminent personalities of her age—Alfred Tennyson, Charles Darwin, Thomas Carlyle, and others—as subjects for her lens. For the first time, all known images by Cameron, one of the most important nineteenth-century artists in any medium, are gathered together in a catalogue raisonné. In addition to a complete catalogue of Cameron’s photographs, there is information on her life and times, initial experiments, artistic aspirations, techniques, small-format images, albums, commercial strategies, sitters, and sources of inspiration. Also provided are a selected bibliography of publications on Cameron, a list of exhibitions of her work held both in her time as well as our own, and a summary of important collections where her pictures can be found.
Captivating black-and-white photographs of the world’s most majestic ancient trees. Beth Moon’s fourteen-year quest to photograph ancient trees has taken her across the United States, Europe, Asia, the Middle East, and Africa. Some of her subjects grow in isolation, on remote mountainsides, private estates, or nature preserves; others maintain a proud, though often precarious, existence in the midst of civilization. All, however, share a mysterious beauty perfected by age and the power to connect us to a sense of time and nature much greater than ourselves. It is this beauty, and this power, that Moon captures in her remarkable photographs. This handsome volume presents nearly seventy of Moon’s finest tree portraits as full-page duotone plates. The pictured trees include the tangled, hollow-trunked yews—some more than a thousand years old—that grow in English churchyards; the baobabs of Madagascar, called “upside-down trees” because of the curious disproportion of their giant trunks and modest branches; and the fantastical dragon’s-blood trees, red-sapped and umbrella-shaped, that grow only on the island of Socotra, off the Horn of Africa. Moon’s narrative captions describe the natural and cultural history of each individual tree, while Todd Forrest, vice president for horticulture and living collections at The New York Botanical Garden, provides a concise introduction to the biology and preservation of ancient trees. An essay by the critic Steven Brown defines Moon’s unique place in a tradition of tree photography extending from William Henry Fox Talbot to Sally Mann, and explores the challenges and potential of the tree as a subject for art.
A hilarious collection of Hercule Van Wolfwinkle's 'extremely realistic' pet portraits. Warning: may not be suitable for anyone who actually likes animals or has the ability to see.