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A Color Notation is a book written by Albert Henry Munsell, an American painter, teacher of art, and the inventor of the Munsell color system. Munsell color system is an early attempt at creating an accurate system for numerically describing colors. The Munsell color order system has gained international acceptance and has served as the foundation for many color order systems.
Reproduction of the original: A Color Notation by Albert H. Munsell
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
This comprehensive guide to colour science presents A. H. Munsell’s foundational texts on colour theory and practice in a true celebration of both art and science. Albert Henry Munsell was a pioneer of colour theory. His Colour Notation established theories for categorising colour around three dimensions: hue, value (lightness), and chroma (purity). These elements were proposed to produce any particular colour or differentiate between those of the same character. First published in 1905, Munsell’s innovative theory offered insights into colour harmony, relationships, and the psychological impact of colours. It spurred significant advancements in colour science, art, and design, standing as a cornerstone text alongside those published by Michel Chevreul and Ogden Rood. This new edition from Art Meets Science combines Munsell’s seminal A Colour Notation with all fifteen full-colour plates from Atlas of the Munsell Color System, an introduction by Munsell, and an essay on colour by Bonnie E. Snow. An essential colour manual for those studying colour theory or with an interest in colour application, colour behaviours, and the history of colour theory.
From the earliest stages of elementary school to the advanced college level, vari ous types of illustrations are included in educational materials in order to pro mote learning. These illustrative adjuncts are often profuse and, in many cases, they may be the most striking feature that distinguishes one set of learning materials from another. In addition, the perceived effectiveness of the illustra tions clearly plays an important role in the marketing of many educational materials. Despite this pervasiveness and salience in education, there has never been a systematic effort to bring together the results of research on illustrations in order to provide some level of guidance to the developers of commercial learning materials. There is, however, a considerable research literature that is directly relevant to this aspect of education. The purpose of the present two volume set is to summarize and interpret the existing research literature that deals with the various educational functions of illustrations. In undertaking to produce an omnibus reference work on psychological and instructional issues surrounding illustrated learning material, our paramount aim has been to stimulate closer collaboration between researchers, producers, and users of educational text. The problems associated with moving the findings of educational research into the realm of everyday practice have been perennial ones. While many researchers and practitioners are interested in fundamentally similar questions, they typically speak dissimilar languages, read different jour nals, and carry out their work under disparate ideologies.
World-renowned French artists share their exciting and innovative digital creations in Illustrations with Photoshop: A Designer's Notebook, a first-time English translation of the cutting-edge French work. The images in this book will energize image professionals, graphic artists, photographers, computer graphics designers--all creators of images, whether still or animated--and will forever change the way you see and perform your design work. Photoshop is best known among photographers as a photographic image manipulation tool; it is used largely for retouching and photomontage. But Photoshop is also a powerful and highly sophisticated tool for creating quality digital drawings and artwork. Artists, like the ones showcased within, use it to realize their unique vision through illustration. In this lavish, full-color collection, nine French graphic artists--well-known professionals from a vibrant culture with a reputation for taking creative risks and producing incomparable graphics and art--are turned loose with Photoshop. Ranging from advertising to children's book illustration, science fiction to settings for graphic novels and role-playing games, their groundbreaking creations will inspire you to see your industry anew, appreciate graphic design from a changed perspective, and revitalize your work. Representing the very finest of French creation in the world of graphic design and digital imaging, this notebook leads you into the heart of each author's artistic approach, guiding you through the inception and making of nine unparalleled works of art that spring from widely varying sources of inspiration. But you'll come away with more than ideas and inspiration--you'll find detailed, step-by-step information on making Photoshop do anything and everything you want to accomplish your ideal digital illustration. Unlike any other available, this visually stunning book will give you the creative license and technical know-how you need to create one-of-a-kind digital illustrations with Photoshop that are limited only by your imagination.