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The language of contemporary cultural theory shows remarkable similarities with the patterns of thought which characterised Victorian racial theory. Far from being marked by a separation from the racialised thinking of the past, Colonial Desire shows we are operating in complicity with historical ways of viewing 'the other', both sexually and racially. Colonial Desire is a controversial and bracing study of the history of Englishness and 'culture'. Robert Young argues that the theories advanced today about post-colonialism and ethnicity are disturbingly close to the colonial discourse of the nineteenth century. 'Englishness', Young argues, has been less fixed and stable than uncertain, fissured with difference and a desire for otherness.
What did it mean to be a man in colonial Latin America? More specifically, what did indigenous and Iberian groups think of men who had sexual relations with other men? Providing comprehensive analyses of how male homosexualities were represented in areas under Portuguese and Spanish control, Infamous Desire is the first book-length attempt to answer such questions. In a study that will be indispensable for anyone studying sexuality and gender in colonial Latin America, an esteemed group of contributors view sodomy through the lens of desire and power, relating male homosexual behavior to broader gender systems that defined masculinity and femininity.
Establishes the homosocial dynamics of colonial desire as evidenced in Orientalist narrative
Michel Foucault's History of Sexuality has been one of the most influential books of the last two decades. It has had an enormous impact on cultural studies and work across many disciplines on gender, sexuality, and the body. Bringing a new set of questions to this key work, Ann Laura Stoler examines volume one of History of Sexuality in an unexplored light. She asks why there has been such a muted engagement with this work among students of colonialism for whom issues of sexuality and power are so essential. Why is the colonial context absent from Foucault's history of a European sexual discourse that for him defined the bourgeois self? In Race and the Education of Desire, Stoler challenges Foucault's tunnel vision of the West and his marginalization of empire. She also argues that this first volume of History of Sexuality contains a suggestive if not studied treatment of race. Drawing on Foucault's little-known 1976 College de France lectures, Stoler addresses his treatment of the relationship between biopower, bourgeois sexuality, and what he identified as "racisms of the state." In this critical and historically grounded analysis based on cultural theory and her own extensive research in Dutch and French colonial archives, Stoler suggests how Foucault's insights have in the past constrained--and in the future may help shape--the ways we trace the genealogies of race. Race and the Education of Desire will revise current notions of the connections between European and colonial historiography and between the European bourgeois order and the colonial treatment of sexuality. Arguing that a history of European nineteenth-century sexuality must also be a history of race, it will change the way we think about Foucault.
First published in 1999.Jyoti Puri draws on post-colonial and feminist theory to focus on how women in current-day India conceptualize their gender and sexuality. She provides a groundbreaking ethnographic study based on fifty-four middle- and upper-class Indian women, ranging from the ages of fifteen to thirty-eight. She argues that these women's narratives are shaped by not only the nation-state, but by transnational processes as well. Woman, Bodyand Desire in Postcolonial India connects important issues of class an nationhood to the emerging sense of female identity in India, covering previously neglected topics such as menstruation, gay and straight sexual experience, sexual harassment and assault, marriage and motherhood. Puri discovers that attitudes about sexuality and gender are surprisingly similar in India and Western countries.
In Le Queer Impérial Julin Everett explores the taboo subject of male homoerotic desire between black Africans and white Europeans in francophone colonial and postcolonial literatures. Everett exposes the intersection of power and desire in blanc-noir relationships in colonial and postcolonial black Africa and postimperial Europe. Reading these literatures for their portrayals of race, gender and sexuality, Everett begins a conversation about personal and political violence in the face of forbidden desires.
This new study addresses the provocative essays of Karen Blixen (Isak Dinesen), an iconic figure in Scandinavia and the Anglo-American world. Celebrated for her literary tales, Karen Blixen’s essays offer sagacious reflections on three significant challenges of the twentieth century: feminism, Nazism, and colonialism. Karen Blixen (1885–1962) contributed to topical debates in Denmark, particularly during the 1950s when her distinct voice on Danish radio became familiar to a nation of listeners. Some of her lectures, radio addresses, and newspaper chronicles were later published as essays and now constitute a distinct genre within her work. In this study, Blixen’s most important essays are critically examined for the first time. The book demonstrates that a "creative dialectic" informs these essays, an interplay of complementary opposites that Blixen sees as fundamental to human life and artistic creativity. Whether exploring questions of gender and the status of the feminist movement, or the reign of National Socialism in Hitler’s Germany, or colonial race relations under British rule in East Africa, Blixen’s observations are insightful, witty, and surprisingly progressive for an author notable for aristocratic sensibilities. Blixen’s essays are also framed by a "dialectic method," which develops an idea by drawing on opposing viewpoints in order to arrive at an original vantage point. The Creative Dialectic of Karen Blixen's Essays builds on archival research, historical study, literary criticism and theory, as well as bilingual readings of Blixen’s renowned literary work. For the first time in an English translation, Karen Blixen’s essay “Blacks and Whites in Africa” (1938), by award-winning translator Tiina Nunnally, appears in this publication.
In The Ruling Passion, Christopher Lane examines the relationship between masculinity, homosexual desire, and empire in British colonialist and imperialist fictions at the turn of the twentieth century. Questioning the popular assumption that Britain's empire functioned with symbolic efficiency on sublimated desire, this book presents a counterhistory of the empire's many layers of conflict and ambivalence. Through attentive readings of sexual and political allegory in the work of Kipling, Forster, James, Beerbohm, Firbank, and others--and deft use of psychoanalytic theory--The Ruling Passion interprets turbulent scenes of masculine identification and pleasure, power and mastery, intimacy and antagonism. By foregrounding the shattering effects of male homosexuality and interracial desire, and by insisting on the centrality of unconscious fantasy and the death drive, The Ruling Passion examines the startling recurrence of colonial failure in narratives of symbolic doubt and ontological crisis. Lane argues compellingly that Britain can progress culturally and politically only when it has relinquished its residual fantasies of global mastery.
Eighteenth-century Jamaica, Britain's largest and most valuable slave-owning colony, relied on a brutal system of slave management to maintain its tenuous social order. Trevor Burnard provides unparalleled insight into Jamaica's vibrant but harsh African and European cultures with a comprehensive examination of the extraordinary diary of plantation owner Thomas Thistlewood. Thistlewood's diary, kept over the course of forty years, describes in graphic detail how white rule over slaves was predicated on the infliction of terror on the bodies and minds of slaves. Thistlewood treated his slaves cruelly even while he relied on them for his livelihood. Along with careful notes on sugar production, Thistlewood maintained detailed records of a sexual life that fully expressed the society's rampant sexual exploitation of slaves. In Burnard's hands, Thistlewood's diary reveals a great deal not only about the man and his slaves but also about the structure and enforcement of power, changing understandings of human rights and freedom, and connections among social class, race, and gender, as well as sex and sexuality, in the plantation system.