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Dancing with Kitty Stobling is a poetic celebration of the centenary of Patrick Kavanagh's birth showcasing winners of the Patrick Kavanagh Poetry Award. This annual prize for a first collection of unpublished poems was inaugurated in 1971 and is still flourishing. Winners include Eilean Ni Chuillenain, Paul Durcan, Aidan Matthews, Thomas McCarthy, Michael Coady, Harry Clifton, Peter Sirr, Pat Boran and, in more recent years, Conor O'Callaghan, Sinead Morrissey and Joseph Woods. Poems in the anthology have been chosen by the poets themselves and are accompanied by a biographical note and photograph of each poet. Spanning a period of over thirty years, this anthology demonstrates a lively and enduring tradition in Irish literature and is an opportunity to read old favourites and encounter new voices.
Irish Poetry since 1950 is a survey of poetry, from Northern Ireland, the Republic, Britain, and the US, covering the 1950s, the 1960s, the early period of the Troubles up to 1976, the 1980s and the 1990s.
Derived from the parent Guide to Literature in English, this volume offers in concise form over 4,000 entries on literature in English from cultures throughout the world. Writers and major works from the UK and the USA are represented, as are those from Canada, the Caribbean, Australia, India, and Africa. The coverage is broad - from the classics of English literature to the best of modern writing. Additionally, the Guide has a wealth of entries on literary movements, groups or schools in literature and criticism, literary magazines, genres and sub-genres, critical concepts, and rhetorical terms.
This engaging, personal chronicle by Irish poet Gerald Dawe explores the lives and times of leading Irish writers, including W.B. Yeats, Elizabeth Bowen, Samuel Beckett and Stewart Parker, alongside lesser-known names from the earlier decades of the twentieth century, such as Ethna Carberry, Alice Milligan, Joseph Campbell and George Reavey. It also portrays the changing cultural backgrounds of the author’s contemporaries, such as Derek Mahon, Eavan Boland, Eileán Ní Chuilleanáin, Colm Tóibín, Leontia Flynn and Sinéad Morrissey. Gerald Dawe presents an accessible view of modern Irish literature, filtered perceptively through his own distinctive lens, and raises important questions about cultural belonging, the commercialisation of contemporary writing, and the influence of Irish literary culture in a digital age. In this lyrical exploration of national identity, The Wrong Country repositions our understanding of modern Irish writing in a wider context for today’s readers.
The Oxford Companion to English Literature has long been established as the leading reference resource for students, teachers, scholars, and general readers of English literature. It provides unrivalled coverage of all aspects of English literature - from writers, their works, and the historical and cultural context in which they wrote, to critics, literary theory, and allusions. For the seventh edition, the Companion has been thoroughly revised and updated to meet the needs and concerns of today's students and general readers. Over 1,000 new entries have been added, ranging from new writers - Chimamanda Ngozi Adichie, Patrick Marber, David Mitchell, Arundhati Roy - to increased coverage of writers and literary movements from around the world. Coverage of American literature has been substantially increased, with new entries on writers such as Cormac McCarthy and Amy Tan and on movements and publications. Contextual and historical coverage has also been expanded, with new entries on European history and culture, post-colonial literature, as well as writers and literary movements from around the world that have influenced English literature. The Companion has always been a quick and dependable source of reference for students, and the new edition confirms its pre-eminent role as the go-to resource of first choice. All entries have been reviewed, and details of new works, biographies, and criticism have been brought right up to date. So also has coverage of the themes, approaches and concepts encountered by students today, from terms to articles on literary theory and theorists. There is increased coverage of writers from around the world, as well as from Ireland, Scotland, and Wales, and of contextual topics, including film and television, music, and art. Cross-referencing has been thoroughly updated, with stronger linking from writers to thematic and conceptual entries. Meanwhile coverage of popular genres such as children's literature, science fiction, biography, reportage, crime fiction, fantasy or travel literature has been increased substantially, with new entries on writers from Philip Pullman to Anne Frank and from Anais Nin to Douglas Adams. The seventh edition of this classic Companion - now under the editorship of Dinah Birch, assisted by a team of 28 distinguished associate editors, and over 150 contributors - ensures that it retains its status as the most authoritative, informative, and accessible guide to literature available.
