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Based on more than 40 years association with Native American weavers, including 16 years in residence on Northwest Indian reservations, Schlick presents the artistic but also utilitarian baskets made by the people of the mid-Columbia River in the context of the lives of the people who created and used them. She also writes authoritatively about the gathering and processing of materials, and basketry techniques. Including 191 illustrations, 56 in color, this lovely volume is both a sourcebook for basket weavers and a reference for scholars, curators, and collectors. Annotation copyright by Book News, Inc., Portland, OR
Coming to Stayis the memoir of Mary Dodds Schlick, who in 1950 moved from the Midwest to the Colville Indian Reservation in north central Washington with her husband Bud, a forester for the Bureau of Indian Affairs. For over fifty years, she has maintained a close connection with the Native people of the Columbia River Plateau as a neighbor, journalist, teacher, and master basket maker on the Colville, Warm Springs, and Yakama reservations. These stories take place against a backdrop of change - from the uncertainty caused by federal efforts to terminate reservations in the 1950s through the growth of tribal self-determination that began in the 1970s. Schlick tells us about community and family, celebration and loss, and how she came to stay in the place she now calls home. Mary Dodds Schlickis the author ofColumbia River Basketry: Gift of the Ancestors, Gift of the Earth. A master artist in the Oregon Traditional Arts Program, she received an Oregon Governor's Arts Award in 1998.
The peoples of northwestern Califonia's Lower Klamath River area have long been known for their fine basketry. Two early-twentieth-century weavers of that region, Elizabeth Hickox and her daughter Louise, created especially distinctive baskets that are celebrated today for their elaboration of technique, form, and surface designs. Marvin Cohodas now explores the various forces that influenced Elizabeth Hickox, analyzing her relationship with the curio trade, and specifically with dealer Grace Nicholson, to show how those associations affected the development and marketing of baskets. He explains the techniques and patterns that Hickox created to meet the challenge of weaving design into changig three-dimensional forms. In addition to explicating the Hickoxes' basketry, Cohodas interprets its uniqueness as a form of intersocietal art, showing how Elizabeth first designed her distinctive trinket basket to convey a particular view of the curio trade and its effect on status within her community. Through its close examination of these superb practitioners of basketry, Basket Weavers for the California Curio Trade addresses many of today's most pressing questions in Native American art studies concerning individuality, patronage, and issues of authenticity. Graced with historic photographs and full-color plates, it reveals the challenges faced by early-twentieth-century Native weavers. "Extremely well written and based on an impressive amount of archival research. . . . It skillfully interweaves biography, rigorous stylistic analysis, and social history into an impressive story."--Janet Berlo, editor, The Early Years of Native American Art History Published with the assistance of The Southwest Museum, Los Angeles.
People of the River is the first major publication to focus exclusively on the rich artistic traditions of the Native Americans who traditionally lived along the lower Columbia River from the mouth of the Snake River to the Pacific Ocean. In this richly illustrated volume, author Bill Mercer eloquently describes the Columbia River art style as an indigenous development that emerged over the course of countless generations and whose forms reveal a unique combination of designs, motifs, materials, and techniques. The book includes more than two hundred objects organized into sections that focus on sculptural forms, basketry, and beadwork spanning the pre-contact era to the middle of the twentieth century. People of the River features many objects that have never before been published and provides keen insight into a previously unrecognized area of Native American art. With insightful texts, lavish reproductions, and an extensive bibliography, People of the River promises to be a key resource on this compelling body of work for years to come.
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Just as a basket’s purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket. Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.
A reconstruction of the Haida and Tlingit cultures of the Pacific Northwest during the late eighteenth and early nineteenth centuries. Drawing on a wide range of evidence, this volume is a carefully researched investigation into the ethnohistory of the Pacific Northwest during the period of European exploration of the region. The book supplements the archeological evidence from the area with a detailed investigation of the journals, diaries, and sketchbooks of Russian, Spanish, and English explorers and traders who reached the region, as well as artifacts that those explorers and traders obtained on their expeditions and that are now held in museums worldwide. In doing so, Gunther's research extends anthropological study of the region a century earlier, and sheds light on the understudied tribal cultures of the Haida and the Tlingit. The volume contains splendid reproductions of contemporary drawings, and appendices mapping the museum locations of artifacts and describing the processes of native technology.