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Brings to life the challenges and developments of Technicolor, Kodachrome, Agfacolor, Kodacolor, Cibachrome, Polaroid and electronic photography.
Veteran photographer and instructor Bryan Peterson is best known for his arresting imagery using bold, graphic color and composition. Here he explores his signature use of color in photography for the first time, showing readers his process for creating striking images that pop off the page. He addresses how to shoot in any type of light, and looks at color families and how they can work together to make compelling images in commercial and art photography. He also helps readers understand exposure, flash, and other stumbling blocks that beginning and experienced photographers encounter when capturing images, showing how to get the most out of any composition. With its down-to-earth voice and casual teaching style, Understanding Color in Photography is a workshop in a book, helping any photographer take their images to the next level.
Basics Photography- Post-Production Colour is richly illustrated with informative diagrams and inspirational images, making this book an invaluable guidebook for any photographer or aspiring photographic student.
This striking volume celebrates colour in photography. Hundreds of images by some of the biggest names in photography are organised into colour-coded chapters, each introduced by an essay from the historian Michel Pastoureau. Among the featured photographers are Steve McCurry, Martin Parr, Susan Meiselas, Bruno Barbey, and Raghu Rai.
Understand the role colour plays in your images, learn to appreciate its dynamic effects and find out how to capture and reproduce it as precisely as possible in your own images. The Colour Photography Field Guide provides a unique look at analysing and combining three important ways of dealing with colour. The first is the subjective and cultural response to individual colour: the perception. The second is how colours are found and appear in photography: the science. The third is the means by which they can be viewed and altered digitally: the expression. - A clear and technically precise look at how colour affects your digital images - Portable and lightweight, for on-the-spot information and inspiration - With a host of case studies examining difficult colour situations such as capturing flesh tones and unreal colours
Understand the role colour plays in your images, learn to appreciate its dynamic effects and find out how to capture and reproduce it as precisely as possible in your own images. The Colour Photography Field Guide provides a unique look at analysing and combining three important ways of dealing with colour. The first is the subjective and cultural response to individual colour: the perception. The second is how colours are found and appear in photography: the science. The third is the means by which they can be viewed and altered digitally: the expression. - A clear and technically precise look at how colour affects your digital images - Portable and lightweight, for on-the-spot information and inspiration - With a host of case studies examining difficult colour situations such as capturing flesh tones and unreal colours
Since the Lumière brothers made the autochrome process commercially available in June 1907, colour photography has proliferated in so many directions that we are saturated with it. In this stunning collection, Pam Roberts has gathered together the finest examples of the art of colour photography, covering every major technical and artistic development in colour photography in over 100 years.
He referred to them as "isolated sketches", but the were part of his formative experience. Colour might have been considered vulgar, then ,and not the medium of serious photography, but for Tony Ray-Jones it expressed the excitement of the country in a way that black and white did not. "I found America a very colour-conscious country", he said. "Colour is very much part of theit culture, and they use it in crazy ways. You look down Madison Avenue at lunchtime and the colours just vibrate. He arrived in America in 1961 on a scholarship to Yale to study graphic art and he returned to England four years later. It was in America that he learned to be a photographer. Among New York's street parades, on Fith Avenue, in Times Square, Chinatown and Little Italy he learned to extract individual moments from a crowded backdrop and to find order in the chaos of the street. Based in New York, he made trips across the country ; west to Detroit, south to Florida ; all the time making colour pictures alongside black and white. "When i got back to England i found everything so grey that i did'nt see the point of shooting in colour. To me, Britain is very much a black and white country". Britain was where he made his reputation, but America, and particularly New York, was where he made the experiments that would inform it. This small book of colour photographs shows something of what those experiments produced.