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"Vietnam through G.I. lenses"--Jacket subtitle.
In this comprehensive, practical guide, award-winning photojournalist Stacy Pearsall offers the techniques, guidance, and inspiration needed to succeed in the dynamic and exciting field of photojournalism. Starting with an overview of photojournalism and her experience as both a combat and domestic photographer, Stacy covers the basics of preparing for assignments, discussing such key topics as selecting suitable attire for different environments, assembling essential camera gear, developing the right approach for a story, and honing your shooting technique. beyond the fundamentals, Stacy then dives into the nitty-gritty details of photojournalism work, providing insights into living and working in harsh conditions, maintaining physical and mental health, and managing relationships with subjects. The book interweaves hundreds of Stacy’s amazing photographs with stories of her experiences in the field, providing context for advice on everything from navigating unfamiliar locations, to properly exposing your images, to building innovative multimedia projects. Follow her into "the trenches" for the fascinating stories behind the shots, which show by example how to get the best photographs you can, even under the most challenging circumstances. Features stunning full-color images from some of the author’s most dramatic moments as a photojournalist Offers insights on preparing for long-term assignments, working in austere environments, and reintegrating into society after a project Interweaves photography techniques with advice on interacting with subjects and creating compelling stories
"A majestic book."--Bessel van der Kolk, MD, author of The Body Keeps the Score A unique joint memoir by a U.S. Marine and a conflict photographer whose unlikely friendship helped both heal their war-wounded bodies and souls "The dueling-piano spirit of SHOOTING GHOSTS works because its authors are so committed to transparency, admitting readers into the dark crevices of their isolation."--Wall St Journal Through the unpredictability of war and its aftermath, a decorated Marine sergeant and a world-trotting war photographer became friends, their bond forged as they patrolled together through the dusty alleyways of Helmand province and camped side by side in the desert. But when Sergeant T. J. Brennan was injured during a Taliban ambush, he and conflict photographer Finbarr O’Reilly returned home, each to face the fallout of war in their own way. Their friendship offered them both a shot at redemption. Shooting Ghosts looks at the horrors of war directly, but then turns to a journey that draws on our growing understanding of what recovery takes, charting the ways two survivors have found to calm the ghosts and reclaim a measure of peace.
Shooter is a visual portrait of war--the perseverance, heroism, and survival--narrated through stunning photographs and powerful essays from a female combat photographer.
This book chronicles the journey of Frank S. Errigo, one of two photograhers chosen in the 40s, to take the first color images of World War II. From his journey on the Liberty Ship, to the shores of Algiers, and following the footsteps of Patton across Sicily to the Landing at Anzio and the Liberation of Rome, the striking images in this book are the first color photos of that era. Particpate in that journey through the unforgetable faces of that war.
Thayer Soule couldn't believe his orders. As a junior officer with no military training or indoctrination and less than ten weeks of active duty behind him, he had been assigned to be photographic officer for the First Marine Division. The Corps had never had a photographic division before, much less a field photographic unit. But Soule accepted the challenge, created the unit from scratch, established policies for photography, and led his men into combat. Soule and his unit produced films and photos of training, combat action pictures, and later, terrain studies and photographs for intelligence purposes. Though he had never heard of a photo-litho set, he was in charge of using it for map production, which would prove vital to the division. Shooting the Pacific War is based on Soule's detailed wartime journals. Soule was in the unique position to interact with men at all levels of the military, and he provides intriguing closeups of generals, admirals, sergeants, and privates -everyone he met and worked with along the way. Though he witnessed the horror of war firsthand, he also writes of the vitality and intense comradeship that he and his fellow Marines experienced. Soule recounts the heat of battle as well as the intense training before and rebuilding after each campaign. He saw New Zealand in the desperate days of 1942. His division was rebuilt in Australia following Guadalcanal. After a stint back in Quantico training more combat photographers, he went to Guam and then to the crucible of Iwo Jima. At war's end he was serving as Photographic Officer, Fleet Marine Force Pacific, at Pearl Harbor.
Retired Navy SEAL and professional photographer Darren McBurnett takes readers behind the scenes into the elite SEAL training program, BUD/S, in Coronado, California. Striking, beautiful, and haunting, Uncommon Grit takes a unique, unprecedented look at the toughest training in the military -- and the world -- from the vantage point of someone who lived through it. Retired Navy SEAL Darren McBurnett includes vivid descriptions of both the physical and mental evolutions that occur as a result of the immensely challenging SEAL training process. His stunning photographs, partnered with his compelling insights and sharp sense of humor, allow the reader to laugh, cringe, gasp, and even envision themselves going through this extraordinary experience.
The heart-stoppingly adrenalin-charged - and often dangerous - life and times of Australian war photographer, Gary Ramage. He goes where the troops go - but with a camera, not a gun. As Australia's premier war photographer - and as a former soldier - Gary Ramage has been in and out of just about every conflict zone that Australia has ever been involved in. He's been embedded with troops, lived, eaten and slept alongside them. Through good times and bad times, through rocket attacks, firefights and funerals, from photographing mass graves in Kosovo to being in East Timor when SAS troops were ambushed, from sleeping under the stars on patrol with Aussie soldiers in Afghanistan to helping out with CPR on a wounded soldier on a medivac chopper, he's been there and documented it. It takes special grit to be a war photographer - it's an extreme and dangerous job. At least 25 journalists / photojournalists have been killed in Afghanistan alone since 2001. Journalists, cameramen, photographers - they've all been captured, tortured and executed. Risk comes with the territory. This is a high adrenalin, sometimes moving, sometimes laugh-out-loud funny, entirely gripping story of a man who's living an extraordinary life, documenting some of the most confronting and moving moments in international conflicts and our recent history. Here is the story behind the pictures.
The average GI in World War II carried a rifle, had military support, was committed to whatever action his unit was engaged in, and often had time to rest and regroup before advancing. Conversely, the combat photographer had his camera, a sidearm, and a jeep, was sent wherever there was fighting to document what was happening. He often saw the worst of the war. Charles Eugene Sumners was a still photographer in the 166th Signal Photo Company, and in Darkness Visible he offers his World War II memories--some sad, some happy, many horrendous, all life-changing. With the aid of many of his photographs reproduced in this book, he remembers boot camp, the trip overseas, and events in France, Germany, Belgium, and Luxembourg, including the Battle of the Bulge, while covering Patton's Third Army's field artillery, infantrymen, engineers, the 10th Armored and the 6th Armored. Other subjects include Hitler youth, refugees, labor camps, POWs, other combat photographers including his friend Russ Meyer, and going back to Europe after the war.
Attention Servicemember is Ben Brody's searing elegy to the experience of the American wars in Iraq and Afghanistan. Brody was a soldier assigned to make visual propaganda during the Iraq War. After leaving the army, he traveled to Afghanistan as an independent civilian journalist. Returning to rural New England after 12 years at war, he found his home unrecognizable - even his own backyard radiated menace and threat. So he continued photographing the war as it exists in his own mind. This critically-acclaimed photobook was shortlisted for the Aperture-Paris Photo First Book Award and is now in its second printing.