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This book interrogates the identity politics involved in framing Colombian diasporas, examining the ways that creative writers, directors, performers and artists negotiate collective and personal experiences that shape their identities through their art and cultural productions. New consideration of the diversity of Afro-Latin American and Indigenous communities within the overarching categorization of "Colombianness" or Colombianidad have led to increased focus on the representation of Colombia and Colombian diasporic communities. By focusing on different cultural productions—novels, memoirs, films, plays and visual arts—this book analyzes the performance of Colombianidad by communities throughout the diaspora. Topics include Afro-Colombian, US Latinx, Caribbean and queer identity, marginalization of racialized bodies within Colombia and the Colombian diaspora, and the politics of identity representation. Colombian Diasporic Identities: Representations in Literature, Film, Theater and Art examines how a consciously Colombian diasporic existence travels and is altered across geographic locales. Colombian Diasporic Identities will be key reading for scholars and students in US Latinx studies, and Latin American diasporic studies, together with ethnic studies, gender studies, queer studies and literature.
This book explores the transnational practices of migrant groups in global London, illustrating the complex relations between migrants and the city in the context of globalisation. The chapters offer a starting point to examine migrants and the city from a comparative perspective by bringing together case studies of diverse migrant communities. They use ‘languaging’ as the central concept in the development of an interdisciplinary framework that creates an opportunity to ‘talk across disciplines’ to engage with key issues crisscrossing migration, cities and language. The book promotes ‘language-based’ or ‘language-sensitive’ research, drawing on the plurilingual repertoires and the language and translanguaging practices of migrant communities as the tool for data collection and ethnographic fieldwork. This approach generates fresh insights into the complex issues of diasporic identities, belonging and place-making, which have broad implications for migration studies in post-Brexit Britain and beyond.
This book focuses our attention on yet another community that has been scantily represented in Latino/a/x studies scholarship. US Colombians are no longer content to be characterized as “the other Latinos,” and the editors of this special issue make the case that study of US Colombianidades enhances and productively troubles Latino/a/x studies. This engaging set of essays highlights the rich diversity of US Colombianidades as well as the group’s similarities and differences with other Latino/a/x groups. With its innovative cultural studies and social sciences perspectives and interpretive theories, this volume offers a deep dive into issues such as how racial, gender, sexual, and socioeconomic realities shape US Colombian experience; the representation of US Colombians in popular culture; interethnic relations between Colombians and other Latina/o/xs; the political participation of Colombians in US electoral politics; Colombian transnational understandings of identity; and much more. I want to thank the editors of this special issue—Lina Rincón, Johana Londoño, Jennifer Harford Vargas, and María Elena Cepeda—for curating a set of articles that will most certainly inspire Latino/a/x studies scholars to expand our notions of Latinidades and be attentive to the ways in which a focus on US Colombianidades complicates and enriches our field. Previously published in Latino Studies Volume 18, issue 3, September 2020
Interdisciplinary celebration of the cultural contributions of members of the African Diaspora in the Western hemisphere.
By studying multiple cultural expressions of Blackness throughout different regions of the Americas, the chapters of this book consider the relationship that social and historical processes such as sovereignty and colonialism have on cultural productions made by and about Black Latin American women. Rosita Scerbo analyzes a range of power dynamics as represented in different artistic media of the Afro-Latin/x American community, including photography, muralism, performance, paintings, and digital art. The book acknowledges that racial and gender equity cannot exist without Intersectionality and that is why the entirety of the chapters focus on cultural and visual productions exclusively created by Afro-descendant women. The Black Latin American women featured in the various chapters, spanning multiple artistic mediums and originating from various Latin American and Caribbean nations, including Mexico, Colombia, the Dominican Republic, Puerto Rico, Brazil, and Cuba, collectively pursue the central aim of foregrounding the Afro-descendant woman’s experience. Simultaneously, they strive to enhance the visibility and acknowledgment of gendered Afro-diasporic culture within the Latin American context. The book will be of interest to scholars working in art history, gender studies, women’s studies, Latin American studies, African diaspora studies, and race and ethnic studies.
