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For the state, black female crime and its representations effectively galvanized and justified a host of urban reform initiatives that reaffirmed white, middle-class authority."--Jacket.
The relationship between the City of Brotherly Love and its Black residents has been complicated from the city’s founding through the present day. A Black Philadelphia Reader traces this complex history in the words of Black writers who were native to, lived in, or had significant connections to the city. Featuring the works of famous authors—including W. E. B. Du Bois, Harriet Jacobs, Sonia Sanchez and John Edgar Wideman—alongside lesser-known voices, this reader is an immersive and enriching composite portrait of the Black experience in Philadelphia. Through fiction and nonfiction, poetry and prose, readers witness episodes of racial prejudice and gender inequality in areas like public health, housing, education, policing, criminal justice, and public transportation. And yet amid these myriad challenges, the writers convey an enduring faith, a love of family and community, and a hope that Philadelphia will fulfill its promises to its Black citizens. Thoughtfully introduced and accompanied by notes that contextualize the works and aid readers’ comprehension, this book will appeal to a wide audience of Philadelphians and other readers interested in American, African American, and urban studies.
With this book, Cheryl Hicks brings to light the voices and viewpoints of black working-class women, especially southern migrants, who were the subjects of urban and penal reform in early twentieth-century New York. Hicks compares the ideals of racial upl
A Taste for Brown Sugar boldly takes on representations of black women's sexuality in the porn industry. It is based on Mireille Miller-Young's extensive archival research and her interviews with dozens of women who have worked in the adult entertainment industry since the 1980s. The women share their thoughts about desire and eroticism, black women's sexuality and representation, and ambition and the need to make ends meet. Miller-Young documents their interventions into the complicated history of black women's sexuality, looking at individual choices, however small—a costume, a gesture, an improvised line—as small acts of resistance, of what she calls "illicit eroticism." Building on the work of other black feminist theorists, and contributing to the field of sex work studies, she seeks to expand discussion of black women's sexuality to include their eroticism and desires, as well as their participation and representation in the adult entertainment industry. Miller-Young wants the voices of black women sex workers heard, and the decisions they make, albeit often within material and industrial constraints, recognized as their own.
From an award-winning historian, an alternative model of feminism driven by the legacy of Black women who took justice into their own hands So often failed by the state, demeaned by racism and sexism, and denied respectable means of redress, Black women have nevertheless patiently resisted myriad injustices. Yet history shows an alternative path. It involved razors, pistols, hatchets, and blackjacks, and playacting for courts and reporters—whatever it took to beat the system. In a world where Black women are castigated and caricatured for being angry, Vengeance Feminism tells the story of those who leaned into their fury, crafting a different kind of ideology that scratched and stabbed and sometimes even succeeded. Vengeance Feminism is about the Black women who hit back—not always figuratively, and not necessarily nobly either. Weaving together historical narrative with Black feminist analysis, Gross illuminates the stories of Black women who fought for their dignity on their own terms, from the nineteenth-century “badger thieves” who robbed men on the streets of Philadelphia to victims of intimate partner violence who defended their honor and bodily autonomy with deadly force. Reckoning with women who lied, robbed, and cheated a racist, misogynistic world, Vengeance Feminism grapples with the volatile power of violence in pursuit of racial and gender justice.
In the late nineteenth century, progressive reformers recoiled at the prospect of the justice system punishing children as adults. Advocating that children's inherent innocence warranted fundamentally different treatment, reformers founded the nation's first juvenile court in Chicago in 1899. Yet amid an influx of new African American arrivals to the city during the Great Migration, notions of inherent childhood innocence and juvenile justice were circumscribed by race. In documenting how blackness became a marker of criminality that overrode the potential protections the status of "child" could have bestowed, Tera Eva Agyepong shows the entanglements between race and the state's transition to a more punitive form of juvenile justice. In this important study, Agyepong expands the narrative of racialized criminalization in America, revealing that these patterns became embedded in a justice system originally intended to protect children. In doing so, she also complicates our understanding of the nature of migration and what it meant to be black and living in Chicago in the early twentieth century.
The narrative of the discovery of a hacked up body outside of Philadelphia leads to a police investigation and trial of a woman and man, which sheds light on post-Reconstruction America, the history of African Americans, illicit sex, and domestic violence.
Life in a Black Community: Striving for Equal Citizenship in Annapolis, Maryland, 1902-1952 tells the story of a struggle over what it meant to be a citizen of a democracy. For blacks, membership in a democracy meant full and equal participation in the life of the town. For most whites, it meant the full participation of only its white citizens, based on the presumption that their black neighbors were less than equal citizens and had to be kept down. All the dramas of the Jim Crow era—lynching, the KKK, and disenfranchisement, but also black boycotts, petitioning for redress of grievances, lawsuits, and political activism—occurred in Annapolis. As they were challenging white prejudice and discrimination, tenacious black citizens advanced themselves and enriched their own world of churches, shops, clubs, and bars. It took grit for black families to survive. As they pressed on, life slowly improved—for some. Life in a Black Community recounts the tactics blacks used to gain equal rights, details the methods whites employed to deny or curtail their rights, and explores a range of survival and advancement strategies used by black families.
This volume examines early black baseball as it was represented in the artwork and written accounts of the popular press. From contemporary postbellum articles, illustrations, photographs and woodcuts, a unique image of the black athlete emerges, one that was not always positive but was nonetheless central in understanding the evolving black image in American culture. Chapters cover press depictions of championship games, specific teams and athletes, and the fans and culture surrounding black baseball.
In the 1970s, feminist slogans proclaimed “Sisterhood is powerful,” and women’s historians searched through the historical archives to recover stories of solidarity and sisterhood. However, as feminist scholars have started taking a more intersectional approach—acknowledging that no woman is simply defined by her gender and that affiliations like race, class, and sexual identity are often equally powerful—women’s historians have begun to offer more varied and nuanced narratives. The ten original essays in U.S. Women's History represent a cross-section of current research in the field. Including work from both emerging and established scholars, this collection employs innovative approaches to study both the causes that have united American women and the conflicts that have divided them. Some essays uncover little-known aspects of women’s history, while others offer a fresh take on familiar events and figures, from Rosa Parks to Take Back the Night marches. Spanning the antebellum era to the present day, these essays vividly convey the long histories and ongoing relevance of topics ranging from women’s immigration to incarceration, from acts of cross-dressing to the activism of feminist mothers. This volume thus not only untangles the threads of the sisterhood mythos, it weaves them into a multi-textured and multi-hued tapestry that reflects the breadth and diversity of U.S. women’s history.