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Orality was the backbone of ancient Greek culture throughout its different periods. This volume will serve to deepen the reader’s knowledge of how Greek texts circulated during the Roman Empire. The studies included here approach the subject from both a literary and a sociocultural point of view, illuminating the interconnections between literary and social practices. Topics considered include epigraphy, the rhetoric of transmitting the texts, language and speech, performance, theatre, narrative representation, material culture, and the interaction of different cultures. Since orality is a widespread phenomenon in the Greek-speaking world of the Roman Empire, this book draws the reader’s attention to under-researched texts and inscriptions.
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Roman plays have been well studied individually (even including fragmentary or spurious ones more recently). However, they have not always been placed into their ‘context’, though plays (just like items in other literary genres) benefit from being seen in context. This edited collection aims to address this issue: it includes 33 contributions by an international team of scholars, discussing single plays or Roman dramatic genres (including comedy, tragedy and praetexta, from both the Republican and imperial periods) in contexts such as the literary tradition, the relationship to works in other literary genres, the historical and social situation, the intellectual background or the later reception. Overall, they offer a rich panorama of the role of Roman drama or individual plays in Roman society and literary history. The insights gained thereby will be of relevance to everyone interested in Roman drama or literature more generally, comparative literature or drama and theatre studies. This contextual approach has the potential of changing the way in which Roman drama is viewed.
This book gathers together many of the principal essays of Richard Hunter, whose work has been fundamental in the modern re-evaluation of Greek literature after Alexander and its reception at Rome and elsewhere. At the heart of Hunter’s work lies the high poetry of Ptolemaic Alexandria (Callimachus, Theocritus, and Apollonius of Rhodes) and the narrative literature of later antiquity (‘the ancient novel’), but comedy, mime, didactic poetry and ancient literary criticism all fall within the scope of these studies. Principal recurrent themes are the uses and recreation of the past, the modes of poetic allusion, the moral purposes of literature, the intellectual context for ancient poetry, and the interaction of poetry and criticism. What emerges is not a literature shackled to the past and cowed by an ‘anxiety of influence’, but an energetic and constantly experimental engagement with both past and present.
A History Today Best Book of the Year A Choice Outstanding Academic Title of the Year Virgil, Ovid, Cicero, Horace, and other authors of ancient Rome are so firmly established in the Western canon today that the birth of Latin literature seems inevitable. Yet, Denis Feeney boldly argues, the beginnings of Latin literature were anything but inevitable. The cultural flourishing that in time produced the Aeneid, the Metamorphoses, and other Latin classics was one of the strangest events in history. “Feeney is to be congratulated on his willingness to put Roman literary history in a big comparative context...It is a powerful testimony to the importance of Denis Feeney’s work that the old chestnuts of classical literary history—how the Romans got themselves Hellenized, and whether those jack-booted thugs felt anxiously belated or smugly domineering in their appropriation of Greek culture for their own purposes—feel fresh and urgent again.” —Emily Wilson, Times Literary Supplement “[Feeney’s] bold theme and vigorous writing render Beyond Greek of interest to anyone intrigued by the history and literature of the classical world.” —The Economist
There is no region more central to the ancient Greek romance novel than the thousand or so miles stretching from Alexandria to ancient Ethiopia that comprise the Nile River Valley. Yet, for all its importance, Egypt, Ethiopia, and the Greek Novel: Between Representation and Resistance is the first book-length study of how this region is depicted in a literary genre whose fictional tales of love, travel, separation, and reunion flourished during the Roman imperial period. Employing approaches from Literary Studies, Classics, and Egyptology, Robert Cioffi explores the Nile River Valley in the ancient Greek romance novel through two fundamentally related concepts: representation and resistance. On the one hand, these novels develop an image of Egypt and Ethiopia that is in close dialogue with the Greco-Roman ethnographic tradition, characterized by extraordinary marvels such as grand cities, ancient religious rites, and a dizzying array of animals—some real, some imaginary, and some so incredible as to seem make-believe. On the other hand, this depiction often figures Egypt and Ethiopia as sites of resistance, revolt, and rebellion against—or political, cultural, and religious alternatives to—an array of dominant imperial powers in the region, from the Persians to the Romans. This dual reading enriches our understanding of these texts' relationship with the real and imagined frontiers of Roman political, military, and intellectual power. It also raises a broader set of questions—some literary, some cultural-historical—about the interrelation of humans, their environment, and the topographies of cultural identity in the Roman empire.
The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.
In this book one of the world's leading Hellenists brings together his many contributions over four decades to our understanding of major genres of Greek literature, above all the Greek novel, but also Attic Comedy, fifth-century historiography, and Hellenistic and Imperial Greek poetry. Many are already essential reading, such as the chapter on the figure of Lycidas in Theocritus' Idyll 7, or two chapters on the ancient readership of Greek novels. Discussions of Imperial Greek poetry published three decades ago opened up a world almost entirely neglected by scholars. Several chapters address literary and linguistic issues in Longus' novel Daphnis and Chloe, complementing the author's commentary published in 2019; two contribute to a better understanding of the enigmatic Aethiopica of Heliodorus; and many explore important questions arising from examination of the form of the Greek novel as a whole. This is the second of a planned three-volume collection.
The first comprehensive treatment in English of the rich and varied afterlife of classical drama across Latin America, this volume explores the myriad ways in which ancient Greek and Roman texts have been adapted, invoked and re-worked in notable modern theatrical works across North and South America and the Caribbean, while also paying particular attention to the national and local context of each play. A comprehensive introduction provides a critical overview of the varying issues and complexities that arise when studying the afterlife of the European classics in the theatrical stages across this diverse and vast region. Fourteen chapters, divided into three general geographical sub-regions (Southern Cone, Brazil and the Caribbean and North America) present a strong connection to an ancient dramatic source text as well as comment upon important socio-political crises in the modern history of Latin America. The diversity and expertise of the voices in this volume translate into a multi-ranging approach to the topic that encompasses a variety of theoretical and interdisciplinary perspectives from classics, Latin American studies and theatre and performance studies.
The Trial and Crucifixion of Jesus is a comprehensive sourcebook for those looking to gain a more robust understanding of this event through the eyes of ancient writers. Featuring extrabiblical primary texts--along with a new translation and commentary by David W. Chapman and Eckhard J. Schnabel--this work is relevant for understanding Jesus' last days. The significance of Jesus' death is apparent from the space that Matthew, Mark, Luke, and John devote to the Passion narrative, from the emphasis of many speeches in the book of Acts, and from the missionary preaching and the theology of the apostle Paul. Exegetical discussions of Jesus' trial and death have employed biblical (Old Testament) and extrabiblical texts in order to understand the events during the Passover of AD 30 that led to Jesus' execution by crucifixion. The purpose of this book is to publish the primary texts that have been cited in the scholarly literature as relevant for understanding Jesus' trial and crucifixion. The texts in the first part deal with Jesus' trial and interrogation before the Sanhedrin, and the texts in the second part concern Jesus' trial before Pilate. The texts in part three represent crucifixion as a method of execution in antiquity. For each document, the authors provide the original text (Hebrew, Aramaic, Greek, or Latin), a translation, and commentary. The commentary describes the literary context and the purpose of each document in context before details are clarified, along with observations on the contribution of these texts to understanding Jesus' trial and crucifixion.