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In the horrific conflict of 1914–1918 known first as “The Great War” and later as World War I, Latin American nations were peripheral players. Only after the U.S. entered the fighting in 1917 did eight of the twenty republics declare war. Five others broke diplomatic relations with Germany, while seven maintained strict neutrality. These diplomatic stances, even those of the two actual belligerents—Brazil and Cuba—did little to tip the balance of victory in favor of the allies, and perhaps that explains why historians have paid scant attention to events in Latin America related to the war. Nevertheless, it is still remarkable that Percy Alvin Martin’s classic account, Latin American and the War, first published in 1925, remains the standard text on the topic. This book attempts to redress this gap by taking a fresh look at developments between 1914 and 1921 in one of the neutral nations—Colombia. This period, which coincides with the presidency of José Vicente Concha (1914–1918) and his successor, Marco Fidel Suárez (1918–1921), is filled with momentous developments not only in foreign policy, when Colombian diplomats pressured by German, British and U.S. propaganda struggled to maintain strict neutrality, but also on the domestic scene as the newly installed Conservative regime faced political and economic crises that sparked numerous and violent protests. Rausch's examination of the administrations of Concha and Suárez supports Martin’s assertion that even those countries neutral in the Great War were not immune from its effects.
In 1960, when World War II might seem to have been receding into history, a number of artists and writers instead turned back to it. They chose to confront the unprecedented horror and mass killing of the war, searching for new creative and political possibilities after the conservatism of the 1950s in the long shadow of genocide. Al Filreis recasts 1960 as a turning point to offer a groundbreaking account of postwar culture. He examines an eclectic group of artistic, literary, and intellectual figures who strove to create a new language to reckon with the trauma of World War II and to imagine a new world. Filreis reflects on the belatedness of this response to the war and the Holocaust and shows how key works linked the legacies of fascism and antisemitism with American racism. In grappling with the memory of the war, he demonstrates, artists reclaimed the radical elements of modernism and brought forth original ideas about testimony to traumatic history. 1960 interweaves the lives and works of figures across high and popular culture—including Chinua Achebe, Hannah Arendt, James Baldwin, Amiri Baraka, Paul Celan, John Coltrane, Frantz Fanon, Roberto Rossellini, Muriel Rukeyser, Rod Serling, and Louis Zukofsky—and considers art forms spanning poetry, fiction, memoir, film, painting, sculpture, teleplays, musical theater, and jazz. A deeply interdisciplinary cultural, literary, and intellectual history, this book also offers fresh perspective on the beginning of the 1960s.
The first full-length study of World War II from the Latin American perspective, this unique volume offers an in-depth analysis of the region during wartime. Each country responded to World War II according to its own national interests, which often conflicted with those of the Allies, including the United States. The contributors systematically consider how each country dealt with commonly shared problems: the Axis threat to the national order, the extent of military cooperation with the Allies, and the war's impact on the national economy and domestic political and social structures. Drawing on both U.S. and Latin American primary sources, the book offers a rigorous comparison of the wartime experiences of Argentina, Brazil, Chile, Central America, Gran Colombia, the Dominican Republic, Mexico, Panama, and Puerto Rico.
Topics include: the influence of Leni Riefenstahl; negro soldiers; depicting Vietnam in films. Films examined include: Sergeant York, Air force, Saving Private Ryan, The thin red line.
In her Four Essays on World War II, Olena Stiazhkina inscribes the Ukrainian history of World War II into a wider European and world context. Among other aspects, she analyzes the mobilization measures on the eve of the war, and reconsiders Soviet narratives on them. Scrutinizing social and political processes initiated by the Bolshevik leadership in the 1920s and 1930s, she outlines how mobilization and militarization became integral parts of Soviet politics. Today, the Kremlin uses Soviet and post-Soviet Russian narratives of World War II to justify its aggressive policies towards a number of democratic countries. Russia is engaged in falsification of the past to underpin claims of a so-called “Russian World” and its ongoing war against Ukraine. Against this background, Stiazhkina offers a new understanding of what happened in Ukraine before, during, and after World War II.
Documents and analyzes the vast array of peace initiatives that have emerged in Colombia. This title explores how local and regional initiatives relate to national efforts and identifies possible synergies. It examines the multiple roles of civil society and the international community in the country's complex search for peace.
Although they have never made up more than 3% of Colombia's population, individual Germans and German companies have been present in every era of the nation's history. the object of this book is to provide an overview of German involvement in Colombia from the sixteenth century conquest to the ears after World War II in order to demonstrate that their contributions to the nation's development has bee far more significant than their scant numbers suggest.
The laws of war and Colombia
This controversial book maintains that in Colombia the US has long supported a pervasive campaign of state violence directed against both armed insurgents and a wide range of unarmed progressive social forces. While the context may change from one decade to the next, the basic policies remain the same: maintain the pro-US Colombian state, protect US economic interests and preserve strategic access to oil. Colombia is now the third largest recipient of US military aid in the world, and the largest by far in Latin America. Using extensive declassified documents, this book shows that the so-called "war on drugs", and now the new war on terror in Colombia are actually part of a long-term Colombian "war of state terror" that predates the end of the Cold War with US policy contributing directly to the human rights situation in Colombia today.
Updated to include the historic 2022 presidential election, this deeply informed and accessible book traces the history of Colombia thematically over the past two centuries. LaRosa and Mejía move beyond the common perception of a failed state to explore the rich heritage and dynamism that have characterized Colombia past and present.