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An imagined personal exchange with Marvin Gaye, in verse, on life in Michigan. come see about me, marvin is accessible, honest poetry about and for real people. In the collection, brian g. gilmore seeks to invite the reader into a fantastical dialogue between himself and Marvin Gaye—two black men who were born in the nation's capital, but who moved to the Midwest for professional ambitions. In trying to acclimate himself to a new job in a new place—a place that seemed so different from the home he had always known—gilmore often looked to Marvin Gaye as an example for how to be. These poems were derived as a means of coping in a strange land. The book is divided into four sections, beginning with section one, "love that will shelter you," and features poems about dealing with life in Michigan as it is in reality. Sections two and three, "nowhere to hide" and "no ordinary pain," include poems about the brutality of the Midwest and some of the historical realities as gilmore came to understand them. The final section, "let your love come shining through," attempts to invoke hope in poetry. come see about me, marvinis gilmore's answer to life's perplexing issues, with Marvin Gaye as the perfect vehicle to explore these ideals. Readers of poetry and lovers of Motown will embrace this love letter to a local legend.
Twenty years after his murder at the hands of his own father, Marvin Gaye continues to define the hopes and shattered dreams of the Motown generation. A performer whose career spanned the history of rhythm and blues, from doo-wop to the sultriest of soul music, Gaye's artistry magnified the contradictions that defined America's coming of age in the tumultuous 1970s. In his most searching and ambitious work to date, acclaimed critic Michael Eric Dyson illuminates both Marvin Gaye's stellar achievements and stunning personal decline -- and offers an unparalleled assessment of the cultural and political legacy of R&B on American culture. Through interviews with those close to Gaye -- from his musical beginnings in a black church in Washington, D.C., to his days as a "ladies' man" in Motown's stable of young singers, from the artistic heights of the landmark album What's Going On? to his struggles with addiction and domestic violence -- Dyson draws an indelible portrait of the tensions that shaped contemporary urban America: economic adversity, the drug industry, racism, and the long legacy of hardship. Published to coincide with the twentieth anniversary of Gaye's death in 1984, and infused with the soulful prose that has become Michael Eric Dyson's trademark, Mercy, Mercy Me is at once a celebration of an American icon whose work continues to inspire, and a revelatory and incisive look at how a lost generation's moods, music, and moral vision continue to resonate today.
In the world of organized crime the bosses grab the headlines, as the names Capone, Gotti, Bonnano, Cotroni and Rizzuto attest. But a crime family has many working parts and the young mobster known as The Weasel was the epitome of a crucial, invisible cog-the soldier, the muscle, the driver, the gopher. By a quirk of fate, Marvin Elkind-later The Weasel-was placed in the foster home of a tough gangster family, immersing him from the age of nine in a daring world of con men, cheats, bootleggers, loan sharks, bank robbers, leg breakers and Mafia bosses. During a Golden Age of underworld life in New York, Detroit and across Canada, The Weasel found himself working with a surprising cast of colourful characters. He befriended powerful gangsters by smuggling bottles of Scotch to their tables as a waiter at New York's famed Copacabana; he was pushed to be Jimmy Hoffa's chauffeur. But his disenchantment with the broken promises of mob life brought him into another fraternity, one offering the same adrenaline rush, danger and dark comedy he craved. After a startling confrontation, he was embraced by law enforcement, and a cop with a reputation for results. Now a career informant, The Weasel learned he was a far better fink than he ever was a crook. With his impeccable gangland pedigree, enormous girth, cold stare and sausage-like fingers adorned with chunky rings, no one questioned The Weasel's loyalty. The backroom doors were flung open and The Weasel slipped in, bringing undercover cops with him. For case after case over two decades, he worked for the FBI, U.S. Customs, Scotland Yard, RCMP, Ontario Provincial Police and other law enforcement agencies on three continents, trapping and betraying mobsters, mercenaries, spies, drug traffickers, pornographers, union fat cats and corrupt politicians. With unflinching honesty, The Weasel and many of the undercover officers he worked with revealed their successes and failures to award-winning crime reporter and best-selling author Adrian Humphreys. The Weasel is the riveting chronicle of a unique and engaging figure who lived a most dangerous and rare experience. It is a story that was never supposed to be told.
(Book). Marvin Gaye's life and brilliant career were cut tragically short on April 1, 1984 one day before his 45th birthday when he was shot and killed by his own father. Now, for the first time ever, Marvin Gaye's story is told in intimate detail by a member of his own family. Frankie and Marvin Gaye were close from childhood until Marvin's death. Frankie was at Marvin's side when he died, and only Frankie heard his deathbed confession. Full of never-before-told personal anecdotes, this book takes you behind the scenes from Marvin's childhood, through his spectacular success at Motown and then Columbia, his stormy relationships with women, and finally to his descent into drugs and despair. The true story of the man behind the beloved music is now available to fans old and new. Includes great photos throughout, a helpful index, and a timeline of important events in Marvin's life.
