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The never-before-told story of how the Beatles nearly reunited.
Although it wasn't made official until an announcement from Paul McCartney in 1970, The Beatles--the most influential rock band of the 20th century--spent most of the late 1960s breaking up. The split was marked my animosity and acrimony, with pointed conflict, in particular, between the groups two most prolific songwriters, John Lennon and Paul McCartney. Lennon left the band in 1969, and the '70s were marked by public feuding as the band members embarked on solo careers. Beatles fans know the '70s as a bitter time, with Lennon and McCartney making pointed and hurtful comments about each other, both in recorded songs (Lennon's "How Do You Sleep," is particularly nasty) and public comments. Lawsuits proliferated, as did an explosive correspondence between McCartney and his wife Linda, and Lennon and his wife Yoko Ono. But most fans don't know that McCartney and Lennon nearly renewed their creative alliance in the aftermath of the Beatles breakup, and were close to putting aside their difference and reuniting. Come Together is a compelling account of a crucial period in post-'60s Beatles history, providing a new look at the Lennon-McCartney relationship from an entirely new perspective, emphasizing the efforts these larger-than-life rock stars made to overcome their enmity. It also offers fresh insight on the musical ambitions and personal motivations for renewing a creative alliance that so nearly happened but was thwarted by circumstances beyond their control.
Based on exclusive first-hand interviews, a chronicle of Paul McCartney's struggles in the first decade after the Beatles' breakup discusses his reclusive life, substance abuses, arrests, and efforts to launch his band Wings.
Reprint. Originally published: New York: Random House, c1984.
The electric spearhead of The Beatles meteoric rise; one half of the most creative and powerful songwriting partnerships ever; figurehead of peace and an icon of generations: John Lennon’s adventure through life is an immortalised legend. Lennon on Lennon is Jeff Burger’s dazzling digest of John Lennon’s views on the world around him. Sharp, insightful, contrary, witty, opinionated or downright aggressive, these illuminating interviews and quotations open a window into the musician and the man, and the volatile culture in which he lived, and died. Most of this material has never been available in print; some has remained entirely hidden until now. Jeff Burger’s meticulously researched book offers a truly unique and captivating glimpse into the mind and philosophy of one of the world’s most complex and inspiring talents.
Keith Moon was more than just rock's greatest drummer, he was also its greatest character and wildest party animal. Fuelled by vast quantities of drink, drugs, insecurities and confusion, Moon destroyed everything with gleeful abandon: drum kits, houses, cars, hotels, relationships and, finally, himself. In Dear Boy, Tony Fletcher has captured lightning in a bottle – the essence of a totally incorrigible yet uniquely generous boy who never grew up, and who changed the lives of all who knew him. From a life distorted by myths of debauchery and comic anarchy, Fletcher has created a searingly personal portrait of the rock legend. From over 100 first-hand interviews, he traces with deadly accuracy Moon's remarkable journey from his working-class Northwest London childhood, through the Who's glory years to the California high-life and a terrible, premature death. Here too are fascinating insights into the history of the Who and the emergent British pop culture revolution of post-war years. Keith Moon was one of the shock troops of that revolution: the world's greatest rock drummer, a phenomenal character and an extravagant hell-raiser who – in a final, uncharacteristic act of grace – actually did die before he got old.
You Really Got Me is Nick Hasted’s illuminating biography of The Kinks, drawing on years of in-depth interviews with Ray and Dave Davies and shedding new light on a turbulent 30-year career scarred by suicide attempts, on-stage fights and recurring mental breakdowns. The Kinks’ distorted fuzz cut through popular music like a chainsaw and unexpectedly propelled two brothers from North London straight to the heights of stardom, to stand alongside The Beatles and The Rolling Stones. With exclusive interviews Nick Hasted untangles this turbulence: Why The Kinks became the only British group to be banned from America at the height of their success; why original bassist Pete Quaife quit in 1968; Ray Davies’ fraught relationship with Chrissie Hynde; how The Kinks’ later years rehabilitated their reputation in America. Updated to include details of the hit musical Sunny Afternoon and an up-to-the-minute report on the troubled relationship between the Davies brothers, You Really Got Me is the ultimate Kinks biography. “Keen eyed critique of a most contrary band” Uncut “Hasted is illuminating” Guardian
At lunchtime on a bitterly cold January day in 1969, the strains of guitar chords could be heard in the streets surrounding London’s Savile Row. Crowds gathered – At ground level and above. People climbed onto roofs and postboxes, skipped lunch to gather and listen: For the first time in more than two years, The Beatles were playing live. Ringing from the rooftops, disturbing the well-to-do ears of the tailors below, they upset the establishment and bewildered the police. It was filmed by director Michael Lindsay-Hogg, who hoped the footage would act as the finale to a celebratory TV special. When it finally surfaced, it was in the bleak, tumultuous documentary Let It Be. And The Beatles would never play live again. Tony Barrell examines the concert within the context of its time. He speaks to those who were there: the fans, film-makers, roadies, Apple Corps staff and police. He explores the politics of 1968, when peace gave way to protest, and how music promotion began to collide with cinéma vérité and reality TV. The Beatles on the Roof makes essential reading for anyone interested in the band’s reinventions and relationships, revealing why the rooftop concert happened at all, why it happened the way that it did, and why it would never happen again.