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An exploration of the historic relationship between Australia and India.
Over the past four decades, the "globalized" aspects of cultural circulation have received the majority of scholarly-and consumer-attention, particularly in the study of South Asian music. As a result, a broad range of community-based and other locally focused performance traditions in the regions of South Asia have remained relatively unexplored. Theorizing the Local provides a challenging and compelling counterperspective to the "globalized," arguing for the value of comparative microstudies that are not concerned primarily with the flow of capital and neoliberal politics. What does it mean for musical activities to be local in an increasingly interconnected world? To what extent can theoretical activity be localized to the very acts of making music, interacting, and composing? Theorizing the Local offers glimpses into rich musical worlds of south and west Asia, worlds which have never before been presented in a single volume. The authors cross the traditional borders of scholarship and region, exploring in unmatched detail a vast array of musical practices and significant ethnographic discoveries-from Nepal to India, India to Sri Lanka, Pakistan to Iran. Enriched by audio and video tracks on an extensive companion Web site, Theorizing the Local is an important study of South Asian musical traditions that offers a broader understanding of 21st-century music of the world.
This book explores a range of connections between India and Australia that fall outside the formal diplomacy of the two states. It examines how race, class and gender shape conceptions of the two nations, whose voices are heard and whose are not, and the politics that emerge from sport, culture, the drive for development as well as from language and the poetic. The book seeks to challenge the primacy of the state in determining the character of the nation and its monopoly of relations with other peoples. To this end, it looks to everyday life to find linkages not only between India and Australia but also extending through the South and Southeast Asian regions. This book was published as a special issue of Postcolonial Studies.
The city heats up, but it never slows down. June is here, and in the run up to Ultra Music Festival in Korea and Road to Ultra in Macau on the 13th, we have a chat with two of the biggest names in EDM. Dutch superstar Nicky Romero gives us the lowdown on his relationship with David Guetta in our A-Side (P18), and German mega producer Thomas Gold chats us through his production process in our B-Side (P22). In the spirit of Ultra, we decided to try producing a track ourselves. In Production 101 (P26) we sit down with the guys at Sol Passion Music, who reveal to us the level of skill that really goes into those huge EDM tracks. Summer’s arrival means it’s music festival season, and we’ve gathered a list of some of the world’s best, with special deals from Flight Centre to each one (P28). Check out our fashion shoot (P32) for some of the chicest urban trends for summer, and On The Streets (P44) to see how they’re being worn around Hong Kong. The weird and wonderful cocktails at Ham & Sherry’s Back Bar couldn’t go ignored this month; check out On The Rocks (P42) to see what we mean. In Boom’s Kitchen (P40) we try out the fusion cuisine at Fresh Modern Kitchen, and fall in love with their seafood creations. Of course, we’ve got more music recommendations for you in Mixer (P46) and Asian Mixer (P48), and don’t forget to check your monthly Zodiac (P58)! Find our Hidden Tracks section for some of HK’s coolest bloggers keeping us up to date with their passions, and look out for snaps of your friends in Rewind (P62). But before all that, let us guide you through the essential events on this month (P4). Sit back and buckle up; it’s gonna be a busy one!
This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia. Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971. Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media. The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region. This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists.
This book analyses the metaphysical and poetical notions and the processes of ‘rooting into a culture’ and ‘routing out of a culture’ in the context of South Asian diaspora in Australia. These diasporic narratives are often characterised by bifurcated and dislocated identities that exist in a liminal space, in-between two identities, two cultures, and two histories. Yet, ‘home’ remains, through acts of imagination, remembering and re-creation, an important reference point. The author argues that a clearer notion of politics of location is required to distinguish between the different kinds of ‘dislocation’ the immigrants suffer, both psychologically and sociologically. The diaspora is Australia is an under-studied topic, and this book fills a lacuna in South Asian diaspora studies by analysing and calling upon a wide range of works in this field from historical, anthropological, sociological, cultural, and literary studies.