Frank, eye-opening writing by "arts in corrections" educators Poetry and prose by artists, writers, and activists who’ve taught workshops in U.S. criminal legal institutions, including acclaimed writers Ellen Bass, Joshua Bennett, Jill McDounough, E. Ethelbert Miller, Idra Novey, Joy Priest, Paisley Rekdal, Christopher Soto, and Michael Torres; the late arts in corrections pioneers Buzz Alexander and Judith Tannenbaum; and Guggenheim Award-winning choreographer Pat Graney. These educators demonstrate a diverse range of experiences. Among the questions they ask: Does our work support the continuation or deconstruction of a mass incarcerating society? What led me to teach in prison? How do I resist the “savior” or “helper” narrative? A book for anyone seeking to understand the prison industrial complex from a human perspective. All author royalties from this book will be donated to Dances for Solidarity, a project that brings arts opportunities to people incarcerated in solitary confinement.
Alice Randall, award-winning professor, songwriter, and author with a “lively, engaging, and often wise” (The New York Times Book Review) voice, offers a lyrical, introspective, and unforgettable account of her past and her search for the first family of Black country music. Country music had brought Randall and her activist mother together and even gave Randall a singular distinction in American music history: she is the first Black woman to cowrite a number one country hit, Trisha Yearwood’s “XXX’s and OOO’s”. Randall found inspiration and comfort in the sounds and history of the first family of Black country music: DeFord Bailey, Lil Hardin, Ray Charles, Charley Pride, and Herb Jeffries who, together, made up a community of Black Americans rising through hard times to create simple beauty, true joy, and sometimes profound eccentricity. What emerges in My Black Country is a celebration of the most American of music genres and the radical joy in realizing the power of Black influence on American culture. As country music goes through a fresh renaissance today, with a new wave of Black artists enjoying success, My Black Country is the perfect gift for longtime country fans and a vibrant introduction to a new generation of listeners who previously were not invited to give the genre a chance.
Robert had given up on his dreams and was just going through his life day by day, one day his life took a change and when he awoke from a dream state, his dreams mixed with his reality.
The greatest albums of all time . . . and how they happened. Organised chronologically and spanning seven decades, The MOJO Collection presents an authoritative and engaging guide to the history of the pop album via hundreds of long-playing masterpieces, from the much-loved to the little known. From The Beatles to The Verve, from Duke Ellington to King Tubby and from Peggy Lee to Sly Stone, hundreds of albums are covered in detail with chart histories, full track and personnel listings and further listening suggestions. There's also exhaustive coverage of the soundtrack and hit collections that every home should have. Like all collections, there are records you listen to constantly, albums you've forgotten, albums you hardly play, albums you love guiltily and albums you thought you were alone in treasuring, proving The MOJO Collection to be an essential purchase for those who love and live music.
Margaret La Vorn Lewis brings us, "Out of the Will", an entertaining look at real life experiences growing up in the City of Detroit. Full of memorable people, tragedy, and triumph through the eyes of the author, "Out of the Will" sheds light on the need for spirituality in everyday life. A character-driven true story full of antagonism about a middle-class black family in the late sixties and early seventies. The venue is in the Motor City where the trials of being raised by a divorcee who had been abused by two husbands. She was left to raise five children on her own. However, the first husband had great input and one child was born to this union. The second husband had little to no communication which caused division coupled with sibling rivalry. Meanwhile, the mother tried to live her life as the madness continued.
The first middle-grade novel from YA superstar Amy Sarig (A. S.) King is a boy-and-his-pet story like no other. The first middle-grade novel from Printz Honor-winning author Amy Sarig (A. S.) King!Washington Post Best Book of the YearA New York Public Library Best Book for KidsA Texas Bluebonnet Master List selectionObe Devlin has problems. His family's farmland has been taken over by developers. His best friend Tommy has abandoned him. And he keeps getting nosebleeds, because of that thing he doesn't like to talk about. So Obe hangs out at the nearby creek, in the last wild patch left, picking up trash and looking for animal tracks.One day, he sees a creature that looks kind of like a large dog. And as he watches it, he realizes it eats plastic. Only plastic. Water bottles, shopping bags... No one has seen a creature like this before. The animal--Marvin Gardens--becomes Obe's best friend and biggest secret. But to keep him safe from the developers and Tommy and his friends, Obe must make a decision that might change everything.