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The book is addressed to scholars and students in sociology and in phenomenological philosophy. It presents the work of Durkheim in a new light and discusses the prevailing interpretations in the collective intentionality approach. It also provides a fresh conception of collective consciousness which illuminates features unattended by the traditions initiated by John Searle, Dan Zahavi and the Center for Subjectivity Research, and the Nordic Society of Phenomenology. This lucidly written book is of interest to students and scholars researching Durkheim's, Husserl’s and Schutz’s works.
The book is addressed to scholars and students in sociology and in phenomenological philosophy. It presents the work of Durkheim in a new light and discusses the prevailing interpretations in the collective intentionality approach. It also provides a fresh conception of collective consciousness which illuminates features unattended by the traditions initiated by John Searle, Dan Zahavi and the Center for Subjectivity Research, and the Nordic Society of Phenomenology. This lucidly written book is of interest to students and scholars researching Durkheim's, Husserl's and Schutz's works. .
Social Phenomenology: Husserl, Intersubjectivity, and Collective Intentionality brings together insights from the tradition of Husserlian phenomenology and from recent discussions of collective intentionality. Eric Chelstrom offers a unique account of how consciousness is formative of the social world-that is, in some cases our collectively thinking something to be the case is what makes it so. For instance, that the money one uses on a daily basis is worth something is not because of its physical characteristics, but because we believe that those physical traits, printed by the right institutions, make it so. Our institutions only have authority because we believe they do. This book promotes a position between atomism and collectivism. Chelstrom argues that there is, strictly speaking, no such thing as collective consciousness. Further, this book disputes the atomistic conception of the human subject, the view that individuals are like islands unto themselves, able to develop their capacities independent from others, and free of necessary relations to others. The resulting analysis in the work offers a strong challenge to common interpretations of the philosophy of Edmund Husserl. Social Phenomenology is primarily written for phenomenologists concerned with the social world. Its broader aim, however, is to draw into dialogue both analytic and continental philosophers working in social philosophy, specifically on collective intentionality. Book jacket.
Philosophical work on the mind flowed in two streams through the 20th century: phenomenology and analytic philosophy. The phenomenological tradition began with Brentano and was developed by such great European philosophers as Husserl, Heidegger, Sartre, and Merleau-Ponty. As the century advanced, Anglophone philosophers increasingly developed their own distinct styles and methods of studying the mind, and a gulf seemed to open up between the two traditions. This volume aims to bring them together again, by demonstrating how work in phenomenology may lead to significant progress on problems central to current analytic research, and how analytical philosophy of mind may shed light on phenomenological concerns. Leading figures from both traditions contribute specially written essays on such central topics as consciousness, intentionality, perception, action, self-knowledge, temporal awareness, and mental content. Phenomenology and Philosophy of Mind demonstrates that these different approaches to the mind should not stand in opposition to each other, but can be mutually illuminating.
This ground breaking work explores the genealogical analysis of the discourses of reflection. Barry Sandywell traces the differences between the traditional discourses of reflection and the experiences of reflexivity in everyday, social and philosophical thought. Brilliantly organised and abounding with astonishing insights, Reflexivity and the Crisis of Western Reason offers a fundamental challenge to our normal ways of viewing social thought.
Written by one of America's foremost geographers, Postmodern Geographies contests the tendency, still dominant in most social science, to reduce human geography to a reflective mirror, or, as Marx called it, an "unnecessary complication." Beginning with a powerful critique of historicism and its constraining effects on the geographical imagination, Edward Soja builds on the work of Foucault, Berger, Giddens, Berman, Jameson and, above all, Henri Lefebvre, to argue for a historical and geographical materialism, a radical rethinking of the dialectics of space, time and social being. Soja charts the respatialization of social theory from the still unfolding encounter between Western Marxism and modern geography, through the current debates on the emergence of a postfordist regime of "flexible accumulation." The postmodern geography of Los Angeles, exposed in a provocative pair of essays, serves as a model in his account of the contemporary struggle for control over the social production of space.
