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Review The images - rich in color and visual rhythm - span 30 years and several continents. Of course, Haiti and the Mexican border are well represented, locales that opened up a new way to see. He has been able to render Haiti - a place often depicted for its chaos - with a precise eye, finding personal moments that are as still as they are complex. He can use shadows as skillfully as a be-bop musician to set the tempo. The people in his frames can look like dwarfs being stomped on by giant, disembodied feet. He can make an American street seem far more foreboding than any Third World slum. (David Gonzalez The New York Times 2011-12-18) A 30-year retrospective of a great, and often overlooked, American pioneer of colour photography who pays scant regard to genre boundaries, merging art photography, photojournalism and often complex street photographs. (Sean O'Hagan The Guardian 2011-12-13) In far-flung corners of the globe, Webb captures glimpses of beauty in impoverished lives and stoicism in the face of strife. (Jack Crager American Photo 2011-12-01).
"An astonishing memoir to be approached with awe, delicacy, and plenty of leisure time" (Ann Morrissett Davidon, The Philadelphia Inquirer), Color is the Suffering of Light recounts Green's turbulent life, growing up in the 1960s on her family's farm in Massachusetts. "The narrative breathes with . . . energy and honesty".--Leslie Larson, The Women's Review of Books.
In this series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this book, internationally acclaimed color photographers Alex Webb and Rebecca Norris Webb, offer their expert insight into street photography and the poetic image. Through words and photographs-their own and others'-they invite the reader into the heart of their artistic processes. They share their thoughts about a wide range of practical and philosophical issues, from questions about seeing and being in the world with a camera, to how to shape a complete body of work in a way that's both structured and intuitive.
The long-awaited continuation of the celebrated collection American Color.
A gripping young adult suspense novel drenched in color, mystery, and lies. New York Times and USA Today bestselling author CJ Lyons grabs you and won’t let go, keeping you guessing until the very last page of The Color of Lies. When you can see emotions in color, motives become black and white. Even murder. Ella Cleary has always had an eye for the truth. She has synesthesia, which means she is able to read people via the waves of colors that surround them. Her unique gift has led her to trust very few people outside her family since her parents died in a fire. So when a handsome young journalist appears with no colors surrounding him at all, her senses go on high alert. But while Alec is a mystery, Ella feels a connection to him she can’t ignore. Something about him feels familiar, and she is able to talk with him in ways she can’t with anyone else. Then just as feelings develop between them, Alec drops a bombshell: he believes her parents’ deaths were no accident. And she may be in more danger than she’s ever realized. Soon Ella doesn’t know who she can trust or even who she really is. As family secrets begin to unravel and fact and fiction collide, it becomes clear that the only way for Ella to learn the truth about her past is to find a killer. The Color of Lies: YA suspense with themes of mystery, romance, and friendship By New York Times and USA Today bestselling thriller writer CJ Lyons, whose adult suspense novels have sold over 2 million copies in print and digital Features a protagonist with synesthesia, which can allow people to see sounds, taste words, or feel sensations on their skin associated with certain scents Perfect for fans of E. Lockhart, Karen M. McManus, and Jennifer Brown
Gathers photographs taken in Haiti, Mexico, the Dominican Republic, Egypt, Barbados, India, Zaire, Ivory Coast, Uganda, and Trinidad
From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction: The modern classic that Oprah.com calls one of the best memoirs of a generation and that launched James McBride's literary career. More than two years on The New York Times bestseller list. As a boy in Brooklyn's Red Hook projects, James McBride knew his mother was different. But when he asked her about it, she'd simply say 'I'm light-skinned.' Later he wondered if he was different too, and asked his mother if he was black or white. 'You're a human being! Educate yourself or you'll be a nobody!' she snapped back. And when James asked about God, she told him 'God is the color of water.' This is the remarkable story of an eccentric and determined woman: a rabbi's daughter, born in Poland and raised in the Deep South who fled to Harlem, married a black preacher, founded a Baptist church and put twelve children through college. A celebration of resilience, faith and forgiveness, The Color of Water is an eloquent exploration of what family really means.
Poetic and sparse, a bedtime story told by the elements.
Following Inge Morath¿s death in 2002, nearly 10.000 hitherto unknown color originals were recovered from storagein Paris and New York. This body of images, together with Morath¿s known archive of color material, reveals thedevelopment of a distinct sensibility. Inge Morath was undoubtedly influenced by the legendary hostility of hercolleague, Henri Cartier-Bresson, to color photography. Morath¿s own ambivalence is reflected in the contradictionbetween the sheer volume of color film that she exposed and its absence from her exhibited and published works. Hercolor vision, already strong in her photographs of gypsy encampments in Ireland in 1954, matured in the late 1950s,during her documentation of the Middle East, in 1956, and Romania, where she worked in 1958. From the '60s on,Morath employed color as a central element within her documentary narratives. Filling in a significant lacuna in her previously published work, First Color is an examination of Morath¿s first decade of work in color, and is drawn largely from the trove of posthumously recovered material.
American photographers master series