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While people used to conceal the fact that they were gay or lesbian to protect themselves from stigma and discrimination, it is now commonplace for people to "come out" and encourage others to do so as well. Come Out, Come Out, Whoever You Are systematically examines how coming out has moved beyond gay and lesbian rights groups and how different groups wrestle with the politics of coming out in their efforts to resist stigma and enact social change. It shows how different experiences and disparate risks of disclosure shape these groups' collective strategies. Through scores of interviews with LGBTQ+ people, undocumented immigrant youth, fat acceptance activists, Mormon fundamentalist polygamists, and sexual harassment lawyers and activists in the era of the #MeToo movement, Come Out, Come Out, Whoever You Are explains why so many different groups gravitate toward the term coming out. By focusing on the personal and political resonance of coming out, it provides a novel way to understand how identity politics work in America today.
(Book). From its artful beginnings (Syd Barrett-era Pink Floyd, the Mothers of Invention, and those progressive forebearers, the Sgt. Pepper-era Beatles), through the towering guitar solos, monumental synthesizer banks, and mind-boggling special effects of the Golden Age of Prog (Rush, Pink Floyd, Yes, ELP, Genesis, Jethro Tull, King Crimson, UK), through the radio-friendly "pop era" (Asia, the Phil Collins-led Genesis, and a reformed Yes), and right up to the present state of the art (Marillion, Spock's Beard, and Mars Volta), this is a wickedly incisive tour of rock music at its most spectacular. This is indeed the book prog rock fans have been waiting for, the only one of its kind, as fantastic as the subjects it covers.
Close-up scenes introduce this wildlife species.
Key Selling Points A sweet summer camp story about a painfully shy girl who meets a boy with a rare genetic condition. The book explores themes of facing your fears and the nature of true friendship. One of the main characters has progeria, a genetic condition that causes premature aging. Most children who have this don’t live past age 14. This story had its genesis in a terrible summer camp experience for the author. The book has a happy ending. Bea and her new friends stay in touch after summer is over.
From the brilliant mind of A Touch of Darkness's bestselling author Scarlett St. Clair comes a YA crossover in a darkly unique fantasy world. Anora Silby can see the dead and turn spirits into gold coins, two things she would prefer to keep secret as she tries to lead a normal life at her new school. After all, she didn't change her identity for nothing. Hiding her weirdness is just one of many challenges. By the end of her first day, she's claimed the soul of a dead girl on campus and lost the coin. Turns out, the coin gives others the ability to steal souls, and when a classmate ends up dead, there's no mistaking the murder weapon. Navigating the loss of her Poppa, the mistrust of her mother, the attention of gorgeous and enigmatic Shy, and Roundtable, an anonymous student gossip app threatening to expose her, are hard enough. Now she must find the person who stole her coin before more lives are lost, but that means making herself a target for the Order, an organization that governs the dead on Earth—and they want Anora and her powers for themselves.
A compelling view of two competing religious visions---one of "creation" and the other of "empire"---that run throughout the Bible. "A remarkable offering for those who care about the interface of power and faith with all the threats and seductions that go with it. . . As I read, I felt overwhelmed, both by the mass of data and by the cunning of interpretation. I could not put it down, and expect to continue to be instructed by it.---Walter Brueggemann "Howard-Brook undertakes what few dare anymore: an introductory primer for the whole Bible...This book invites disciples to `connect the dots', in order to recover our ancient, anti-imperial identity, and to embrace a radical faith and practice that are personal and politica."---Ched Myers "Howard-Brook illuminates how ancient empires exercised control and manipulation of people not simply by political and military means, but also through the religion of empire. Throughout he makes clear that the core message of the God of creation is to call people out of empire, to refuse to cooperate with the forces of destruction and domination today."---Richard Horsley "Will become a classic for communities that seek first to receive the gracious gift of God's alternative future to Empire."---Jarrod McKenna "If we who sojourn in America are to be a community that can both name and resist the lure of Empire, we need a story more powerful than the story called America. Wes Howard-Brook knows than the Bible tells such a story. May its story be ours as we're set free from our imperial imaginations to dream with our Creator of a new world here and now."---Jonathan Wilson-Hartgrove
A nuanced insider's account of everyday life in the last remaining institution of New York's golden age of boxing Gleason's Gym is the last remaining institution of New York's Golden Age of boxing. Jake LaMotta, Muhammad Ali, Hector Camacho, Mike Tyson—the alumni of Gleason's are a roster of boxing greats. Founded in the Bronx in 1937, Gleason's moved in the mid-1980s to what has since become one of New York's wealthiest residential areas—Brooklyn's DUMBO. Gleason's has also transformed, opening its doors to new members, particularly women and white-collar men. Come Out Swinging is Lucia Trimbur's nuanced insider's account of a place that was once the domain of poor and working-class men of color but is now shared by rich and poor, male and female, black and white, and young and old. Come Out Swinging chronicles the everyday world of the gym. Its diverse members train, fight, talk, and socialize together. We meet amateurs for whom boxing is a full-time, unpaid job. We get to know the trainers who act as their father figures and mentors. We are introduced to women who empower themselves physically and mentally. And we encounter the male urban professionals who pay handsomely to learn to box, and to access a form of masculinity missing from their office-bound lives. Ultimately, Come Out Swinging reveals how Gleason's meets the needs of a variety of people who, despite their differences, are connected through discipline and sport.
“Magnificent . . . interesting and clear . . . Signorile takes your hand and gently guides you through the entire self-outing process.”—Chaz Bono, The Advocate From the author of Queer in America comes a complete, step-by-step guide to coming out of the closet—the first coming-out guide to the ’90s. Signorile’s pull-no-punches style gives this book a Susan Powter-ish Stop the Insanity! approach to a difficult and often mishandled experience. “Signorile’s book does a service simply by updating the crucial coming-out issue and analyzing, demstifying, and reframing it in a contemporary way appropriate to these complex times.”—Torie Osborn, The Los Angeles Times Book Review
While people used to conceal the fact that they were gay or lesbian to protect themselves from stigma and discrimination, it is now commonplace for people to "come out" and encourage others to do so as well. Come Out, Come Out, Whoever You Are systematically examines how coming out has moved beyond gay and lesbian rights groups and how different groups wrestle with the politics of coming out in their efforts to resist stigma and enact social change. It shows how different experiences and disparate risks of disclosure shape these groups' collective strategies. Through scores of interviews with LGBTQ+ people, undocumented immigrant youth, fat acceptance activists, Mormon fundamentalist polygamists, and sexual harassment lawyers and activists in the era of the #MeToo movement, Come Out, Come Out, Whoever You Are explains why so many different groups gravitate toward the term coming out. By focusing on the personal and political resonance of coming out, it provides a novel way to understand how identity politics work in America today.
In “Come Out the Wilderness,” an essential and tremendous classic of American literature, Baldwin unmasks the heartbreak of one African American woman’s spiritual, sexual, moral, and ultimately futile struggle for control of her future and her happiness in mid-century New York. James Baldwin’s commanding prose remains as pressing in its compassionate portrayal of marginalized figures today as it was during the peak of the Civil Rights Movement. An ebook short.