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Combining textual and literary evidence, this book argues that many Plautine jokes, puns, and names of characters were misunderstood in antiquity. By examining the comedian's tendency to make up and misuse words, Fontaine elucidates many new jokes and argues for a sophisticated, Hellenistic Plautus who wrote for a sophisticated Roman audience.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Comedies of Words and Other Plays Schnitzler's first play Anatol, a cycle of dialogues written around a central character ap pearing in each, was probably finished in 1889 it was produced in I892. The success of Anatol was immediate. Its wit and its shrewd grasp of human nature captured Vienna like a storm. Up to the time of this writing he has written and produced about twenty five plays his last, big play, Professor Bernhardi having started a wild sensation, crimination and recrimination, throughout the whole of Austria and Germany; while, on the other hand, his marvellous activity both as a novelist and short story writer has prompted criticism, outside of Austria and Germany, to deliberately couple his name with the names of Zola, Dostoievsky and de Maupassant. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Do you love a play on words? Do you love to be taken on a journey from the comfort of your armchair? If so, this book could be for you! As a taster... STEPHEN: Well, don't forget my cousin's a seamstress if that helps. I know she's busy with some items this evening, actually. JIMIs she making 'em? STEPHEN: No, Altrincham. To start with, anyway, then later I expect she'll also be doing her usual trick of linking together two or more garments by twisting the ends around each other. JIM: Oh, you mean she'll be ... STEPHEN: Nottingham. Of course she has been known to make a complete pig's ear of what previously were perfectly good items of clothing. JIM: Oh, so she ... STEPHEN: Wrexham, yes. The Grand Tour of the British Isles, from which that excerpt comes, is one of this six-part comedy series written with radio in mind but where the individual episodes could be presented as part of a theatre company's comedy night. From place names to people and from songs to stars, this is a feast of wordplay to satisfy even the hungriest stomachs. What are you waiting for? Tuck in