In the last fifty years Irish poets have produced some of the most exciting poetry in contemporary literature, writing about love and sexuality, violence and history, country and city. This book provides a unique introduction to major figures such as Seamus Heaney, but also introduces the reader to significant precursors like Louis MacNeice or Patrick Kavanagh, and vital contemporaries and successors: among others, Thomas Kinsella, Paul Muldoon and Nuala Ni Dhomhnaill. Readers will find discussions of Irish poetry from the traditional to the modernist, written in Irish as well as English, from both North and South. This Companion, the only book of its kind on the market, provides cultural and historical background to contemporary Irish poetry in the contexts of modern Ireland but also in the broad currents of modern world literature. It includes a chronology and guide to further reading and will prove invaluable to students and teachers alike.
Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.
Derek Mahon is one of the leading poets of his time, both in Ireland and beyond, famously offering a perspective that is displaced from as much as grounded in his native country. From prodigious beginnings to prolific maturity, he has been, through thick and thin, through troubled times and other, a writer profoundly committed to the art of poetry and the craft of making verse. He has also been no-less a committed reviser of his work, believing the poem to be more than a record in verse, but a work of art never finished. This virtuoso study by Hugh Haughton provides the most comprehensive account imaginable of Mahon's oeuvre. Haughton's brilliant writing always serves and illuminates the poetry, yielding extraordinary insights on almost every page. The poetry, its revisions and reception, are the subject here, but so thorough is the approach that what is offered also amounts indirectly to an intellectual biography of the poet and with it an account of Northern Irish poetry vital to our understanding of the times.
Antoinette Quinn's acclaimed biography of Patrick Kavanagh, the most important Irish poet between the death of W.B. Yeats and the rise of Seamus Heaney, tells the triumphant story of his journey from homespun balladry through early journal and poetry publications to his eventual coronation as one of the most influential figures in Irish poetry. Kavanagh (1904–1967) was born in County Monaghan, the son of a cobbler-cum-small farmer. He left school at thirteen to work the land but continued to educate himself, reading and writing poetry in his spare time. In 1929 he began contributing verses to the Irish Statesman and was soon publishing in Irish and English journals. His first collection, Ploughman and Other Poems, appeared in 1936 and was followed by an autobiography, The Green Fool, in 1938. In 1939 he moved to Dublin where he spent the rest of his life as a freelance writer and as part of the social and literary scene, keeping company with a gifted generation of writers, among them Flann O'Brien and Brendan Behan. He gained recognition as an important literary voice with his long poem 'The Great Hunger' in 1942. Further collections and the novel Tarry Flynn appeared in the following decades to growing critical acclaim. Published to widespread praise, Patrick Kavanagh, A Biography traces Kavanagh's publishing history as well as revealing what he was writing in the long interval between his books. This engaging, well-researched account of his daily professional life as a writer, his revisions and redraftings, his negotiations with publishers and editors, dispels the view that he was an untutored, gormless genius visited by an occasional flash of inspiration. Patrick Kavanagh, A Biography is the definitive account of Patrick Kavanagh's life and work and should be the standard for years to come. Patrick Kavanagh, A Biography: Table of Contents Introduction - No Genealogic Rosary (1850–1910) - Childhood (1904–1918) - Serving his Time (1918–1927) - Dabbling in Verse (1916–1930) - Farmer-Poet (1929–1936) - Towards The Green Fool (1936–1937) - The Green Fool and its Aftermath (1937–1939) - I Had a Future (1939–1941) - Bell-lettres (1940–1942) - The Great Hunger (1941–1942) - Pilgrim Poet (1940–1942) - Marriage and Money? (1942–1944) - The Enchanted Way (1944–1947) - Film Critic (1946–1949) - Tarry Flynn (1947–1949) - From Ballyrush to Baggot Street (1948–1951) - King of the Kids (1949–1951) - Bluster and Beggary (1952–1953) - Trial and Error (1954) - The Cut Worm (1954–1955) - The American Dream (1955–1957) - Noo Pomes (1957–1958) - Come Dance with Kitty Stobling (1959–1960) - Roots of Love (1960–1964) - Sixty-Year-Old Public Man (1964–1965) - Four Funerals and a Wedding (1965–1967) - 'So long'