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This radical new perspective from the Global South casts a fresh light on a major aspect of contemporary history and in doing so suggests an alternative interpretation of twentieth century revolutions, Socialism, left thinking and radical politics.
In October 1869, as America stood on the brink of becoming a thoroughly modern nation, workers unearthed what appeared to be a petrified ten-foot giant on a remote farm in upstate New York. The discovery caused a sensation. Over the next several months, newspapers devoted daily headlines to the story and tens of thousands of Americans—including Oliver Wendell Holmes, Ralph Waldo Emerson, and the great showman P. T. Barnum—flocked to see the giant on exhibition. In the colossus, many saw evidence that their continent, and the tiny hamlet of Cardiff, had ties to Biblical history. American science also weighed in on the discovery, and in doing so revealed its own growing pains, including the shortcomings of traditional education, the weaknesses of archaeological methodology, as well as the vexing presence of amateurs and charlatans within its ranks. A national debate ensued over the giant's origins, and was played out in the daily press. Ultimately, the discovery proved to be an elaborate hoax. Still, the story of the Cardiff Giant reveals many things about America in the post-Civil War years. After four years of destruction on an unimagined scale, Americans had increasingly turned their attention to the renewal of progress. But the story of the Cardiff Giant seemed to shed light on a complicated, mysterious past, and for a time scientists, clergymen, newspaper editors, and ordinary Americans struggled to make sense of it. Hucksters, of course, did their best to take advantage of it. The Cardiff Giant was one of the leading questions of the day, and how citizens answered it said much about Americans in 1869 as well as about America more generally.
Moscow's ties with the Islamic Republic of Iran underwent dramatic fluctuations following Ayatollah Ruhollah Khomeini's triumphant return to Tehran in 1979. After a prolonged implosion, they fitfully expanded, shaped not only by the rush of current events but by centuries of ingrained practices and prejudices. By summer 2006, as Iran forged ahead with its nuclear program and Shia-based forces flexed their muscles across the Middle East, Russian-Iranian relations again appeared to be on the threshold of an entirely new dynamic. Drawing on firsthand interviews as well as primary and secondary sources, John Parker delineates Moscow's motives and approaches to dealing with the resurgent Tehran, weaving into the public record the recollections and analyses of Russian politicians, diplomats, and experts who dealt directly with Iran both under the Pahlavi monarchy and after the 1979 Islamic Revolution. Parker also emphasizes other touchstones of relations between the two countries, including their complex dealings in 1992 immediately after the Soviet Union's collapse and when they backed opposing sides in the civil war in Tajikistan yet nourished mutual interests on other issues. The depth of his analysis sheds light on the more recent repercussions of the September 11 terrorist attacks for Afghanistan and Iraq, for the Middle East as a whole, and for Iran's accelerating nuclear program.
A photo reprint of Cobbett's radical journal.
Henry Miller’s landmark travel book, now reissued in a new edition, is ready to be stuffed into any vagabond’s backpack. Like the ancient colossus that stood over the harbor of Rhodes, Henry Miller’s The Colossus of Maroussi stands as a seminal classic in travel literature. It has preceded the footsteps of prominent travel writers such as Pico Iyer and Rolf Potts. The book Miller would later cite as his favorite began with a young woman’s seductive description of Greece. Miller headed out with his friend Lawrence Durrell to explore the Grecian countryside: a flock of sheep nearly tramples the two as they lie naked on a beach; the Greek poet Katsmbalis, the “colossus” of Miller’s book, stirs every rooster within earshot of the Acropolis with his own loud crowing; cold hard-boiled eggs are warmed in a village’s single stove, and they stay in hotels that “have seen better days, but which have an aroma of the past.”