This book explores collective consciousness and how it is applied to the pursuit of gender justice in international law. It discusses how the collective mode of behaviour and identity can lead to unconscious role-playing based on the social norms, expectations or archetypes of a group. Alexandra Walker contends that throughout history, men have been constructed as archetypal dominators and women as victims. In casting women in this way, we have downplayed their pre-existing, innate capacities for strength, leadership and power. In casting men as archetypal dominators, we have downplayed their capacities for nurturing, care and empathy. The author investigates the widespread implications of this unconscious role-playing, arguing that even in countries in which women have many of the same legal rights as men, gender justice and equality have been too simplistically framed as ‘feminism’ and ‘women’s rights’ and that giving women the rights of men has not created gender balance. This book highlights the masculine and feminine traits belonging to all individuals and calls on international law to reflect this gender continuum.
The book presents a contrasting study of the views of ancient Indian, Chinese, Greek, Middle Eastern, and Russian philosophers on creativity. It also discusses the subject of creativity as viewed by Freud, Jung, Adler, the Gestalt school, and other prominent Western psychologists. A special place is provided for an overview of the history of Soviet psychology, and of the revival of psychology in Azerbaijan after the fall of the Soviet Union. The author emphasizes the importance of the social environment in determining the development of the personality. He states that most personal activity is directed at serving the values of the surrounding society, not the values of the person himself. The author considers that creativity is a psychic defense mechanism which people use to solve everyday problems in order to restore their inner and outer equilibrium. Samad Seyidovs study of creativity comes at the right time and from the right place. Not only are we passing through a period of rapid change, particularly in such fields as nanotechnology, neuroscience, physiological psychology, and genetics, but also the participants in this change are no longer limited to a small group of western countries, but are increasingly appearing in different parts of the world. If the social upheaval that these changes are having in established societies is great, it is even greater in newly emerging societies. Are we equipped to manage these changes, and can the creative arts and sciences join to interpret them, drawing on their varied traditions in order to do so? That is surely the vital question that we carry away from Professor Seyidovs important study of personality and creativity. Prof. Eleni Karamalengu, National & Kapodistrian University of Athens
“The Universal Mind: The Evolution of Machine Intelligence and Human Psychology” There is the perception of being totally omniscient where one has access to all knowledge having a complete understanding of everything. There is also the perception of being totally “One with the Universe”, "One with Nature" or "the Universal Mind". During this time one is also experiencing the feeling of total love, acceptance and peace. This book examines the relationship of mind as intelligence and consciousness to matter-energy and space-time. The concepts of Universal Mind or Collective Unconsciousness are discussed and related to physical phenomena such as the holographic distribution of information throughout all of space and the universe. From the paintings of Salvador Dalí to Carl Jung’s Archetypes and his Red Book, and how they describe our collective subconscious, to Machine Learning and Whole Genome Sequencing. The Universal Mind explores the collective world consciousness, super-intelligence, machine intelligence and the practical applications in engineering, medicine, law, and politics. 537 Pages. Tags: Philosophy, Computer Science, Collective Consciousness, Artificial Intelligence, Technological Singularity, Analytical Psychology.
This substantial and ambitious dictionary explores the languages and cultures of visual studies. It provides the basis for understanding the foundations and motivations of current theoretical and academic discourse, as well as the different forms of visual culture that have come to organize everyday life. The book is firmly placed in the context of the 'visual turn' in contemporary thought. It has been designed as an interdisciplinary or transdisciplinary introduction to the vocabularies and grammars of visuality that inform thinking in the arts and humanities today. It also offers insight into the philosophical frameworks which underpin the field of visual culture. A central theme that runs throughout the entries is the task of moving away from a narrow understanding of visuality inherited from traditional philosophy toward a richer cultural and multi-sensorial philosophy of concrete experience. The dictionary incorporates intertextual links that encourage readers to explore connections between major themes, theories and key figures in the field. In addition the author's introduction provides a comprehensive and critical introduction which documents the significance of the visual turn in contemporary theory and culture. It is accompanied by an extensive bibliography and further reading list. As both a substantive academic contribution to this growing field and a useful reference tool, this book offers a theoretical introduction to the many languages of visual discourse. It will be essential reading for graduate students and scholars in visual studies, the sociology of visual culture, cultural and media studies, philosophy, art history and theory, design, film and communication studies.