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THE STORY: Is of Emily Dickinson (1830-1886), that strange New England lady who hid from the world and wrote her passionate, glorious poetry in secret. The play opens shortly after her death. Her sister Lavinia has discovered her poems in a bureau
Pyrotechnics expert, Serena Upton, wonders if she's been transported into one of the science fiction movies she works on. It certainly seems so when she's rescued by three hot, naked men from another planet. She's whisked away to Loraleaf, their home in the jungle of Eden, with the expectation that she will become their beloved. As they cater to her in every way, she begins to understand what it means to be their chosen one. Jahl and Khaos risked everything, even the brother of their heart, to bring Serena home, but grief and self-doubt, etched in stone by their own families, seems insurmountable. Their only hope is that she can fill the void in their lives. They succeed in sweeping her up in their erotic passion, but they are unable to capture her heart. Though Serena cares for Jahl and Khaos, she's convinced she's not the answer to their damaged souls. It's better that she return to her family on Earth before she cares too much. That is, if she doesn't already.
A poststructuralist literary history - Nelson's premise that the history of modernist culture is one we no longer know we have forgotten and he aims to recover the political questions many forgotten modern poets looked straight in the eye.
Study and analysis of Emily Dickinson's poetry with a sensitive discussion of its sexual imagery.
The 19th–century American poet’s uncensored and breathtaking letters, poems, and letter-poems to her sister-in-law and childhood friend. For the first time, selections from Emily Dickinson’s thirty-six year correspondence with her childhood friend, neighbor, and sister-in-law, Susan Huntington Dickinson, are compiled in a single volume. Open Me Carefully invites a dramatic new understanding of Emily Dickinson’s life and work, overcoming a century of censorship and misinterpretation. For the millions of readers who love Emily Dickinson’s poetry, Open Me Carefully brings new light to the meaning of the poet’s life and work. Gone is Emily as lonely spinster; here is Dickinson in her own words, passionate and fully alive. Praise for Open Me Carefully “With spare commentary, Smith . . . and Hart . . . let these letters speak for themselves. Most important, unlike previous editors who altered line breaks to fit their sense of what is poetry or prose, Hart and Smith offer faithful reproductions of the letters’ genre-defying form as the words unravel spectacularly down the original page.” —Renee Tursi, The New York Times Book Review
"The book gives detailed attention to the principal trends in Dickinson scholarship during the past half-century: rhetorical and stylistic analysis of the poems and letters; biographical studies informed by theories of gender, sexuality, and by medical history; feminist studies of the poet's life and work; textual studies of the bound and unbound fascicles and the so-called worksheet drafts (or "scraps"); new assessments of the poet's social and cultural milieu, including influences on her spiritual sensibility; and of her theories of poetry, including lyricism."--BOOK JACKET.
A literary meditation on memory, time, love, and loss Fishing With Tardelli contemplates the relations among four parents — mother, father, stepfather, and a Brazilian fishing companion — and the author. Over marriages and remarriages, fathers and mothers become stepfathers and stepmothers, and brothers gain and lose stepbrothers and half-brothers, sisters and half-sisters across two continents. The various homes become part of Besner’s internal geography; memory, dream, story, fable become permeable layers folded over bald facts baldly stated. Beginning with an older man’s recollections of himself as a young teenager fishing with Tardelli in the bay in Rio de Janeiro, the memoir reflects on time lost and time regained. The narration ranges across the mid-’40s in Montreal, where two couples marry, divorce, and remarry in a new configuration; proceeds to Rio de Janeiro in the mid-’50s, when one of these newly formed families emigrates; and returns to Montreal in the late ’60s and early ’70s. After a 50-year interlude, Besner returns from Western Canada to the pandemic moment in Toronto.
A female spy, an Eden monk, and a man with no memory must reveal a corrupt leader while keeping their hearts safe-an impossible task. Former stunt woman, Toni Reid, has adopted Eden as her new home. What's not to like with naked hunks walking around and women being worshipped by them? She doesn't mind the distraction of spying on one of the leaders of the Ruling Circle too much, but just as she discovers his secret, she's caught. Akasha is next in line to ascend to the Triad panel, those who determine which men are morally good enough to receive a portal chip. His connections to people have been minimal to keep his future judgements unbiased, but when he discovers Toni spying, he has no choice but to capture her and discover what she knows. Sandale is busy learning about who he was before his memory wipe. Traveling to Naralina to rescue Toni is a good excuse to meet his family and find himself again. He discovers Toni is more than a task, she is a force to be reckoned with, and his focus quickly shifts. Akasha and Sandale are soon embroiled in a plot that could well send Eden back into another world war over women. The only way to stop it is to work together with Toni, but working to stop a world war is easy when compared to laying siege to Toni's heart.