The Routledge Handbook of Latinx Life Writing provides an in‐depth introduction to Latinx life writing, taking a historical approach to the study of a variety of key Latinx life writers, genres, and thematic concerns. This volume includes chapters on fundamental genres of Latinx life writing including memoir, autobiography, oral history, testimonio, comics and graphic texts, poetry of protest, and theatre to more fully depict the breadth, dynamism, and vibrancy of Latinx life writing. Latinx people continuously engaged in the empowering act of telling their stories and narrating their lives, producing writing that at various times and in various ways expressed their joy, expressed their rage and anguish, and ultimately, asserted their subjectivity all the while indelibly contributing to the American literary landscape.
The authoritative source for information on the people, places, and events of the African Diaspora, spanning five continents and five centuries. The field of African Diaspora studies is rapidly growing. Until now there was no single, authoritative source for information on this broad, complex discipline. Drawing on the work of over 300 scholars, this encyclopedia fills that void. Now the researcher, from high school level up, can go to a single reference for information on the historical, political, economic, and cultural relations between people of African descent and the rest of the world community. Five hundred years of relocation and dislocation, of assimilation and separation have produced a rich tapestry of history and culture into which are woven people, places, and events. This authoritative, accessible work picks out the strands of the tapestry, telling the story of diverse peoples, separated by time and distance, but retaining a commonality of origin and experience. Organized in A–Z sections covering global topics, country of origin, and destination country, the work is designed for easy use by all.
This volume brings together scholars in sociolinguistics and the sociology of new media and mobile technologies who are working on different social and communicative aspects of the Latino diaspora. There is new interest in the ways in which migrants negotiate and renegotiate identities through their continued interactions with their own culture back home, in the host country, in similar diaspora elsewhere, and with the various "new" cultures of the receiving country. This collection focuses on two broad political and social contexts: the established Latino communities in urban settings in North America and newer Latin American communities in Europe and the Middle East. It explores the role of migration/diaspora in transforming linguistic practices, ideologies, and identities.
In this unique and groundbreaking collection, writers, critics, historians, and poets celebrate the cultural contributions of members of the African diaspora in the Western Hemisphere. Beginning with the cries and prayers of Gina Athena Ulysse to the Haitian loa Erzulie in the aftermath of the earthquake in Haiti, each writer in the collection engages in the recovering of the past, highlighting that which has been buried in the history of time. The contributors look at a wide range of artistic productions, from poetry and fiction, to art, music, and film, and martial arts produced in Cuba, Columbia, Brazil, Haiti, and the United States. Haitian Creole, Spanish, and English are brought together, giving the reader a vivid sense of the multiplicity of voices in the African diaspora. Rather than concentrate on the dispersion of peoples of African descent, this collection focuses instead on the multiple sites of origins in the Americas, as diasporic legacies are found throughout the continent.
Located near Cartagena de Indias, Colombia, Palenque is a former Afro-Hispanic maroon community that has recently attracted much national and international attention. The authors of this collection examine Palenque’s linguistic, geographic, and cultural origins from interdisciplinary and theoretically diverse perspectives. Extensive in situ fieldwork and long-term familiarity with the Palenquero community form the basis of the seven essays, all of which are enriched by data from archival and other scholarly works. In this book, linguists, literary scholars, historians, and specialists in cultural and visual studies thereby enter into mutually enriching dialogues about the origins and nature of Palenque’s unique Lengua (local creole) and culture. This rich tapestry of ideas is decidedly international, as its authors are members of academic institutions in the United States, Europe, and Latin America. Orality, Identity, and Resistance in Palenque (Colombia) is an updated translation of Palenque, Colombia: Oralidad, identidad y resistencia, 2012.